From April 25 – 28, ZACH will lead a band featuring Nashville legends -while performing LIVE at the world famous Tootsie’s Orchid Lounge in Nashville during live tapings of the hit NFL Network show “Good Morning Football”Zach’s band Zachariah & the Lobos Riders recently released their new album “Hacienda” to high praise Lead singer Zach Selwyn, a former ESPN personality and digital sports content talent for TBS currently hosts the new interactive game show “Stacks” – Returning fall 2019. Stay tuned for more NFL Draft information! Show airs 6am-10am – prepare for NFL FREESTYLES, COUNTRY REWRITES, COVERS, EPIC CLOTHING and Zachariah ORIGINALS!
48 hours into a nine-day cruise on the Baltic Sea, I successfully traded a first season DVD of the TV show SMILF for a bottle of French wine.
Confused?
About two weeks ago, my friend Dan asked me to help punch up some scripts for a new live music/theatrical show he was producing on the Lightdream Cruise Line – a ship that is the size of some small cities – with 4000 passengers aboard and over 1200 staff members… Always one for an adventure, I took the gig, fondly recalling the last time I was on a cruise back in high school… I bathed in crystal blue waters, ate unlimited five star food, seduced beautiful women and sipped tropical cocktails by the pool… I was hoping this would be the same thing.
Ehhh, not so much.
Following a 17-hour travel day, Dan, the show’s producer Mark and I boarded the ship in Brest, France. Following our long trip, I was craving a glass of red wine and some Netflix. We met our cruise liasion, Sarah, and she gave us the lay of the land…
“So where’s like, the best bar on the ship?” I asked.
“Oh honey, there’s no alcohol until we reach Copenhagen in four days,” she said.
“Excuse me?” I replied.
“Yep. And all the restaurants are closed. Oh, and be aware that there’s no internet or facilities open now… This is called ‘Dry Dock.’”
“And where can I jump overboard?”
As I contemplated learning how to make “toilet merlot” in my cabin, I got the rundown on what exactly “Dry-Dock” is.
“Dry-Dock” is when the ship is being refurbished, rebuilt and cleaned. For weeks, it is in a state of disrepair and thousands of contractors from over 50 countries tear up carpets, put up stages and gather for their three meals a day in the makeshift dining room. People are monitored, allowed 45 minute meal windows, told to avoid sexual contact, can be kicked off board if they have weapons or contraband and nobody is allowed off the ship once they are on…
Sound familiar? Yeah, that’s because it sounds exactly like prison.
The view during ‘Dry Dock.’
If I was going to write a Yelp review about the makeshift dining room where we were forced to eat, I would describe it as “Just a cut below Cracker Barrel…with all the ambience of a shopping mall Red Robin.”
Still, it was our only option and Dan, Mark and I became our own little prison gang, talking under our breaths about Broadway shows and musical theater as massive Scottish, Irish and Croatian guys cursed in their own languages, swallowed gallons of coffee and made us feel like we had to kick one of their asses to establish our dominance in the jail yard…
“I guarantee you we’re the only guys in this dining room right now discussing The Greatest Showman,” Mark said.
The food was constantly recycled and turned into a “new dish” the following day. For instance, the leftover “Breaded Chicken and Peppers” from the night before suddenly showed up again the next morning in the “Breaded Chicken Veggie Scramble.” At one point, I counted four meals in a row featuring a fish called branzino.
Enjoying my 5th Branzino dish of the week…
Common Mistake
One day in the slop line, I chatted up one particularly nice Irish pipe-fitter named Lochlin as we were served what was being passed off as “Lamb Stew.”
“Hey man – where’s the booze on this ship?” I whispered. “Somebody’s gotta have something?”
“Booze? You gotta cohme to Deck One,” he replied in a thick brogue. “We smahggled in everything… booze, dihrty mags, DVD’s.”
And just like that, my trip was saved.
“Wait – why do you have DVDs?” I inquired.
“Shite – with no intehrnet – DVD’s are our only fohrm of entertainment. They’re in high demahnd… Unless you have a thumb drive with pornahgraphy on it – that’s what everybady wants.”
He wasn’t lying. As it turns out, thumb drives with porn on them were traded among the contractors like cigarettes at Riker’s Island. If I could only download my weekly browsing history on Redtube.com, I’d be a very rich man.
“So how much are DVD’s worth?” I asked.
“Depends,” he said. “I just traded seahson one of Stranger Things for four pahcks of smokes… it was fookin’ brahlliant.”
It was then that I remembered I had a few DVD’s with me in my backpack. With any luck, I’d have something valuable on me… I also had a thumb drive that, if I recalled correctly, had Toy Story 3 on it from a family trip a few years back. I ran to my cabin to assess my stash.
In my bag, I had brought DVD’s of The Curious Case of Benjamin Button (Why I had this I have no idea.) Major League and Major League 2 (Research for a baseball comedy I was writing) and the first season DVD screener of the Showtime TV show SMILF – about a single mom who dates the wrong guys in Boston. It didn’t look very good, but the actress was hot. (I was sent the screener by the Emmy nominating committee, fyi).
I then checked my thumb drive, for Toy Story 3. It was gone. The only thing on it was my latest acting “demo reel.”
That night, Dan and I went downstairs to Deck One to see if we could get our hands on anything… a sip of wine, a beer… something to take away the endless jet lag and long nights of rehearsal.
Lochlin vouched for us – and the DVD’s were thrown on a table. About nine guys came and glanced at them, seeing if any of these films seemed appealing. Sadly, nobody was interested in Benjamin Button or the Major League movies.
“The Benjamin Button movie is too sad and we all fookin hate bahseball,” Lochlin informed me.
SMILF however, had some people intrigued. They wanted to know if the girl got naked, had any sex scenes, if it was funny, etc. I told them I wasn’t sure because I hadn’t watched it yet, but a small bidding war began.
My SMILF DVD’s started a crew-wide bidding war
One guy offered up a German porn magazine and two Heinekens. A Croatian guy said he had two packs of cigarettes and homemade Rakia – some type of homemade alcohol. Finally, Lochlin offered me a bottle of Bordeaux he had paid a Phillipino busboy 5 euros to smuggle on.
Lochlin took me to the bowels of the ship. These were the DiCaprio cabins from Titanic and the party going on down there was exactly what you think it would be. A guy was DJ-ing off a laptop, people were dancing and drinking… and there was even a guy giving makeshift haircuts using what I would refer to as my “pube clippers.”
10 Euros got you a trim.
In Lochlin’s room, he showed me how he and four other guys slept in the same room and shared a “Shoilet” – which is a combination of a shower and a toilet. I looked in the bathroom and nearly had a panic attack. These guys were living like pirates in the 1700’s but without barrels of rum, wenches and chests of gold.
He also told me the ship’s morgue was only two doors down the hall.
“The morgue?” I cringed. “For what?”
“About ten fuckers a year die on this ship,” he said. “Someone will prahbably die before we set sail tomorrow.”
Jesus Christ.
I urgently prodded Lochlin to produce the wine and I swiftly stuck it in my bag. I also noticed a couple of other bottles in his room as well. With two more days until Copenhagen, I offered up my thumb drive for another one.
“OK, look my friend – I’m actually an actor – on this drive is a three minute demo reel of a bunch of TV shows and movies I’ve been in… it aint much, but maybe worth at least a glass of wine?”
“Hmmm, “he said, actually contemplating the trade. “What mowvies have you been in?”
“Uhmm… A couple Disney shows, a Jim Gaffigan movie … I dunno – nothing you’ve probably ever seen…”
“Fuck that, Ill just take SMILF.”
I handed it over to him, and with that, I had my hands on a mediocre bottle of French Bordeaux.
Dan, Mark and I savored every pour of that wine that evening. As we giddily went off to bed, hoping to finally have a decent night’s sleep, we passed three contractors casually walking from the top deck somehow holding six beers in their hands.
“Woah, what the fuck?” Dan said. “Where’d you guys get that?”
“At the contractor bar upstairs,” the guy said.
What? A contractor bar? We ran up and caught the last five minutes of a ship regulated “pop-up bar” for the workers. It had been here the whole time and nobody had told us. As it turns out, all of the ship contractors were allowed to come to this bar for a two hour drink window… It was like when the caddies are allowed an hour in the swimming pool in Caddyshack.
Beers were $1.00 and a mini bottle of wine was $1.75. Mark bought the entire bar a round for $14.50.
$1.75 for a Mini Bottle of merlot? HELL YEAH.
The following night we were back up with the contractors, who were amazed that a couple of Americans had actually gone down to Deck One and made a wine deal with a Irish guy. One guy from Warsaw informed me that I had been ripped off. He would have given me three bottles of wine for SMILF.
We finally sailed towards Copenhagen and I was reminded of how beautiful the world can be outside of Los Angeles. The contractors left and the passengers got onboard and the drinks flowed and a lot of overweight older couples explored the ship and bought things that nobody in their right mind should ever buy.
At an onboard art auction, I watched two 75-year-old women violently bid on a 72 x 36 painting of a unicorn walking through Times Square… The lucky winner paid $2875 dollars for it.
Meanwhile, the cruise sailed on. We helped establish the flow and structure of the show. After a few days, you start to learn a lot from cruise employees. Most of them are on board for nine months at a time, and many of them are running from some dark, hidden past. It’s almost like the porn industry mixed with hotel management… Which often leads to bad decisions.
Sarah explained it further.
“Everybody sleeps together at first,” she said. “But then you realize you’re gonna have to see them every day for nine months. One night you have sex, the next day you’re fighting over the last box of Frosted Flakes in the buffet.”
“So I’m guessing you’ve stopped sailing your boat in company waters?” I joked.
“No way,” she said. “I banged a sushi chef last year.”
Another thing about cruise employees is that they are obviously extremely removed from current pop culture. At one point, Sarah told me that her favorite film of the past five years was “That amazing Ben Affleck move The Accountant.”
“You have to get off this ship,” I said.
The final night of the cruise and our show was up and running. I had befriended a bunch of new people and watched the show come together. One of the stage directors actually told me that I’d make a great cruise employee as I enjoyed talking to everybody and having a good time.
“I’m flattered, man – but I gotta get back to my family,” I said.
“Oh, you’re one of them…” he said with a sense of disappointment.
I had just been “Family Shamed” by a cruise ship employee.
He apologized for the way he reacted and just said he didn’t know a lot of people who were married with children. I told him not to worry about it and we wrapped up the show for the night.
He then excused himself and went to the shoilet…
MIGHT BANG IS COMING BACK! DOWNLOAD THE NICOLE SULLIVAN LIVE BONUS EPISODE BELOW!
Singer-Songwriter Zachariah Selwyn will release his 5th official LP next week, a country-hip hop concept album entitled “Firing Squad.” The record is based on an unreleased scripted western project that Selwyn has been developing for more than a year.
“I guess I wanted to get the music out before the project was done,” Selwyn says. “I know that projects like this sometimes get sidetracked.”
The “Firing Squad” soundtrack features female vocalist Gia Ciambotti (Bruce Springsteen/Joe Walsh) in a starring role, marking the first time the band has used utilized a second lead singer on record.
“Gia is an absolute mesmerizing presence on a microphone,” Selwyn explains. “I keep hoping she joins our band permanently, but the road isn’t that appealing for most of us anymore so for now we’ll keep it in the studio.”
“Firing Squad” also features longstanding band members Dan Wistrom, Bobby Joyner and producer/multi-instrumentalist Jesse Siebenberg. (Lukas Nelson).
Hey guys! I’m finally able to announce the release of my second novel “DROP DEAD GORGEOUS” – today on KINDLE! If you’re a digital reader, please take a look and enjoy! Sample chapters available in the link. Hard copies will be available in a week or so – so thank you all for your support! This is the official SEQUEL to “Austin Translation” – when Rob Stoner travels to Nashville to solve the mysterious suicide of his ex-girfriend. It’s murder, mystery and mayhem in Music City!
DROP DEAD GORGEOUS: AKA THE NASHVILLIANS
When True Crime Podcaster Rob Stoner is summoned to Nashville to investigate the mysterious suicide of his ex-girlfriend from 20 years ago, he suddenly finds himself making his way through Music City still holding onto lost dreams of his own music stardom. Things get even crazier when he discovers that his ex was holding a piece of paper in her hand with his phone number on it when she died. Now, Rob has to solve the crime, navigate his way around the shady side of the music business and try to get it all done without losing his marriage, his career and his mind…
PRAISE FOR “DROP DEAD GORGEOUS”
“I voiced a character in a musical comedy podcast which Zach wrote and produced. I thoroughly enjoyed collaborating with Zach, but felt strongly that the project was lacking the comedic device of death. I’m glad to see that Zach has combined all elements into this fast-paced murder comedy set in Music City.”
Zachariah’s new song explores the corporate logo marketing travesty that all of us 90’s kids endure every time we see a Nirvana or Ramones shirt for sale in Target or Wal-Mart. Back in 1992 I had to go to the concert to buy a $30 shirt. Now the logo is on onesies.
After a long night on the sauce, dont take your 2 kids to the Magic Kingdom. Hear Zach spin his tale about a fateful hungover day a the “Happiest Place on Earth.”
“Mr. Selwyn – I think you’ve got a chance to make a lot of money in traffic,” the slightly overweight man staring at me from my computer told me. “We loved your audition… Are you ready to become the next LA eye in the sky?”
“Uhmmm… Can I think about this for a couple of days?”
If you are wondering how I found myself in an online interview to become one of those traffic reporter guys with a nickname like “The SKYLORD,” look no further than the current state of the film and television industry in Los Angeles.
About a year ago, as the Screen Actor’s and Writer’s Guild strikes were coming to an end, I found myself pretty deeply in debt. My last job at a startup media company had gone away the same week that I had bought my first ever new car – a Tesla by the way – and my son was getting ready to start college. In two weeks, I had gone from a top creative executive at a media company to an unemployed 48-year old actor and musician… something I hadn’t been in three years. Expenses were high and no TV work was on the horizon. California’s ridiculous non-existent tax benefits on TV and film production had devastated the very industry that this town was originally founded upon. In short, Hollywood moved out of Hollywood.
To give you an example of how unions and tax incentives have fucked up this city, a friend of mine who is an indy film producer, recently told me about his upcoming project about a pack of possessed coyotes attacking hikers high in the Hollywood Hills. I auditioned. I got a great response. I was excited that something was going to be shot in my own backyard. When I asked my friend the producer about the shooting schedule in LA, he was perplexed…
“We’re not shooting in LA… We are shooting in Colombia,” he said.
I didn’t get the part.
So, as usual, I texted everybody I knew in the business and asked for work. Nobody had anything. Some were off trying their hands at real estate. Some were applying at Trader Joe’s. Others said the Apple Store had decent health benefits. It was bleak. So I logged back into my Linked In account and started looking for any job I could find.
One morning I stumbled across a company that was looking for “Voiceover Talent For a Radio Gig.” After filling out an online application, a recruiter named Steve Bunch reached out to me and asked me to record a simple vocal demo. He sent me a voice sample… and it did not take me long to find out that this was not some amazing cartoon voice job on a show like Family Guy…This audition was to become a traffic reporter in Los Angeles. A TRAFFIC REPORTER? Sure, it sounded like an odd job, but in a way it was totally in my wheelhouse. I’ve announced and done voices for hundreds of projects… and let’s just say I was intrigued. Especially when I found out that the gig promised, “AFTRA union pay, 100K, health insurance and a 401 K.”
A 401 K? I thought to myself… Shit, in my 28 years in Hollywood, I had managed to save about $3,200 for my future. If I could guarantee some wealth in my later years? I would talk about car accidents and freeway closures on the radio all day! Who cares if I didn’t know what a ‘Sig Alert’ was?
But first, let’s face it. Linked In absolutely sucks. In the five or six years I have been on the site – I’ve applied for hundreds of jobs ranging from writing to hosting to creative positions and production jobs… During that time I have maybe been given an interview TWICE. There is nothing more disheartening than seeing that 798 other candidates have already applied for the same gig and that they are more qualified than you are. I did get one paid gig from their website… and it involved selling my facial expressions to an AI company that was digitizing actors for $300. Hey, times are tough. I don’t have many other skills beyond the entertainment industry. Plus, I’m not about to start an “Only Dads” account where I do dirty things for old rich men who are into middle-aged Jewish guys. (Although my wife is contemplating a cooking-with-her-feet Only Fans channel called “Bon Appe-FEET.”)
We’ve already trademarked the name.
So, I wrote Steve Bunch back. I was asked to write something about traffic and record it as if I was announcing it on the radio. I researched some phrases and dropped a killer take on some made up freeway bullshit that sounded legitimate. Here is what i said:
We have a SIG Alert off the 405 just before the 101 freeway that’s been backing up traffic for ten minutes – we are GRIDLOCKED and LOADED – also if you’re heading into Glendale look out for that disabled vehicle on the 170 near Burbank- that should be clearing up in just a few minutes- and be careful of some sort of large dead animal if you’re anywhere near the westside around Bundy – there’s your afternoon traffic report- I’m Zach keeping you on track- and as always – getting you safely back… HOME.
Boom. I fucking nailed it. I threw a little reverb on my voice and sent it out to Steve Bunch awaiting an offer to start recording my voice from home for $100,000 a year.
Steve reached out the following day. He said I was a natural. He loved my audition and even remarked that I had potential to be “One of L.A’s top traffic talents…” if I stuck with it. He mentioned the LA legends of the past… like Bill Keene and modern day freeway phenoms like Stu Mundel and Ginger Chan.
“I’m not familiar with them,” I said, meekly.
“You will be.”
Through Steve, I quickly learned that being a traffic reporter involves a hell of a lot more than speaking traffic jam jargon into a microphone. In fact, this job was NOTHING like I had imagined.
“So, here’s how it works, Zach – firstly do you have a car?” Steve Bunch asked.
“Yes, of course!”
“Great… Well, this job requires you to be in-person at the office around 5:15 a.m. every day to get to the morning rush – but the good news is you’re DONE by 10:30… You can go home for a lunch break but need to get back by 1:00 for the after lunch commute. After that you’re pretty much prepping for the drive home around four and then you’re sending out reports until nine p.m.
“So… it’s like a 15-hour day?” I asked.
“Give or take, but you have breaks in between,” Steve Bunch said.
“Uhm… And where is the office, exactly?”
“We’re over in Long Beach by the 405. Where do you live?”
“Uhm, I’m like in Hollywood,” I said.
“Oh, well… you’d probably have to move.”
“Well, I drive my daughter to school and run carpools and like, all that stuff.”
Steve went silent. I heard him take a deep breath as if he had just been wasting his time in talking to me.
“You know, most of our applicants are empty nesters or they have a non-working spouse,” he said. “But if it helps, it IS an AFTRA job… so you would earn union wages. Like I said, there is a LOT of money in traffic.”
“Well, I mean – I can’t just uproot my family to Long Beach,” I said.
“Well, there’s a six-week training period you’d have to attend, most people move and rent places during that time”
“Really?” I giggled. “Six weeks? This whole thing seems pretty simple to me.”
For some reason, that pissed Steve Bunch off. As if I had broken the cardinal sin in traffic talk. He got serious and became slightly aggressive.
“You think this job is easy?” Steve responded. “You try listening to responders and police scanners all day and then writing traffic copy without the proper training. Lemme ask you a question. Do you even know what a Sig Alert is?”
Oh boy. Steve was mad. Here it was, my first job offer in nearly a year and a half and I was mocking the guy trying to recruit me directly to his face. I explained to Steve that I had no idea what the hell a ‘Sig Alert’ was – I just thought it meant that there was like, a SIGNAL that ALERTED you to bad traffic.
“Wrong,” Steve said, almost sounding appalled. “It’s when an incident causes a delay that lasts over 30 minutes or more. In your audition, you said you had a Sig Alert that was only a ten minute delay. That is HARDLY a Sig Alert, my friend. That’s called slight congestion!”
“Oh,” I said, humbled. “I guess there are some things I wasn’t aware of.”
Steve went on and on about obscure traffic factoids that could not have been more boring. I learned that the LAPD invented the Sig Alert in 1955 from a guy named Lloyd Sigmon who they named it after. I learned that a 1124 code meant there was an overturned vehicle. I even learned that CFJDE stood for “Caucasian Female Juvenile Driving Erratically”
“These are the types of things you need to be familiar with,” Steve said. “This is the traffic capital of the world and you have a chance to help these commuters get to their destinations… we’re sleek, organized and we take this job VERY seriously. Starting salary is 55 thousand but it will go up as you work overtime. So, what do you say? Would you be able to start training in the next two weeks?”
Look. I hate turning down jobs. Especially in today’s economy and with my debt where it is. BUT, to logically start every day of my week in Long beach at 5:15 would mean I leave my house at 4:30 a.m. I would never see my wife or my kids again. I would spend my entire life either IN traffic and talking about it. All I could think of was how I once dreamt of hosting the news on Saturday Night Live and now I was going to be telling radio listeners that there was an overturned turnip truck blocking three lanes on the 405 freeway. I politely had to tell Steve that I wasn’t able to take the job due to the long hours and the daily commute.
“Yeah, I understand,” Steve said, sounding defeated. “Seems like less people care about the traffic reports these days… Everybody’s got Waze and Google maps and A.I. and all that stuff… so weird. But who knows… if you change your mind, we may have a spot for you.”
“Sure, Mr. Bunch,” I said. “And thank you for the interview.”
Over the past year, I’ve told this story to a lot of people, many of whom are struggling to make ends meet in today’s Hollywood. Most folks agree that, although it may not have been the best job in the world, it sure would beat digging ditches. I just didn’t know how I would be able to pull it off with my family responsibilities. However, any time I am driving home and I happen to have a radio station playing and the traffic guy comes on and tells me about some lane closure or a deadly crash, I salute him for taking the leap into the world of traffic reporting. I wasn’t able to make it work, but you never know what the future holds. I just wanna be able to spend as much time with my family as possible before I’m an empty nester.
And tonight, it looks like I’m gonna be late for dinner… Seems like there’s a Sig Alert on the 101 South…
Re-Examining the 1997 NBA Draft – If I Had Been Selected…
(Originally published @Nerdist Sports 2017)
At the end of my senior year in college – despite having not played organized basketball since high school and maintaining a 1.8 blood alcohol level for four years straight, my friends dared me to declare for the NBA draft. I wrote an official letter the NBA commissioner David Stern and presented my accolades: Six-foot-two. 3.8 G.P.A. Fraternity scoring leader and dunk contest winner on the 8-foot hoop in the parking lot.
I wasn’t selected.
Looking back now, I have to argue that I might have been a better pick than 75% of the players in the 1997 NBA draft. Sure, the draft produced perennial all-stars Tim Duncan (#1), Chauncey Billups (#3) and Tracy McGrady (#9), but for every one of those guys, there are three Ed Elisma’s (#40), Bubba Wells’ (#34) and Ben Pepper’s (#55). Who’s to say that if I was chosen in the late second round I wouldn’t have made a better impact than a guy like 44th pick Cedric Henderson?
I was too short to be a forward, my high school position. My handle wasn’t strong enough to compete for a point guard slot, so basically, my only shot was to be drafted as a shooting guard – and my guess is I would have been picked somewhere around 46 – where Orlando took Alabama marksman Eric Washington. (Whose best year came with the Idaho Stampede in the NBA D-League in 2010).
Due to some late garbage time minutes, I estimate I would have averaged roughly 1.2 points a game… Which is more than draft picks C.J. Bruton (#52), Roberto Duenas (#57) and Nate Erdmann (#55) ever averaged in their careers.
The 11th pick of the draft was a guy named Tariq Abdul-Wahad. Nobody past the top 10 picks truly ever made a big statement in the NBA. Sure, Stephen Jackson (#42) was a key piece to the 2003 Spurs, Bobby Jackson (#23) was a sixth man sparkplug and Mark Blount (#54) was a dependable center for a few teams – but overall, 1997 was pretty mediocre… Even though I once bought into the ESPN theory that Jacque Vaughn (#27) would be the next Allen Iverson.
My own personal draft journey began after a two-game playoff run in the annual 1997 fraternity basketball challenge.
It was in a game against Pi Kappa Alpha. Their starting point guard tried to take me off the dribble to the left. I stuck my arm just above his bounce and poked the ball free into the open court. I ran after it, scooped it up and laid it in for the victory. My fraternity, Alpha Epsilon Pi had won our first play-off game in 10 years. In our next contest, we gave the brothers of Sigma Alpha Epsilon a good run, and I poured in 21 points. Ultimately, we lost on a late technical foul call when I got kicked out for calling the referee a “dickbag.”
It was after that game, while consuming a lot of Natural Light beer, that I decided to declare for the draft.
On draft day 1997, I sat on my mother’s couch with baited anticipation as the others had their moments. I ordered some pizza for my family. My mother thought I had lost my mind.
As the evening progressed, I had seen enough of the long, tailored mustard and pinstriped suits making their way to the podium to shake David Stern’s hand. I watched as guys like Tony Battie (#5), Danny Fortson (#10) and Antonio Daniels (#4) put on those crisp new NBA caps. I accepted the inevitable as the first round telecast came to an end.
The second round was only on the radio, so I sat in my Civic, listening in.
“And with the 48th pick in the 1997 NBA Draft, the Washington Bullets select Predrag Drobnjak from KK Partizan, Serbia.”
Really? A guy named Predrag was taken? Nobody could even pronounce his name. So what if he was a six-foot-eleven three time Euro League National Champion? I played on the frat tournament second runner-up team!
Most of the players from the ’97 draft ended up overseas, injured or, in Ron Mercer’s (#6) case, involved in a strip club assault or two. I was no different – except for the fact that I never played one minute in the NBA.
Then again, neither did Serge Zwikker (#29), Mark Sanford (#30) or Gordon Malone (#44).
I still think I would have had a shot.
Ed. Note: Zach Selwyn currently averages 15.2 points per game in his over 40-YMCA league.
In 1995, I had hair to my back, owned 329 bootleg Phish cassette tapes and dated a girl who didn’t shave her armpits with whom I shared a cat named “Fee.” Phish was more than a band. They were a way of life, and whenever they sauntered within 300 miles of Los Angeles, I was out the door, in my Honda Civic that I had named “Hayley’s Comet” (After an obscure Phish song), en route to another show somewhere down the road. In the 19 years since my first concert, I have seen Phish in 13 different states (and many altered ones). I have snuck into their dressing rooms during long, improvised jam sets and taken pictures of their guitar cases. I even made a long trip to Europe in 1996 to follow them around as the opened – yes opened- for Santana. The highlights of this trip included meeting Trey Anastasio in an Amsterdam café and shaking Mike Gordon’s hand outside of the venue in Paris… (As well as making out with plenty of European women, who didn’t speak a word of English). Yes, I was fanatical. Phish was even the reason I decided to “join the internet” – just to check out their website Phish.net – and they were the benchmark by which I held a person’s character. Did you like Phish? No? Sorry, we can’t be friends.
Mike Gordon’s road case. Taken backstage somewhere around… who the hell remembers. (photo by the author)
Every one of my close friends was right there with me. We would write letters of set lists from East Coast shows to buddies stuck in LA, send tapes, make mixes and throw listening parties. Throughout the years, some of us had been cited for possession, arrested for selling bootleg t-shirts and handcuffed at DUI checkpoints. One friend – Frisco Freddy – in an ecstasy-fueled dare – once got married to a girl he met at the Aladdin Theatre in Las Vegas at a drive-through chapel following the show. The danced to “If I Could” and made love in a hotel room shared by 12 people that night – as we all giggled listening to Frisco Freddy reach his climax. It was all part of the adventure. (The marriage was annulled 2 days later. Frisco Freddy is now Fred Goldfarb, commercial real estate agent).
It seemed so normal. It was our existence. If we timed our chemicals right, we might peak during a terrific “Chalkdust Torture” that would stoke college apartment discussions for weeks on end. My favorite moment/lyric of any Phish show was in the same song when Trey erupted into the brilliant line “Can’t this wait ‘til I’m old? Can I live while I’m young?!” The lyric clanged through our heads like the National Anthem.
The words were a true celebration of our freedom. Of being young, making our own bold choices and not wanting to face any responsibilities of the reality of survival in the real world. That lyric was my unofficial catch phrase for my way of life.
The author (on the right) with fellow Phish fan Dan Ryan on spring tour in 1996
When Phish concerts were announced, a plan was hatched to buy tickets and block out the dates roughly an hour after the show was revealed. We traveled anywhere, drove in any state of mind – and slept five deep on friend’s apartment floors. It was all part of being 20 and being in love with a band of 4 vagrant virtuoso musicians from Vermont who had captured the hearts of our generation. Nothing could ever distance me from my brothers – both onstage and in that endless, dancing crowd. The nameless faces who said to me “Have a good show” before every gate opened – and the post show strangers who would sell me a Pheelin’ Phine sticker and joint for ten bucks in the parking lot to help face the impossible comedown on the drive home.
And then, something happened.
Around 1998 – somewhere between college and the real world, something changed. I remember going to the July 20, 1998 show at the Ventura County Fairgrounds – and for the first time, at age 23 – feeling as if the band and I had suddenly grown apart. Maybe it happened during “Poor Heart” when I didn’t get up and dance like a maniac like I used to do – or maybe it happened somewhere in the second set during “Maze” when I suddenly developed a bunch of insecurities about my career choices and lack of girlfriend – I was never quite sure. All I knew was that there was definitely a grand abyss that suddenly presented itself before me. And my old friends in Phish somehow took the unlucky slack. I contemplated a drive to the following night’s show at Desert Sky Pavilion in Phoenix– site of some of the most memorable concerts of my youth… and I decided against it. It somehow seemed a little irresponsible and desperate. It seemed like another distraction from chasing my new path.
Don’t get me wrong, plenty of my friends attended and sent me letters telling me that they couldn’t believe I missed my home state gig – but I somehow didn’t care. (I think I saw Big Bad Voodoo Daddy at the Derby in Hollywood that same night and felt pretty damn good about myself…) Needless to say, the tides had turned. I was a different man.
I guess it seemed like Phish was a band that would keep me treading in the same spot rather than blazing a new path forward. The recent passing of a dear friend – who I last saw at a Phish concert a year prior – had brought a vague sorrowful cloud over the frivolity of my youth. It was as if a window of life had closed and a dream had ended. I sold Hayley’s Comet that summer and bought a more sensible 1998 Honda CR-V. It went unnamed.
My final show was September 17, 1999 at Shoreline. I sort of wandered around during a long jam session during the second set, seemingly bored. It was as if the drug had worn off and I couldn’t wait to get back to my room and climb into my bed. I was only 24 years old, but I had peaked. It was time to settle in, make some money and follow my own dreams of leading my own band – instead of just following someone else’s. I felt like the pupil who was about to overtake the instructor. When I finally got my band together, in 2002, the goal was to outdraw Phish in five years… Didn’t quite happen. (My band went on to hit some extremely minor success on the zombie country – rap music movie soundtrack circuit, but other than that, we never quite sold out Madison Square Garden…)
Oddly enough, a year after my last show, Phish would break up. I felt like I had timed it perfectly. For six strong years, I followed a band to the ends of the Earth – Draining my wallet while feeding my head and my soul. I was 25, and engulfed in Hollywood – listening to new finds like The Band, Gram Parsons and Little Feat. Suddenly, Phish seemed like a tiny speck on the musical map and I was done with their guidance. It had been a gorgeous journey but it had to come to an end. The CD’s and tapes began collecting dust as I opened my mind into a deeper track list of song and only occasionally reminisced about getting to do the clapping thing along with 13,000 people during songs like “Stash.” The band had broken up, my hair had been cut off and things like set lists and rides to shows no longer mattered. I didn’t think I’d ever see Phish live again.
The phone call came in two days before the concert. Our old friend Larry had bought four tickets to the 2012 West Coast summer tour kick off show at the Long Beach Arena. His first instinct was to gather the tribe back together for a reunion show. It was brilliant. Larry had assembled a crew of former fraternity brothers and Phish-heads alike, none being bigger than me – a man with nearly 35 shows to my name – including some back as far as 1993. Our pal Mike was coming – his first show since 1997. Also along for the ride was a man known as “The Sauce” for his heroic drinking capability back in college – a longtime fan who had seen over 12 shows. And Larry. As advanced a partier as I have ever known. Never without a pocket full of Percoset and a bottle of 18-year-old scotch in his back pocket. We were four old warriors returning for one more battle with the great gentle giant of our past. Prepared to run the place, the way we did in 1997… Prepared to experience an earth shattering revolutionary moment of clarity. Perhaps at a time when we all needed it the most.
All of us are in our late 30’s and married. Three of us have steady every day high-paying jobs. I’m the one without one. (Still coasting along in the entertainment industry). Amazingly enough, whereas we used to compare make out stores and conquests, now, all these years later, there are 9 children between the four of us. There is one stepdaughter and one baby on the way. It was a far cry from the days of smoking an ounce of weed in an old Ford Explorer with our sorority girlfriends. It was our time to prove that we could pretend we were 20, but always be aware that we are 37.
Larry’s offer was impossible to refuse.
See, I had actually broken my Phish hiatus a year earlier. The summer of 2011, I had gone to see Phish at the Hollywood Bowl, my first show in 12 years. It had blown my mind. The songs were familiar and inspiring and even new jams like “Backwards Down the Number Line” had me believing for a few glorious hours, that my life with the band was all worth it. I hit peaks, flashed back to marvelous memories on highways and in hotels, with girls and old friends and eventually simmered into a state of serenity as I took a $5.00 cab home from my neighborhood venue. I had never seen a more perfect concert. So, the possibilities a show in Long Beach held were endless. Old friends gathering once again in a beach community to smoke a little, drink a little and dance a little? It was a no-brainer. I signed up immediately. Mike and the Sauce were in too. The stage was set. We would meet down at the Long Beach Hilton around 5:00 pm and pre-party before hitting the show. If all went too crazy, we’d share a hotel room. We’d even try to carpool down to save money for parking and gas. We were planning on being more responsible, trying to spend a night not thinking about the troubles at work, our kid’s schooling and whether or not to sell our Facebook stock. Larry had even mentioned ecstasy. After a minute-long consideration, we all passed, but the knowing smiles we shared with each other only reminded us of a time more innocent when rolling on a tab of E was a guaranteed path to a brilliant Phish experience. Now, we decided to just have a few beers and maybe split a joint. We had grown.
A page from the author’s 1996 European scrapbook. Note the Santana/Phish Paris ticket. Oddly enough, that’s Larry on the right, walking a dog in a French countryside with our friend Chris.
The 5:00 meeting did not happen. When work let out, the traffic to Long Beach from Los Angeles was unbearable. I left my house at 3:30 and met up with the Sauce at 5. We then spent another hour and a half on the 405 and 710 to the LBC. It took us roughly three hours to get to the concert. I was fuming.
Back in the day, a two- day drive to Texas for a show would have never been out of the question. Now, however, spending three hours in a car these days is not my idea of a “night out from the kids.” And years ago, joints would have eased the pain of the ride as we blasted some live tape from 1992 smiling at the cars we crept along the freeway with. Now we were afraid to hold our cell phones up to our ears to avoid getting pulled over for not having “hands-free” devices.
The Sauce and I made a wrong turn off the 710, but somehow ended up meeting Mike and Larry at the hotel. After long lost friendly pleasantries were exchanged, the immediate recognition of spotting the familiar Phish army sank in once again. Kids showed up in John Fishman dresses – kooky Phish t-shirts from 30 years of merchandising gone right and plenty of MAN-dals. It was all as familiar as a “Bathtub Gin” guitar riff. As we approached the venue, we became aware that we were definitely amongst the older generation – probably by 7-10 years – and we quickly noticed the similarities between 1995 and 2012. Except for instead of being the longhaired young kids with hot girlfriends, we were the dirty old dudes drooling over hot 20-something hippie girls who were there with their boyfriends. It should also be noted that the hairy armpit girls of the 90’s were nowhere to be seen. The California crowd was HOT. Young, bountiful, blonde, sexy, natural, curvy and gorgeous. A far cry from the dreadlocked smock-wearing wanderers that would hitch rides with us from town to town in the 90’s. Somewhere in the past 15 years, Phish’s female fan base somehow got SMOKIN’ hot.
I smoked a joint with my old friends. We laughed, shared pictures of our kids and split decent gyros we bought from some dude on a bicycle. It started to feel like home once again. As we saw the throng of concert goers celebrating the very fact that it was a religious night we began smiling like we were all young and innocent again, We were transported back to a time of peace and incorruptibility, purity and clarity. We were in heaven.
I’m pretty sure I made my first mistake when I stood in a 30-minute line to get a wristband to buy beer. Nobody had told me that inside, there was a smaller line – so I freaked out and wasted a half hour. I also made the mistake of not using the port-a-potties outside. I saw five people waiting to pee and got frustrated. But when I went inside, the line was 75 dudes deep. Took me another 20 minutes to hit the head.
Still, as the anticipation mounted, the familiar feeling returned. I knew I was seeing one of my all-time favorite bands and I couldn’t wait to get into the music like I did one year earlier at the Hollywood Bowl. It had been five hours since I left my house. I had drunk a few beers and took a long hit off of another friend’s chillum pipe. I was flying high when they opened the show with “Suzy Greenberg” – an old school jam that I used to LOVE. I hadn’t even thought about the song in 16 years. But it sounded as boisterous and thunderous as it had all those years ago. The set continued. “Kill Devil Falls” is one of my newest favorites. “Bouncing Round the Room” made me reminisce of old friends and women dancing around my apartment. Just young and dumb and free… Fucking FREE.
The funny thing was, back in the 90’s I would have been able to tell you what song was beginning by the first three notes. I knew every opening riff, line, bass thump, drum kick, you name it. Now, it took me half a song to even recognize what it was. I wasn’t as up to the familiarity as I thought I was. Still, it didn’t matter. That first set was perfect. We were all happily stoned, shrugging off the $10.50 Miller Lites and ignoring the fact that the Long Beach Arena should really have been reserved for a WNBA game – and not a Phish concert in a fine-looking slice of California near the sea. Even the dozens of people near us smoking cigarettes didn’t bother us just yet. We were all in a Phish trance, heckling stadium vendors trying to sell kettle corn and churros to a bunch of drugged out super fans and doing our best to remember our killer dance moves.
My first Phish show cost me $15.00. These were $60 – Nothing but respect…
Everything was conscious. Everyone was free. Everyone was happy… Until they played “Stash.” It was then that I decided to make my first journey into my iphone to see what the name of the song was. (Back in college I would have had the lyrics tattooed on my arm, but now, I was struggling with the title). As I looked at my phone, my wife’s name appeared in a text. As did my brother’s. And a text from a possible business opportunity. Suddenly, Phish was GONE. I had to return my wife’s text to make sure the kids were OK. I had to send my brother a pdf file. I had to go talk to my business contact about the TV show idea he had. I was distracted. I suddenly realized it was Wednesday. Oh man, I had shit to do.
The classic “Stash” lyric “Was it for this my life I thought? Maybe so, maybe not” began.
It made sense when I was 20. It made perfect sense again.
I made sure I clapped at the right places and sang the “Ohhwooahh woah woah ooh” part in the song somewhat properly, albeit less enthusiastically than I had all those years ago, but I listened to that lyric repeat itself as I embarrassingly dove back into my phone. Afraid my friends would make fun of me for not being as entranced in the show as they were, I was pleasantly surprised to look over and see that Larry, Mike and the Sauce were all frantically texting into their phones as well. We were once slaves to the music. Now we were slaves to technology, wives, kids and work.
I decided to wait to go outside to call my wife until after the first set, which was a good move. But when Phish crushed the arena with “Quinn the Eskimo,” I was as as festive as anyone my age can get. As I drooled over some ridiculously hot dancing brunette who reminded me of half the girls I had dated in the 90’s, I began whispering to my friends about how old I felt at the show. We all nodded, laughed and high-fived.
I think The Sauce was the first one of us to yawn.
Still, I knew I had to go find a quiet place where I could calmly call my wife in peace and let her know I wasn’t wasted and that I would be home on time to wake up with the kids so she could go to work in the morning. As the set ended, and the place erupted, I darted for the doors. Somehow, I beat the bathroom line and even got a beer before getting stuck in sweat-filled traffic towards the front entrance where a full cell phone signal awaited. I called. It rang. My wife was asleep. I looked at the time. 9:45 p.m. Once, the beginning of my nights. Now? Fucking LATE,
I looked around at all of the fans around me. Most of them were texting, tweeting and updating Facebook pages, which I chalk up to the generation. However, when I saw the crew I had rolled with come outside, it was thoroughly predictable. We were all blowing kisses to our wives, checking on kids and even taking business calls. (Larry opened and closed a lawsuit between sets).
The Sauce took a 10-minute business phone call.
Mike went off to buy a churro and didn’t return for 40 minutes.
I sent photos of the crowd to my brother.
The guy next to me played Angry Birds.
30 minutes later, we were all exhausted and ready to call it a night. Still, we forced ourselves back inside. The anticipation was gone, the reality of an hour long drive back to L.A. sank in and we all crowded around the Long Beach water fountains for free cups of polluted tap water – just to avoid $4.50 twelve ounce Dasani’s from the concession stands.
The light shows are still spectacular, but once you have kids, they resemble “nightlights” rather than mind expanders…
As we sat in our seats, the lights came back and an unfamiliar tune came on. After five minutes of pretending we knew what it was, a guy behind us finally used his “Shazam” app on his phone and figured out it was “Rock and Roll” by Velvet Underground. The Phish version went on for 25 minutes. It was amazing. But then. The pdf file I sent earlier didn’t go through. Larry’s lawsuit took a turn for the worst. Mike’s churro sucked and The Sauce had to discuss hotel design with somebody in Macau. We were suddenly no longer the four Phish phreaks who would bed five girls before the night was through. We were grown men with responsibilities and allergies, children and long drives home. We were fading fast. When “Ghost” started, I shrugged it off. It was never one of my favorite songs, but I knew it well. It was one of those songs I had heard back when I began to separate myself from the band. Still, the song sounded great, and my body seemed to once again start buzzing… Until I realized it was just the buzz from another iphone text from my wife. Our two-year-old daughter was awake and crying. I felt guilty for not being there.
I’m pretty sure I was the second one to yawn.
Larry soon informed me during “Guyute” that he had a place for me to crash on his hotel room floor. My contact lenses were burning – and the drive home seemed impossible, but I figured it would be better for me to get home and not wake up in Long Beach hitching a ride back to Hollywood at my age, so I decided to go get some water from the tap once again. Four glasses later, and I was in the bathroom, staring at the bags below m eyes in the mirror while listening to two 20-something kids discuss some Festival in 2008 that I had obviously missed. I heard “Guyute” climax into that space age three chord re-birth that always made me happy and I smiled again. I was back inside, full of energy and ideas and resilience and glee. Until I returned to our section to find a good amount of the fans in my section seated and unconsciously bored.
“I’m bouncing like a newborn elf,” sang Trey.
Really? I didn’t see any newborn elves dancing near me. I saw four guys who were exhausted, rubbing their temples and beginning to worry about their hearing.
I stuck it out for “Julius” – one of my all time favorites – but when I noticed that our crew was all in the wife-texting mode we all looked at each other with an unspoken knowledge that it was time to go home. Yes, we had blossomed into the OLD GUYS AT THE PHISH SHOW. We weren’t quite what we used to be. And I think, truthfully, we were all a little grateful that we weren’t.
I remember waiting in line to buy Phish t-shirts as a kid to wear around college and try and instigate conversation. I made it a ceremonial task to buy a shirt at every show I went to. I have something like 22 Phish t-shirts in a closet in my house and I’ll hold onto them forever. Mike, Sauce, Larry and I thought we’d take a look at the newest merch and maybe drop a few bills. Of course, the only item that appealed to us was the baby onesies. Mike bought a toddler t-shirt and a newborn onesie. Larry got a onesie as well. I decided against it, as my kids were a little older, but it was the final moment of truth. We were now here just to tell our kids that we were there. The thrill had somewhat faded and we were all just looking forward to a decent night’s sleep.
The four of us attempting an iphone picture at the end of the show. Could be the first time the author has a cup of tap water in his hand in a photo – and not a beer – in 15 years.
It was the first time I had ever left before the encore. It was the first time I was happy to do so. It was the first time I hadn’t bought a beer, weed or burrito in the post-show parking lot. It was the first time I hadn’t left completely blasted out of my skull.
When Mike suggested taking a taxi back to the hotel three blocks away, all four of us smiled. Yes, a taxi! Brilliant! We were close enough to walk, but forget that idea, man. When we arrived at the Hilton, We split the $5.25 charge amongst four of is, said some pleasant good-byes and split apart. We had come to do what we came to do… sort of. It was a new experience on an old battlefield. WE were the decorated aging generals of yonder.
On the way home from Long Beach in my car, I fired up the MP3 player to “Chalkdust Torture.”
There was that magical phrase again.
“Cant this wait ‘til I’m old, can I live while I’m young…”
Well, I guess I let it wait ‘til I was old. I lived when I was young! And even though 37 still seems young in a way, when there are babies to feed and diapers to change at 6:00 in the morning, 37 is really fucking old.
Still, Phish will forever hold a deep piece of my heart – and should they play anywhere within 10 miles of me (haha) I will go anytime. The band is one of the reasons why I became a confident stage performer, a songwriter and a well-traveled man. They were a part of my youth, but also of my adulthood. They continue to offer inspiration and wild creativity but they also continue to keep me grounded. To know that nothing lasts forever… be it friendships, bands, trends, beauty, money… you name it. All we have is belief, love and music. And that ain’t bad at all.
Still, if anybody has an extra ticket for tomorrow night’s San Francisco show, I’m totally in… I’ll drive….
Zach’s band Zachariah & the Lobos Riders recently released their new album “Hacienda” to high praise Lead singer Zach Selwyn, a former ESPN personality and digital sports content talent for TBS currently hosts the new interactive game show “Stacks” – Returning fall 2019. Stay tuned for more NFL Draft information! Show airs 6am-10am – prepare for NFL FREESTYLES, COUNTRY REWRITES, COVERS, EPIC CLOTHING and Zachariah ORIGINALS!
Zach Selwyn 