Actor. Musician. Host. Writer. Dinner Guest.
Sadly, we had to postpone our summer shows – but we still have our merch! New T-shirts below! $25.00 – shipping included. DM z@zachariahmusic.com for info!
ALSO – our new EP CLOUD ROAD will be streaming everywhere in May 2020… HEADS UP! Early reviews have called it “Mac Miller meets Steve Earle.”We’ll take it!
See you in the FALL!
Z and LR!
*Warning – the following story contains sexually graphic and disgusting situations
My wife recently bought a $300 vibrator. It’s called a stingray. It pulsates. It’s waterproof. And it does everything but make sandwiches. My wife swears by it and they have a special relationship that extends beyond the bedroom. This throbbing beast has been brought up consistently at dinner conversations since she purchased it… I believe she even told her mother about it, as if she was introducing her to her new boyfriend.
Women have been celebrating the vibrator for hundreds of years… It’s universally acceptable and widely acknowledged that most sexually healthy females have some sort of throbbing stunt penis hiding beneath a pile of T-shirts in their dresser drawers.
However, if I came home one day with a $300 sex toy, it would be considered taboo. Men who do this sort of stuff have long been labeled as perverts and sexual deviants. And, men don’t really discuss masturbation details over wine and pasta at a group dinner.
But why?
Maybe men and sex toys do not go together because most men are seemingly easier to please. After all, all we need is a magazine, a free hand and some “me time.”
I have never used a sex toy on myself. I am not saying that I haven’t been intrigued by the molds of “Jenna Haze’s Pussy and Asshole” that I have seen for sale at an adult store, but shelling out hundreds of dollars for a rubber vagina has never been high on my priority list. Plus.” Real Dolls” are like, five grand. Plus, in humble my opinion, nothing could really beat the time-honored tradition of good old fashioned jerking-off.
But then someone sent me a free “Fleshlight.”
Holy shit.
I had heard about the Fleshlight forever. It was an early podcast sponsor and was the rage of the Adult Video Awards when I covered them for a TV show back in 2007. But still, I had never tried one, and I wasn’t exactly running out to make a purchase without knowing that it would be worth it… Then again, it’s not exactly the type of thing you borrow from a buddy…
Opening the box, I was amazed to find that there are like, 25 different types of Fleshlight models ranging from any body orafice to Jenna Haze to an actual weird blue ALIEN vagina that I assume is supposed to make you feel like you are fucking Neytiri, Zoe Saldana’s character from Avatar…
You are able to choose from a bevy of porn star clitoral replicas and adjust the suction level by twisting the back of the casing. It came with lube (necessary to simulate female wetness) and a cleaning cloth. It also had extensive directions about how to “wash your sleeve of remaining fluids” once you were done with it. This was a no-nonsense operation.
I settled in one day after work before my wife and kids had come home from baseball practice. I opened up my Fleshlight and examined it. This particular model was not a signature porn star version, it was a “Stamina Training Unit” – meaning it was supposed to help you train to maintain an erection longer should you ever have a real life sexual encounter… This was the “elliptical” of Fleshlights.
My first touch of the thing was unsettling. I felt weird. Deviant. I was fondling with an artificial body part. You know those weird people you see on TV who dig up corpses and have sex with them? For a second I wondered if I had stooped to their level.
Until I inserted myself.
It had been 15 years since I had felt any sexual pleasure with anyone other than my wife. I’m not sure how, but I suddenly became engorged and remained rock hard for the next seven minutes of thrusting, adjusting my technique, rhythm and stroke to this Fleshlight as if I was trying to give it an orgasm. Throughout this blissful and pure rubber sexual adventure, I felt as giddy as a 15-year-old learning how to unhook a bra strap in high school. It was something new and exciting…
As I approached climax, I was wondering if it was a customary rule to finish inside the device – or if the recommended method was to jizz onto any nearby available tube sock. While deciding to pull myself out from the sensual erotic vagina, I grabbed and looked at the manual… It did not offer any “jizz directions.”
I found myself climaxing into the sleeve. I immediately doubled over onto my bed as if I was 17 again and in the back of my Dodge Lancer. I was feeling pretty satisfied.
And that’s when the guilt settled in.
I had a large device on my penis. I had just cum into it and I was immediately dreading the moment when my son or wife would walk in. I began wondering if I had somehow caught an STD from the Fleshlight. Worst of all, I had to eventually pull out… which was a feeling that was so hauntingly real, that it reminded me of all the dorm rooms I had left at two in the morning in college after drunken sex romps… In my mind, I felt like I had somehow cheated on my wife with a Pi Beta Phi sophomore.
My friend Mark, who works in virtual reality calmed my fears when I called and told him that I was not feeling very good following the encounter.
“Dude, I’ve gone through, like – six Fleshlights!,” he said. “I get one every year… I had the Jesse Jayne model last year, bruh, that shit was nice! You should change them every six months or so.”
Woah, six Fleshlights? The Jesse Jayne model? Change them every six months? Obviously I was not living up to my masturbatory potential.
“Wait til you see this virtual reality shit we’re coming out with in a few years,” Mark explained. “Dude, you’ll be able to fuck Jessica Biel on a beach while Justin Timberlake is tied up to a nearby palm tree, crying.”
“Are you serious?” I responded.
“Dude, sex is about to go so virtual, we’re gonna all turn into a world of jizz monkeys shooting 9 to 10 loads a day.”
“Dude, in the future you’ll be able to fuck Jessica Biel on a beach while Justin Timberlake is tied up to a nearby palm tree, crying,” my friend Mark told me.
I did some research. If Mark’s prediction, and the internet is correct, the world will enter the virtual porn sex space in the next few years. People will put on their devices and set up a “scene” where they can have sex with a digital female while they pleasure themselves physically. At first, the sex models will be outrageously priced and unaffordable, but eventually, both men and women will all be pounding away at any number of virtual lovers through the power of visual stimulation.
That’s on some Westworld level shit right there.
Feeling less guilty about my Fleshlight encounter, I read the manual about how to clean it out. I learned that Fleshlight makes a special soap that I would now have to buy if I wanted it to stay in pristine condition. I would also have to double up on my lubrication as the sample pack they included was quite small. And then there is the washing of it. Running warm water through a fake vagina isn’t the most comforting part about using a Fleshlight, but it’s a necessary one if you want to keep it in good condition.
It’s like cleaning your bar-be-cue after every use.
When my wife got home, I shared my experience with her and she actually was proud of me. She told me that she thought men should be able to experience the heightened pleasure of something other than just your hand once in a while. Hearing this got me thinking…
“Well, look,” I said. “Pretty soon there’s gonna be a virtual reality device where I can have sex with Jessica Biel on a beach, can I get that too?”
“Sure, if I can get one where I bang DeAndre Jordan,” she responded.
“Oh, uhmm, let me think about it,” I responded.
I went upstairs and hid my Fleshlight beneath some t-shirts in my dresser…
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Out of Touch at The Dream Hotel * 2015 By Zach Selwyn
It was two-o-clock in the morning and I was standing on the street outside the Dream Hotel in New York City when a slick looking hustler in a Panama hat sided up to me.
“You looking for girls tonight?” He said.
“Naah man, I’m just trying to get some air.”
“You sure? Just up those stairs across the street is all kinds of hoes… I’m talking Thai girls, Russians, Mamis… You ever bang a bad bitch?”
“What exactly is a bad bitch?” I asked.
“If you don’t know, then you’ve never banged one…”
I have been in New York City for roughly 36 hours. In that time, I have averaged 4 hours of sleep a night, eaten 7 street hot dogs and drank close to 19 cups of bad deli coffee. I have also realized that I am the most out of touch loser in the city. The average Manhattan man around my age is sporting a hundred dollar undercut and a long beard – which is eerily similar to L.A. (With only a few less Man-Buns). The difference is, these guys are also rocking 3,000 dollar Ted Baker suits and wingtips. As for me, I am wearing a 1970’s – era Wrangler cowboy shirt, some Lee Riders from the early 80’s and a pair of ¾ boots I scored from a TV show wardrobe department about 4 years ago. My hair is pretty tame and I still have Beverly Hills 90210-era sideburns. I’m also wearing a trucker cap that reads “Roy Clark” on it, bellbottoms and a belt buckle that features Chester the Cheetah riding a Harley motorcycle beneath the inscription “Cheesy Rider.”
I feel a little like Jon Voight in Midnight Cowboy because NOBODY is dressed like me. Funny thing is, this is how I have been dressing for 15 years. A few years back, in the early 00’s, everybody started dressing like this. Now, those days are long gone and I’m the only guy on 8th Avenue wearing a shirt that unsnaps when you tear it apart and a turquoise ring.
And apparently, I have no idea what a “bad bitch” is.
I realized I was grossly under-dressed when I attended the first business dinner with the company I am working for. I figured it would be a quick bite at a local bar, but it turned into the type of place where they asked me to remove my hat as I sat down. The next day, at the company’s request, I made my way to a J. Crew to try and find something respectable that I would feel comfortable wearing. I settled on a checkered red, white and blue button-down and some horrendously skinny jeans. The price? $254.
When the sales associate asked me “how my sock game” was, I told him, “Fine. I buy all my socks at Ross: Dress for Less.”
He grimaced.
“How’s your shoe game?” He asked.
“I have these nice ¾ boots,” I said.
“Uggh, please – nobody is wearing ¾ boots anymore,” he retorted. “You need some wings!”
I walked out of the store.
I couldn’t place my finger on it, but Manhattan had begun to seem too cookie cutter. I guess I was aware of the Duane Reade explosion and the Starbucks on every corner, but I was not prepared for the fashion clones that had sprouted up everywhere. Sure I was ten years older than the average guy out on a Wednesday night, but even I could sense a lack of originality. New York City, which was once full of punk street kids, trendsetters and Mapplethorpe-worshipping leather daddies sticking whips in their asses and walking into a Saks Fifth Avenue, had become somewhat tame.
I recently read an interview with AdRock of the Beastie Boys talking about how the “New York of his youth had disappeared.” I was beginning to understand what he was talking about. Manhattan in the 70’s and 80’s – before the crackdowns and the $8200 a month rent – was an artistic and fantastic place to be. These were the days before the smelly Times Square Jack Sparrows. Before Hell’s Kitchen was a gentrified hipster paradise. In the late 80’s I would visit my second cousin and roll down Canal Street to buy fake Gucci jackets, leather African medallion necklaces and a bootleg cassette of LL Cool J’s Walking With a Panther. The tape-dealers would offer me “smoke,” which scared the crap out of me. At one point, my mom dragged me away from a couple of black guys who were standing around Washington Square Park discussing the new Bobby Brown On Our Own song from Ghostbusters II. I tried to inject some white boy wisdom by saying I thought Bobby should’ve written a second rap verse instead of repeating the “Too hot to handle, too cold to hold” line and they ignored me as if I was “Chester the Terrier” following around the bigger “Spike the Bulldog” in the Looney Tunes cartoons.
The only exception I could find was in the Dream Hotel. The first couple of nights I was in town, I took it easy, stayed in my room, watched TV and had sex with the full-length pillow. However, a hotel room can only hold you captive for so long and eventually I came downstairs to find out where the notorious dark side of this fantastic city had wound up. I now believe it all centers around the Dream Hotel. Within an hour of hanging in the lobby, I was propositioned by more pimps, hustlers, hoes and drug dealers than I have seen in 20 years in Los Angeles. Methy looking skinny teenagers were offering me weed, cocaine and what they claim is “Government pure MDMA.” The lobby was crawling with hookers and late night denizens of the rooftop nightclub, which is named “PDH.” An acronym for what I can only imagine is “Pimps, Drugs and Hoes” based on the army of thick women standing around comparing 9 inch Indian weaves and elastic black twat-length skirts that barely cover their clitori. (Is that the plural for “clitoris?”)
The new Manhattan underbelly had become what Jay-Z sang about in Empire State of Mind. “Ballplayers, rap stars, addicted to that limelight…” Everywhere I went folks were talking about money, cars and rap music. If Los Angeles is supposedly a vapid, material city full of superficial idiots, New York City has embraced a lifestyle full of flashy watches, bottle service, velvet ropes and hangers on… So much so that when I tried to get access to the PDH nightclub on the top floor, the bouncer looked at my “shoe game” and instructed me to “please wait in the other bar.”
I didn’t really want to go up to PDH, but it did seem like it had to be part of my Dream Hotel adventure. So I waited in the bar drinking 17 dollar glasses of shoddy tempranillo wondering how anyone can listen to this much house and trap music in one day. The hotel sort of felt like Miami, but it was 40 degrees cooler and Pitbull wasn’t here singing some shitty song about how “white girl got some ass.”
Finally a large Puerto Rican man came over and told me that since I was a guest of the hotel, all I needed to do was show my room key and I could gain access to the club. I sauntered up towards the door, bypassing the line of desperate gold diggers and club kids and flashed my hotel room key. It was the first time in my entire trip that I had felt somewhat cool.
The nightclub was everything I always hated about nightclubs. Expensive drinks, a DJ mixing Calvin Harris with Blondie, hairy men pouring vodka-cranberry drinks for girls who were most likely being paid to hang around them and intimidating looking security guards who mad-dogged anybody ordering a single beer instead of a 2500 dollar bottle of Grey Goose.
I stayed for 8 minutes.
On my way downstairs, I decided I had to get outside and just see the street. I was sick of the lines, the attitude and the fact that a cast member from Real Housewives of Atlanta had demanded to cut the line… and was placated with a free bottle of vodka. I had to walk to a deli and buy some water and eat a sandwich and try to get some sleep before my work event the following day.
I came back to the hotel with my snacks and drinks – which, by the way, were shoved into about 11 plastic bags by the deli owner as if the plastic problem doesn’t exist in New York – and stopped to listen to the sidewalk pimps do their thing. They were like the dude selling Eddie Murphy’s gold hair dryer in Coming to America. I heard some remarkable stuff:
“You wanna table shower my man?”
“I got one tranny but she visiting her brother at Riker’s right now.”
“Playa, I can get you three at once, but you gotta wear three rubbers.”
I guess Manhattan hadn’t changed that much. Instead of bootleg tapes, men were looking for the booty. These hipster hotels had become infidelity dens and the cops just seemed to look the other way. And as for the falling crime rate – well – as this night was coming to a close, NBA player Chris Copeland was actually stabbed in an altercation outside of 1OAK nightclub just a few streets away from where I was staying.
As I strolled towards the entrance, I passed by my friend in the Panama hat one last time.
“Yo, son – I got you. I know you wanna find out what a bad bitch is,” he propositioned.
“I’m good, man,” I said. “I gotta get to bed.”
I went up to my room and had sex with the full-length pillow.
Missi Pyle and Zach Selwyn are back at it this week performing live from the legendary Hotel Cafe – 1623 Cahuenga Blvd. in Los Angeles – special guests from Missi’s new YouTube Red show! $10 at door
The Day The Derby Became a Bank * By Zach Selwyn
I live about a mile from the building that was once the famous swing dance club known as “the Derby.” In the mid-late 90’s, when the swing music revolution twirled its way across the streets of Los Angeles and turned regular farm boys from the Midwest into Rat Pack wannabes, “the Derby” was the swing club to frequent.
In 1996, Jon Favreau was so inspired, he made a pretty great film about it called Swingers and suddenly star Vince Vaughn had the entire town looking for “beautiful babies” and saying that everything was “money.” I passed a bootleg VHS tape of the film around my college friends and soon fell in hook, line and sinker. After graduation, I dove head first into the post-Swingers madness that raised dirty martinis all over Hollywood. Lines formed around the Hillhurst/Los Feliz street corner where the Derby resided awaiting entrance into the ultimate haven of swing-cool.
I owned 15 bowling shirts, white “creeper” shoes, Cadillac-emblazoned pants, shoulder-pad heavy sport coats, a flask, three Big Bad Voodoo Daddy CDs and a t-shirt that said “It’s Frank’s World, Were all Just Living in It.” I went to Las Vegas monthly, drank gin and tonics and swept my hair up into a James Dean-inspired pompadour. I remember feeling so confident that my “swinger” image would live with me for the rest of my days, I traveled to New York City around 1999 and searched out underground West Village swing clubs to show Manhattan that a “Real Life Hollywood Swinger” was in their presence. Somehow the façade worked and after ringing up a $290 credit card bill, I managed to make out with a girl named ‘Kitty’ who had a Stray Cats tattoo on her shoulder before retiring to her floor mattress in Brooklyn where she woke up six times during the night to smoke Marlboro Reds.
It was all because of Swingers.
And then, about five years ago, it was announced that the Derby was going to be transformed into a Chase Bank. The bar where I spent my early 20’s was suddenly going to be a place where I would curse the teller for charging me a checking account fee… The club where I once dated the hottest bartender in town was turning into a place where a gal named Evelyn would inform me my mortgage was ten days late. When I heard the news, I knew this was not good. The Derby? I thought… A bank? WWJFD? (What Would Jon Favreau Do?)
Turns out, Favreau had bigger fish to fry. Even though he could have easily bought the Derby and used it to store his Iron Man memorabilia, he ignored my twitter plea for him to buy the bar and turn it into a museum. I’m sure Vince Vaughn most likely drank at “Mess Hall,” the restaurant next door, toasting the ghosts of the barroom that made him a movie star… but he was also too busy and uninspired to save the bar. I even tweeted actor Patrick Van Horn, who played SUE in the film. He at least took the time to write me back by quipping “End of an Era.”
A week before the Derby was to be gutted, I gathered my old “Swinger buddies,” – now dads who had traded in slick sport coats and suspenders for Old Navy hoodies – and we poured out some gin for Favreau and Vaughn, for Sinatra, for dirty martinis, for the incredible wooden Derby ceiling, for the memories we had shared at the bar and for the debauched nights spent watching amazing swing bands like Royal Crown Revue sing “walk right in, walk right out…”
We even quoted the movie a few more times to make sure we still knew all the classic lines. “Get there…” “This place is deaaad anyway…” “He’s all growns up… I would never eat here.” “You’re the fun-loving out going party guy, and you’re sweating some lawn jockey?” The night went on and on.
As the evening died down, we all retired a lot earlier than we had in the late 90’s and excused ourselves back to our families. The next week, the Chase Bank transformation had begun and the last remaining memories of my first few years out of college were carried out and discarded.
A few weeks ago, I found myself in line at the Chase, staring up at the exact same wooden ceiling that I had spun girls beneath in the past. The ceiling beneath which I had done shots of Crown Royal a hundred times. The ceiling that watched over me as I tried to find assimilation with a unique sect of people during those weird times when you’re not yet quite sure who you were – who you are – or where you are going.
I got up to the bank teller and deposited my meager check, taking a moment to remark that this building was once my one-time favorite nightclub.
Without making eye-contact she mumbled, “Yep, every one of you middle-aged guys who comes in here has the same story.”
“Fuck off,” I whispered under my breath.
I took another glance at the ceiling and thought of the days gone by. Hollywood is forever a town of transformation. Very few restaurants and bars make it ten years… hence the stories you read about now defunct clubs like The Trip, The Cathouse and Gazzari’s that were the most happening places to be. In my life, the Derby was certainly my place. The place where I was part of a nationwide fad that engulfed my youth when I was a mere lump of clay awaiting to be molded into the lump of Play-Doh I am these days.
As I looked down at my bank receipt and realized how far this journey in Hollywood had taken me, I thought of the dreams I had at age 22 that were still somewhat unrealized. When places that mean so much to you as a kid disappear, you fail to immediately recognize that they will be gone for good and the memories will fade or melt into new ones until all you have left are a few photographs and some journal entries. I look back at my two years as a pseudo-swinger as important remembrances that I will take with me through all of my life. At the time I thought I’d be 22 forever, twirling cute tattooed ladies across slick wooden floors only pausing to sip drinks and wipe the sweat from our brows. I never thought I’d be 40-years-old and in the exact same room looking down at a bank statement stressing about the fact that I barely had enough money that week to cover my DWP bill.
Again, my thoughts turned to Jon Favreau. As the worlds most in demand director, he probably never imagined he would achieve the level of success he has back when he was simply searching for familiarity amongst the Hollywood night-crawlers of the mid 90’s. I reached back out to my old swinger buddies and arranged another drinking night to sit back and reminisce about the Derby days gone by, and we all agreed to get together on a following Tuesday night.
Of course, by Monday morning, everybody had flaked and the plans were cancelled so we could spend some time with our families. We all agreed to try again later, and I thought about how a little piece of all of us died the day the Derby did…
And a part of me knew, that somewhere, high up in those Malibu Hills, Jon Favreau was feeling the same thing…
Buy Zach’s Book “Talent Will Get You Nowhere” on Amazon.com!
DOWNLOAD ALBUM HERE!
hungover at disneyland TRACK LISTING:
The Only Gym That I Like to hit (Jim Beam).
LA Ski Hat Weather.
Bad Night in Bro Country.
Yo Jay-Z! (Be My Manager).
The Web MD Song.
Dudes.
Hungover at Disneyland.
Too Old for Molly, To Young for LSD.
Kirk Cameron vs. Charles Darwin
Gramma on the Front Porch!
Look for it soon on itunes and beyond!!!
When I was 16, it Took Me Two Weeks to Figure Out Who Sang Nights in White Satin…
By Zach Selwyn
It was early summer 1991. I was driving around Tucson on another hot day listening to the classic rock station 96.1 KLPX in my ’88 Dodge Lancer when I first heard the tail end of the song Nights in White Satin. The melody was haunting and seemed like the kind of ghostly and sexy voice I could put on a future mix tape for some girl. I didn’t know what a “night in white satin” was or who the band was or why it grabbed me like it did, but when the song finally ended, the radio DJ moaned into the microphone that that song always took him back to “a magical time when love was free and gas was cheap.” (Gas was .99 cents a gallon in 1991, BTW.)
Sadly, the DJ did not finish his tag. He never mentioned who sang the song or what it was called. I assumed it was titled Nights in White Satin. But I had no way of confirming this. There was no space age device or Shazam app in my hand that I could hit and get instant answers from a satellite above that had every solution to every question man has ever pondered. I actually had to do some research.
I wrote the song title down on a Jack-in-the-Box napkin I had in my car and sped home as fast as I could to call the radio station… From my mother’s landline.
Since that was during the “96.1 Days of Summer” promotion when Tucsonans were feverishly competing to win tickets to a Joe Satriani concert taking place at Tucson Raceway Park in July – the line was constantly busy. I could NOT get through. I even called the pop radio station 93.7 to ask the 25-year-old DJ if he knew the answer. His response?
“We don’t have that song, bro.”
I was dying to figure out who sang it. Since my music-obsessed stepfather was at one of his countless rehab centers that did not allow human contact from behind sober walls, I had to ask my friends at school, who were only interested in Nirvana, Digital Underground and the Black Crowes at the time. Nobody knew. Only one buddy had even heard the song.
And he swore it was Rush. I knew it wasn’t Rush.
Finally, on my weekly sleepover at my father’s house, I had to ask my dad – who, although he is truly one of the smartest men I have ever known – is not much for rock-n-roll trivia.
“Pretty sure it’s a Neil Diamond song,” he exclaimed.
That did it. I spent the next week saving up my bread and thinking Neil Diamond sang Nights in White Satin. Finally I took $20 from my job bussing tables – and went to the local record store called Zips. I acted nonchalant and cool – like all record store shoppers used to act when they would walk into a place with so many options… You wanted to appear focused. If you have ever been to an Amoeba Records in LA or San Francisco, you know the swagger you want to have when you walk in. You want to impress the clerks. You can’t look lost around the other customers. You want to appear as if you know exactly what you are looking for.
I headed towards the rock section. I started thumbing through Neil Diamond CDs. The big cardboard box ones. The CD packaging that was soon banned by the Environmental Protection Agency – although they somehow let the plastic that now pollutes half of our oceans remain as the primary packaging for compact discs. If I ever come across that massive plastic floating island in the middle of the Pacific, I’m gonna be amazed at just how many CD jewel cases compose the island’s largest volcano.
Anyway, I rifled away through Neil Diamond. I could not find Nights in White Satin. I looked at the Neil Young section as well, just in case my dad had simply “mixed up his Neil’s.” No luck. Finally, I realized I had to do what every young music loving record shopper dreads the most at a retail store: I had to interact with an actual employee.
After fooling around with some buttons and stickers near the register, I eventually mustered up the courage to raise my voice above the din of the shitty hair band that was playing from the speakers in the ceiling.
“Hey man, do you know which Neil Diamond album Nights in White Satin is on?”
The dude momentarily stopped filling out the plastic rack card he was illustrating in red Sharpie for Alice in Chains.
“Neil Diamond?” He chortled. “That’s not Neil Diamond. That’s the Moody Blues.”
What? The Moody Blues? That shitty band that sang Ride My See-Saw? Impossible.
“Yeah, look in the prog rock section,” he explained.
Fuck me. I was going to the prog rock section? I never went to the prog rock section. I hated bands like Yes and early Genesis and what?!? I refused to go to the prog rock section and gasp! Buy a prog rock CD??
Listen. In 1991 broke teenagers didn’t have illegal or easy 99 cent download services. Or streaming. Or YouTube. Or any cassette singles that were made in 1967 when Nights in White Satin was recorded. I had but two really expensive choices… I could to plunk down the 16.99 for the actual album the song first appeared on, which was called Days of Future Passed… Or, I could play it a little safer and spend 18.99 on Voices in the Sky: The Best of the Moody Blues.
Either way, I was throwing my money blindly at 13 unknown songs. I decided to go with Voices in the Sky because it just sounded trippy and like something I might “get high to” someday. I brought it up towards the front where the clerk informed me that if I bought two “same artist” CD’s I would get a coupon for three dollars off. Luckily I passed on that amazing offer.
So, I was roughly twenty dollars invested into the Moody fucking Blues. I had recently dropped $195 on a sweet Blaupunkt Pull-out tape deck for my ride at the local stereo shop, and I had also scored a Sony Discman-cassette adapter so that I could have CD-quality sound in my car at all times. Assuming my batteries weren’t low, of course… So, I loaded up the Discman and rolled my windows down and began a very brief relationship with the Moody Blues.
The first song was Ride My See Saw. Skip. Then another clunker. Skip. Soon, however, the songs got a tad more interesting… Never Comes the Day was soaring and anthemic, and Question had some Stones-y undertones… but the sheer annoyance of Talking out of Turn or I’m Just a Singer in a Rock-N-Roll Band was so hard for this kid from the lowest corner of the desert to accept that I had to move ahead to Nights in White Satin for the remainder of my drive home.
My stepfather returned from rehab two weeks later and I showed him my recent musical purchases. He approved highly of the Byrds and the Doors Greatest Hits, but he scoffed immediately when he saw the Voices in the Sky CD I had purchased. His complaint was simple… And was very understood.
“You’re such a stooge, man – you didn’t buy a Moody Blues CD with Tuesday Afternoon on it?” He scoffed. “That’s like, their best song ever!”
Two weeks later, I had saved up enough money to buy a second Moody Blues Greatest Hits CD. One that had Tuesday Afternoon on it. I swear to God. This collection, called Legend of a Band ran me $14.99 and introduced me to a trippier longer version of Nights in White Satin as well as the poppy foppishness of the hit Your Wildest Dreams.
(For the record, my stepfather could have changed my life if he had just said, “Screw the Moody Blues, go listen to the Kinks.”)
To this day, Voices in the Sky and Legend of a Band both sit in gargantuan CD cases in my office that have been collecting dust since around 1994. In the same case are thousands of CD’s that set me back 14.99 here and 17.99 there. From Phil Collins to 3rd Bass to that fucking Oasis album that came out after …What’s the Story Morning Glory. We all have them. Resting in our garages and attics, taunting us like medals of adolescence that will forever brand us as the parents who tell our kids that they need to do some research once in awhile because “nobody’s going to do it for you.”
Well, we better be careful. This new generation’s problem is that everybody is doing it for them.
Th
As I paid my bills this month, and looked over the CD collection I have amassing in my house that is worth nothing but fond memories, I thought back to that hard earned $18.99 and $14.99 I had dropped on those CD’s back in 1991. That’s a lot of money for a kid. That’s a lot of money for a lot of people. The music industry sure did take advantage of us, didn’t they? Then again, without them, we wouldn’t have what we have. As I sent off another online bill to the Los Angeles Department of Water and Power at that very moment, I thought to myself that all that disposable high school income sure would be really helpful right now.
And then I pulled out that CD case, got stoned and listened to Nights in White Satin…
Download and hear ZACH and MISSI PYLE on the latest ep. of “Anna Faris is Unqualified”
