My 25-Year Obsession With Beverly Hills 90210 Recently, I was in a bar amongst a group of young screen-addicts who were drinking Moscow Mules and comparing Instagram followers. When the bartender gave me my beer, I noticed that his nametag read, “Nat.” As a joke, I said, “Aww, what happened Nat? Did the Peach Pit close down?”

Nat wasn’t amused. Neither were the 20-something bar patrons surrounding me. In fact, nobody around me even recognized the reference to Beverly Hills 90210, one of my all time favorite TV shows that had been off the air since 2000. I quickly tried to explain to everyone that “Nat” was a solid gold reference from the 90’s, but they promptly rolled their eyes and went back to discussing a recently posted Instagram photo uploaded by the Supra Shoe Company.

“Supra is killin it,” one of them remarked.

I took my beer and walked to the end of the bar to watch basketball.

You must understand. Beverly Hills 90210 was to my generation, the single greatest television phenomenon we had ever experienced. The show debuted the same day I began my sophomore year of high school. Brandon Walsh had sideburns at 15-years-old, Kelly Taylor had already had a nose job and been raped by a college guy. Dylan McKay was balding and had already beaten drug and alcohol addiction. All of this at age 15. Growing up where I did, these guys were already living way beyond their years. At 15, my biggest accomplishment had been when I learned how to waterski during Jewish summer camp.

Donna Martin had a terrible boob job. David Silver’s friend shot and killed himself accidentally. Steve Sanders’ mom was a recovering coke-fiend actress.

My friend’s moms? Well, one of them was considered a local Tucson celebrity because she once taught aerobics to Dyan Cannon at Canyon Ranch.

Nobody I knew drove a Corvette. Nobody knew where to even get drugs OR a nose job… And finally, the most facial hair we could scrounge up at the time was an occasional lone straggler poking its way from the bottom of our chins. Of course, I had no idea that the actors were really 25-years-old. So, intrigued, I studied them. Imitated them. I grew sideburns. I edited my school paper like Brandon Walsh did and treated it as if it was the West Beverly Blaze. I squinted like Luke Perry when I went on dates and I did my best to turn my small table-bussing job at the local 50’s diner Little Anthony’s into my own little private Peach Pit.

Of course, at my high school, the white trash rednecks got all the hot chicks. The dudes who stayed shirtless most of the time, dipped Copenhagen and listened to Metallica. The dudes who drove souped-up 1982 Fords and went jackrabbit hunting and drank Budweiser and sported long hair. The dudes like Randy Gatemouth, a 17-year-old sophomore with two missing teeth and three earrings who wore a T-shirt that said “Big Johnson’s Casino: Liquor Up front; Poker in the Rear.”

I was more of a Brandon Walsh type. I listened to Sting, Dire Straits and rap. I spent 45 minutes blow-drying my hair into a pompadour every morning. I took my dates to my diner and shared milkshakes and maybe got away with a French kiss at the end of the night. Meanwhile, Randy Gatemouth was rumored to have sired a child with a girl from Palo Verde High School who had hidden her pregnancy and given it away for adoption at age 16.

To put it bluntly, Randy Gatemouth did NOT watch Beverly Hills 90210.

But I did. And I followed it religiously. I recall how I was shocked when Dylan and Kelly hooked up when Brenda went to Europe. I remember Brandon losing his virginity. I cried when Dylan’s dad was murdered. (Sorry, spoiler alert for those of you planning a binge watch this weekend). I even WROTE about the show for the school paper, comparing the lives of these fake people on this ridiculous show to the lives of the average Tucson, Arizona high school kid in the early 90’s.

The love affair continued into college, when I rushed a fraternity and was given the pledge name, “Brenda.” Every Thursday my entire frat would gather in the common TV room and watch the show like we were executive producers in a ratings testing lab. I played air guitar to the brilliant opening riff. Much to my surprise, I found kindred souls who never missed an episode.

“Dude, Kelly or Valerie?” Was a common question amongst the guys.

“Bro, I’m from Manhattan Beach,” a brother and fellow fan exclaimed. “No way these bitches can afford a house like that on the Strand.”

“How’s Luke Perry’s movie career going since he left the show?” I would occasionally toss around. (Note to readers: I did see – and enjoy – 8 Seconds.)

After graduation, turning 21 and discovering that the real world existed outside of college, I sort of lost interest in the show. I stayed through an extra year or two, always amused at Steve’s KEG house antics and eventually his wife Janet, but soon it just dried out and became ridiculous. It probably had been for years, but around 1997, I finally decided that I had graduated from my obsession with Beverly Hills 90210. And then I began working as an actor.

The only other guy I knew in college who followed his dream into acting was a friend named Marc. His first job? Playing a character known as “The Man” on an episode of Beverly Hills 90210. I never admitted it, but I was so jealous. I refused to act like it was a big deal, but God Damn, it was as if he had “made it.” Here I was, scrambling to get a SAG card, and this kid had swooped in and landed a role on my favorite TV show of all time. I harbored a certain hatred for that for about a year… Until I was asked to audition for the role of BRODY on an episode of Beverly Hills 90210. The character was described simply as, “Steve’s Old College Buddy.” I remember the lines so well. Here is what the script and audition looked like:

STEVE and JANET sit at a table. They gaze into each other’s eyes.                                                            

JANET                                    

Thanks babe. You’re a great guy.

Steve smiles and holds her hand. Suddenly, BRODY, 23, Steve’s old KEG brother walks up to the table holding a beer. Even though he’s out of college, Brody is still very much living the party life.                                                            

BRODY

Woah! Sanders! The legend, man! I see you’re still scoring as many chicks as in college!

Steve looks horrified. Janet stares daggers at her husband.                                                            

JANET                                    

I knew it, Steve. You haven’t changed one bit!                                                         

STEVE                                    

Janet! Wait! 

Offended, Janet stands and leaves. She covers her mouth crying. Steve looks at Brody, upset.                                                            

BRODY                                    

Woah! What’s up with her?

Steve angrily tosses his napkin on the table.                                                            

STEVE                                    

Thanks a lot, Brody.

Steve walks off, leaving Brody at the table. He sips his beer and returns to the party.

BOOM! That was it. I knew I could nail the part of “Brody” and I worked those two lines as if I was auditioning for Richard III on Broadway. The day of the audition came and I went in, overly prepared. A bunch of other young actors (One who I SWEAR was Jeremy Renner) sat in the waiting room running their lines. When my name was called, I went in and auditioned and walked out with a confident swagger that screamed, “ I NAILED it.”

I didn’t even get a callback. I was crushed. My dream had been shattered. I was so sure I was going to play “Brody” that I cried myself to sleep that night and wondered if I had made a bad decision dedicating my life to the world of acting. My agent, Iris Burton (Legendary rep to child stars who passed away about 7 years ago) called me the next day. Through a cigarette-tinged trachea she told me the bad news. “Zach, it’s not going any further with 90210, but they like your look,” she said. “They wanna know if you’ll do extra work. I said no. We’ll get the next one.” “Wait!” I screamed. “Tell them YES! I will TOTALLY do extra work for the show!” “Are you fucking serious?” “Yes, Iris – it’s my favorite show of all time. I have to be in at least one scene.” “I don’t work with extras, Zach.” She demanded. “I work with stars.” “Please Iris? I’ll only do this once.” Iris Burton hung up on me and I was called in for a day of extra work on Beverly Hills 90210 the next morning. A bunch of young actors, most of who were in high school and/or community college were shuttled from a parking area on a backlot to the actual 90210 set. (I can not recall where this was). When we got there, I managed to find a script and I read through the dailies. I quickly noticed that the role of “Brody” was nowhere to be found. I located an assistant director and asked who was playing the role “I was born to play.” “The Brody role got cut after the first table read,” the assistant director said. “Oh, thanks,” I replied. YES. I now had an excuse on why I didn’t get the part.

I returned to “extras holding” and sat with the crowd of kids I was convinced would someday be lining up to be extras in my OWN TV show. Suddenly, a woman came in and said, “I need four men for a scene at the Peach Pit.” I threw up my arms like Donna Martin over the toilet on prom night. The woman pointed at me. “Red shirt guy, come with me,” she said. I fixed my hair and walked over to her along with three other dudes. Holy shit, I was going to the Pit. The set was a mess. Cables and cameras were everywhere. Lighting guys and grips strolled through their routines as if this job had become a burden. Some even complained about the set up of the scene. To me, however, it was as if I had made it past the most exclusive velvet rope in the world.

This was the time of the show when only Steve, Donna, Kelly, David, Brandon and Valerie remained. When I glanced at the call sheet, Jason Priestly and Tiffani-Amber Thiessen were the only ones scheduled that day, but I doubted they would even be in the same scene as me. Imagine my surprise when I glanced out the window and saw Priestley stub out a cigarette before strolling up to the set for “last looks.” I studied him. In high school, I had actually bought a pair of “Pepe Jeans” because he was the face of the brand for about two months. I idolized him. He was in Tombstone. Hell, he was even in Calendar Girl. I was in awe. He was so suave, so cool. He looked so intimidating… Until I realized he was about 5’8”.

As Priestley got his makeup worked over, Tiffani-Amber Thiessen entered the room next. She was stunningly beautiful and seemed extremely happy. She very charming and took time to shake everybody’s hand. At one point, I tried to “eye-seduce” her, but I think she got a little creeped out by my gaze and turned away. I went back to standing around and waiting.

“You, with the red shirt, you wanna take money from Joe?”

I wasn’t sure if that was meant for me. I looked for the female Extras Wrangler. Sure enough, she was talking to me. She said I had one job to do in the scene.

“Take money from Joe.”

Whatever that meant. As it turned out, JOE was Joe E. Tata. “Nat” himself. The owner and king of the Peach Pit. I nodded my head ‘yes’ and went to my position in front of the cash register.

The scene played out like this: Brandon’s old “sports bookie” was in town for some reason or another and Brandon was freaked out. Valerie was there to comfort him (I think). My role was to take my change from Nat at the beginning of the scene and promptly exit through the front door. They set it all up. I was nervous. They rolled sound and began the scene. “Action!” yelled the director as the huge 35-millimeter cameras spun their thousand-dollar-a-foot film. Nat handed me a few fake bills.

I took them from his hand and responded, “Thanks!” I walked out.

“CUT!” The director yelled. “Did anyone tell this fucking kid to speak?”

I turned bright red. I wasn’t sure what I had done wrong, but I was quickly reprimanded by the Extras Wrangler who told me to not talk. Little did I know it, but I just cost the producers roughly $3000 dollars in 35-millimeter film because I thought I could sneak in my own line on the show. Lesson learned. Don’t speak.

“Just smile and take the money from Joe,” she said to me.

So I did. And I did it again. And again. And at the end, I heard the director say, “moving on” and I fully expected him to come up to me and offer me a recurring role on the show right there. Instead, the Extras Wrangler told me that my day was done and that I would receive my $50 paycheck in the mail within a few weeks. I signed a contract and left, knowing that I was forever immortalized on screen of the TV show that had shaped most of my teenage years.

All these years later, I have had many encounters with cast members of the show. Janet (Lindsay Price) is actually a close friend of my family. Priestley and I have mutual friends and you’re damn right I own his autobiography. David Silver (Brian Austin Green) and I had a West Beverly High “dance-off” at Comic Con 2008 (See YouTube link below). And I’ve hung with Tiffani Thiessen, Tori Spelling and Jennie Garth through mutual actor pals. I once shared a joint with Luke Perry in the smoking section of a club, but we didn’t keep in touch. And last year I failed at trying to get Ian Ziering to be a guest on my History Channel show. (Sharknado made him too big I guess). As for my friend Marc, his acting career took a small detour, and he invented the brilliant “Drop Stop” car crack filler that is revolutionizing the way we stay focused on the road. Couldn’t be more proud of him.

I’m guessing that Jimmy Fallon is days – if not weeks – away from doing some sort of fun Beverly Hills 90210 reunion sketch on The Tonight Show and he’s gonna be lauded and praised for bringing us all back to 1992 again. Heck, if I had a show like that it would be my “sweeps week” cornerstone. Still, for me, the show meant a lot. It made me want to move to California as much as the Doors and Neil Young and posters of hot blondes posing on Ferraris beneath the caption, “Dangerous Curves Ahead.” Whenever I meet a cast member, I revert back to the teenager I was in 1992, dreaming of an acting career and a night partying at a hot club with Shannen Doherty and her 5-day husband Ashley Hamilton. Suddenly my fading youth speeds back to me like Steve Sanders in a street drag race in 1990. These folks are forever in my references and mind and heart.

So, whenever I meet a bartender named “Nat” I am going to reference the Peach Pit as if it were 1993 and I was playing air guitar in my fraternity in front of the big screen TV. No matter what the ultra-hip Instagram crowd at the bar thinks about it. By the way. I eventually saw the scene in the episode where I took the money from Nat at the Peach Pit. If you look closely, you can almost see the tip of my sideburns as I walk out the door…

*Watch Zach’s new video for his song “Too Old for Molly, Too Young for LSD” !*