Zach Selwyn

Actor. Musician. Host. Writer. Dinner Guest.

  •  

    A new Zachariah song from the LP “Hungover at Disneyland”. Featuring RJ Robinson on fiddle.

    Download song here: https://itunes.apple.com/us/album/too-old-for-molly-too-young/id952764244?i=952764259

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  • Zachariah’s new song explores the corporate logo marketing travesty that all of us 90’s kids endure every time we see a Nirvana or Ramones shirt for sale in Target or Wal-Mart. Back in 1992 I had to go to the concert to buy a $30 shirt. Now the logo is on onesies.

    DOWNLOAD SONG HERE! – https://itunes.apple.com/us/album/nirvana-t-shirt-single/id1035706248

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  • written by Zach Selwyn. Dir. by Adam Siegel.

    https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2FTBSNetwork%2Fvideos%2F1263617693679375%2F&show_text=0&width=560

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  • Relive this country classic now.
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  • Sadly, we had to postpone our summer shows – but we still have our merch! New T-shirts below! $25.00 – shipping included. DM z@zachariahmusic.com for info!

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    ALSO – our new EP CLOUD ROAD will be streaming everywhere in May 2020… HEADS UP! Early reviews have called it “Mac Miller meets Steve Earle.”We’ll take it!

    See you in the FALL!

    Z and LR!

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  • 779925-Inside_the_Derby_Los_Angeles
    The Derby in its heyday, 1997

     

    The Day The Derby Became a Bank * By Zach Selwyn

    -2
    And the Derby today… A Chase Bank

     

     

     

     

     

     

     

    I live about a mile from the building that was once the famous swing dance club known as “the Derby.” In the mid-late 90’s, when the swing music revolution twirled its way across the streets of Los Angeles and turned regular farm boys from the Midwest into Rat Pack wannabes, “the Derby” was the swing club to frequent.

    In 1996, Jon Favreau was so inspired, he made a pretty great film about it called Swingers and suddenly star Vince Vaughn had the entire town looking for “beautiful babies” and saying that everything was “money.” I passed a bootleg VHS tape of the film around my college friends and soon fell in hook, line and sinker. After graduation, I dove head first into the post-Swingers madness that raised dirty martinis all over Hollywood. Lines formed around the Hillhurst/Los Feliz street corner where the Derby resided awaiting entrance into the ultimate haven of swing-cool.

    I owned 15 bowling shirts, white “creeper” shoes, Cadillac-emblazoned pants, shoulder-pad heavy sport coats, a flask, three Big Bad Voodoo Daddy CDs and a t-shirt that said “It’s Frank’s World, Were all Just Living in It.” I went to Las Vegas monthly, drank gin and tonics and swept my hair up into a James Dean-inspired pompadour. I remember feeling so confident that my “swinger” image would live with me for the rest of my days, I traveled to New York City around 1999 and searched out underground West Village swing clubs to show Manhattan that a “Real Life Hollywood Swinger” was in their presence. Somehow the façade worked and after ringing up a $290 credit card bill, I managed to make out with a girl named ‘Kitty’ who had a Stray Cats tattoo on her shoulder before retiring to her floor mattress in Brooklyn where she woke up six times during the night to smoke Marlboro Reds.

    It was all because of Swingers.

    swingers-movie-poster-1020259619 And then, about five years ago, it was announced that the Derby was going to be transformed into a Chase Bank. The bar where I spent my early 20’s was suddenly going to be a place where I would curse the teller for charging me a checking account fee… The club where I once dated the hottest bartender in town was turning into a place where a gal named Evelyn would inform me my mortgage was ten days late. When I heard the news, I knew this was not good. The Derby? I thought… A bank? WWJFD? (What Would Jon Favreau Do?)

    Turns out, Favreau had bigger fish to fry. Even though he could have easily bought the Derby and used it to store his Iron Man memorabilia, he ignored my twitter plea for him to buy the bar and turn it into a museum. I’m sure Vince Vaughn most likely drank at “Mess Hall,” the restaurant next door, toasting the ghosts of the barroom that made him a movie star… but he was also too busy and uninspired to save the bar. I even tweeted actor Patrick Van Horn, who played SUE in the film. He at least took the time to write me back by quipping “End of an Era.”

    A week before the Derby was to be gutted, I gathered my old “Swinger buddies,” – now dads who had traded in slick sport coats and suspenders for Old Navy hoodies – and we poured out some gin for Favreau and Vaughn, for Sinatra, for dirty martinis, for the incredible wooden Derby ceiling, for the memories we had shared at the bar and for the debauched nights spent watching amazing swing bands like Royal Crown Revue sing “walk right in, walk right out…”

    We even quoted the movie a few more times to make sure we still knew all the classic lines. “Get there…” “This place is deaaad anyway…” “He’s all growns up… I would never eat here.” “You’re the fun-loving out going party guy, and you’re sweating some lawn jockey?” The night went on and on.

    swingdudes 98
    Seanny Walls, Big Daddy Jake and the author, feelin’ “Money” in 1998. #jawline

    As the evening died down, we all retired a lot earlier than we had in the late 90’s and excused ourselves back to our families. The next week, the Chase Bank transformation had begun and the last remaining memories of my first few years out of college were carried out and discarded.

    A few weeks ago, I found myself in line at the Chase, staring up at the exact same wooden ceiling that I had spun girls beneath in the past. The ceiling beneath which I had done shots of Crown Royal a hundred times. The ceiling that watched over me as I tried to find assimilation with a unique sect of people during those weird times when you’re not yet quite sure who you were – who you are – or where you are going.

    I got up to the bank teller and deposited my meager check, taking a moment to remark that this building was once my one-time favorite nightclub.

    Without making eye-contact she mumbled, “Yep, every one of you middle-aged guys who comes in here has the same story.”

    “Fuck off,” I whispered under my breath.

    I took another glance at the ceiling and thought of the days gone by. Hollywood is forever a town of transformation. Very few restaurants and bars make it ten years… hence the stories you read about now defunct clubs like The Trip, The Cathouse and Gazzari’s that were the most happening places to be. In my life, the Derby was certainly my place. The place where I was part of a nationwide fad that engulfed my youth when I was a mere lump of clay awaiting to be molded into the lump of Play-Doh I am these days.

    As I looked down at my bank receipt and realized how far this journey in Hollywood had taken me, I thought of the dreams I had at age 22 that were still somewhat unrealized. When places that mean so much to you as a kid disappear, you fail to immediately recognize that they will be gone for good and the memories will fade or melt into new ones until all you have left are a few photographs and some journal entries. I look back at my two years as a pseudo-swinger as important remembrances that I will take with me through all of my life. At the time I thought I’d be 22 forever, twirling cute tattooed ladies across slick wooden floors only pausing to sip drinks and wipe the sweat from our brows. I never thought I’d be 40-years-old and in the exact same room looking down at a bank statement stressing about the fact that I barely had enough money that week to cover my DWP bill.

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    -1
    The line leading to these steps would wrap around to Los Feliz Blvd.

    Again, my thoughts turned to Jon Favreau. As the worlds most in demand director, he probably never imagined he would achieve the level of success he has back when he was simply searching for familiarity amongst the Hollywood night-crawlers of the mid 90’s. I reached back out to my old swinger buddies and arranged another drinking night to sit back and reminisce about the Derby days gone by, and we all agreed to get together on a following Tuesday night.

    Of course, by Monday morning, everybody had flaked and the plans were cancelled so we could spend some time with our families. We all agreed to try again later, and I thought about how a little piece of all of us died the day the Derby did…

    And a part of me knew, that somewhere, high up in those Malibu Hills, Jon Favreau was feeling the same thing…

     

    Buy Zach’s Book “Talent Will Get You Nowhere” on Amazon.com!

    BUY ZACH'S BOOK at AMAZON.COM!

     

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  • Aquaman-Movie-Seven-Seas-Tribes-1

    11 years ago I covered a $659.48 bill in a Vancouver bar because Jason Momoa had conveniently, “left his wallet at home.”

    Aquaman owes me some cash.

    All of these Aquaman billboards that are towering all over the country have had me nostalgic for a night, back in 2007, when I had spent the night drinking and hanging out with a young actor named Jason Momoa who was playing “Ronon Dex” on a TV show called Stargate Atlantis.

    I had met Jason because I had made and performed a viral “Stargate Atlantis rap video” about how much of a superfan of the TV show I was… (even though I had never seen an episode). The producers then offered me a small role as “Scientist #2” on an upcoming episode of the program and they even flew me up to Vancouver to act in a scene. We also scheduled a “Set visit” for the TV show I was currently on called Attack of the Show.

    This whole thing started when my friend Jane, a veteran TV producer, was asked by the Stargate universe to create them a “viral video” for the internet.

    This was during a small period of time when TV/Film companies were hiring producers to try and capture lightning in a bottle for the masses by shooting high quality videos that seemed cheap, affordable and easy to digest online… This was WAY before influencers, SoundCloud rappers and Instagram stories… This was before everybody had an iPhone and a high quality camera in their pockets and garage band on their laptops. If you had musical talent and were willing to work for next to nothing, you could get a million views and the respect of the industry in about a week.

    I had recently performed and produced a series of comedic rap videos for Attack of the Show – which led to Jane calling me to do a song about Stargate Atlantis as they attempted to develop their online brand.

    “Have you ever seen the show?” Jane asked me on the phone one afternoon.

    “No, but that won’t matter,” I responded. “Send me the DVD’s and I’ll write a song tonight.”

    Her messenger delivered the DVD’s that afternoon. I watched six episodes. By 11 p.m. that night I had written an entire rap song about how much I loved Stargate Atlantis and how, as an actor, my dream was to be on an episode of the show…

    Two days later we recorded the rap song with a music producer named Terrace Martin. Yeah, the same Terrace Martin who rolls with Kendrick Lamar. You know that song “Damn?” THAT TERRACE MARTIN. The man is a hip-hop legend. However, back in 2007 he was just another guy trying to make it, like we all were… and his resume included some indie rappers and a couple of songs with Snoop Dogg.

    Here’s the Stargate Atlantis song and video we shot while making it…

    After this song and video went “nerd viral,” which meant that all the Stargate Atlantis fans went crazy analyzing the lyrics and anointing me the “King of Stargate rap music” – I began receiving hundred of emails and MySpace requests from Stargate fans across the world. They all had names like “Wraith Woman #2” and “Daedulus Dude” and were asking me for my address so they could send me things like Stargate collector’s plates and shit. (I still have these). It was crazy. The fans rivaled Trekkies or the disciples of the Star Wars Universe. I had suddenly been accepted into the tight circles of Stargate fanatics.

    The video was spreading and an executive producer on the show  held a cast and crew screening and made me an instant celebrity amongst the cast, grips and writers of the show. It was INSANE. A week later they flew me up to Vancouver to play my small role, put me up in a hotel and even PAID me… These are the type of jobs that RARELY come along…

    Anyway, I first met Jason Momoa on set the day of my scene, and I watched him train incessantly for some tricky fighting sequence. I interviewed him along with the rest of the cast for my set visit and got along well with everybody. What stood out to me most about Jason was that, whereas the rest of the cast had big, beautiful trailers… Jason had an AirStream trailer from the 1960’s. The other cast had couches, but Jason had removed his and fastened in a hammock instead. The dude was definitely living a different life as a TV star.

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    After interviewing him, we started talking music and went back to his Airstream where he showed me his 1940’s Gibson acoustic guitar that was worth about $5,000. I played it in awe and dreamt of the day I could play a character like his – a “Satedan,” a member of civilization from the Pegasus Gallery on my own bad ass science fiction TV show… Instead, on the episode that day I was simply playing “Scientist #2,” a character who contracts some disease and had a few throw away lines to Dr. Mckay (played by the hilarious David Hewlett).

    By the way, I still get occasional 13 cent residual check in the mail from this role…

    After my scene was shot, Jason casually mentioned that he had a day off the next day and wanted to know if I had any interest in getting some beers that night.

    “Sure, man,” I said.

    That evening we met at the hotel and proceeded to ambush the nightclubs of Vancouver. At first, we met some of his friends for drinks where the bartender refused to charge him anything. A few beers in and we headed over to a dinner spot where a bunch of his friends joined us. The drinks and food flowed and I was amazed at how many people stopped and paid their respects to Jason and his impressive dreadlocks. He was a big time celebrity in town… I just thought he was a cool guy. Then, around 11 p.m. the bill came.

    We all sort of stared at it for a long time. And then Jason picked it up. He looked at it, leaned over to me and whispered in my ear.

    “Dude, I left my wallet at my place, can you cover this?” He said

    “Uhhh, pay me back?” I said, rather scared to look at the total.

    “Yeah man, we’ll go to my apartment. I have cash.”

    And so, just like that, I put my card down and bought Jason Momoa and his friends a $659.48 dinner.

    And then we went to the bar and I bought some more beers. And then some more. And then we stopped at a liquor store on the way home where I picked up some Stella Artois to take back to his place.

    I was about $750.00 in the hole at this point.

    Momoa’s apartment was sort of like his trailer. He had decorated it with a bunch of his homemade leather furniture, was definitely not a fan of pre-fabricated food and he immediately put on the incredible Tom Waits CD Orphans: Brawlers, Bawlers & Bastards.

    We drank a few beers and talked about Hollywood, his girlfriend Lisa Bonet and how he had dreams of becoming a “Warrior” in the movies or something… I told him how my dream was to play the Greek Theater in Los Angeles someday. We went back and forth about how the wolf was his spirit animal and mine was the eagle. He showed me his screenplay, which was wrapped in a handmade leather-bound notebook of some sort – and I gave him my band’s new CD Alcoholiday, which he told me he liked. He then gave me a copy of a terrific book called “Hobo” by Eddy Joe Cotton (A MUST READ) and we toasted to our dreams until the early morning.

    Around 3 a.m. I called a cab and my night out with Jason Momoa had come to a drunken, blurry end. I stumbled back to my hotel room at the Sutton Place and got into bed… It was then that I realized SHIT. I forgot to ask him for the money from dinner.

    The next day my wife called and asked me if I had spent $750.00 on our card, as she was getting “fraud alerts” from the bank.

    “Yeah, it’s a long story,” I said. “But I made a cool new friend!”

    A few weeks later, the British TV station SKY 1 contacted me about using my Stargate song as a promo to hype the upcoming new season of the show. I agreed and it opened up a brand new fan base across the pond. To this day, the ASCAP residual checks I got from that usage are above and beyond any financial success I have ever experienced.

    And somewhere, on an old hard drive of mine, exist about 25 photos of me and Jason hanging on set… in the bars and among the barflies of Vancouver back in 2007. There is also a segment we produced for Attack of the Show on a DVD buried somewhere in my garage, but I ain’t trying to go dig that shit out either… If you have it, internet, feel free to post it.

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    The author on set with Momoa 2007…

    Jason and I stayed in touch for a few years, texting songs and book recommendations to each other, but once he got more and more successful, our texts stopped and we both fell into busier work and fatherhood. Now, as I see him staring at me from the stage of Saturday Night Live – or from behind his massive Trident on an Aquaman billboard, I feel like he finally became the “warrior” he had told me he wanted to become.

    As for me, I haven’t played the Greek Theater yet… But, when I make it there, I’ll perform any song you want to hear…

    Even the Stargate Atlantis song…

    2007 acting Aquaman Attack of the Show David Hewlett essay funny G4TV Jason Momoa Kendrick Lamar money Music SNL stargate Stargate Atlantis terrace martin Vancouver Zach Selwyn
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Read Zach’s New Short Story “The Return of the Bar Mitzvah King”

  • October 9, 2012
  • by zachselwyn
  • · The Writer · Uncategorized

The author, circa 1999 – in a cheesy DJ/EMCEE promo pic. Note the inscription “The Fun Lovin’ Outgoing Party Guy” (A line from “Swingers”)

I have to Emcee a Bar Mitzvah next week.

No, not as a favor to a relative… This is a job I am contractually obligated to do. A job I consented to nine years ago. A job that will pay me to slow dance with a 95-year-old great-grandmother as “What a Wonderful World” careens throughout the ballroom of the Calabasas Marriott Hotel. A job that is part of an occupation so nerve-wracking and terrifying, that I once swore I would never do again. Here’s the deal…

Apparently, I did such a good job of emceeing Goldie Thalberg’s Princess Fairy Tale Bat Mitzvah Celebration in 2003, that her father – Alan – had booked me to be a part of his youngest child Max’s Bar Mitzvah – for the upcoming date of September 29, 2012… According to my old boss, Mike, I took a $1000 booking fee in 2003 – and signed a contract. I have absolutely no recollection of this event whatsoever, but Mike said that if I returned the1000 bucks, I could get out of the commitment… Unfortunately, thus far in 2012, I have made a grand total of 329 dollars.

Looks like I’m doing the Bar Mitzvah.

My career shifted right around the time of the Goldie Thalberg party, I was given a small break on television and I began working somewhat consistently – for channels like ESPN, G4 and Discovery Channel. I have not emceed a Bar or Bat Mitzvah since. I actually thought I was out of the game forever. I have not thought about Bar Mitzvahs at all – and in fact – I haven’t even been to a Bar or Bat Mitzvah since 2003. And I couldn’t be happier…

For seven years, it was my only job.

See, from late 1997 to December 2003, I was a part of one of the biggest Bar/Bat Mitzvah/Wedding party planning companies in the world. We controlled the party business in southern California, sending out charismatic party emcees and hot female dancers, adequate young DJ’s and aging cheese-meisters with grease-pan hairdo’s to turn boring parties into the greatest celebrations of a family’s life. The company was called You Should Be Dancing – and at one point, I was a high-ranking performer, desired and requested by Jewish families alike across the expansive California landscape. I sacrificed my Saturday nights for paychecks soaring well into the low four-figure range – all while making a fool of myself in front of a bunch of smiling Jews and their awkward offspring. From Candlelighting ceremonies to mother-son dances, I witnessed it all. The stories are endless and the experience was invaluable, but in 2003, the minute I saw even a slight crack in the window to try and escape, I did – and I never once looked back. Until my old boss called me last week.

“You’ve gotta be kidding me!” I said to Mike, my onetime supervisor. “When did I do this kid’s sister’s party?”

“2003, Zach,” Mike responded. “You need to call them and start working out the details… unless you just want to return the thousand bucks.”

Hmm. Return the 1000 bucks?  The bottom line is, that thousand dollars was spent long ago when I used to have something called “money” in the bank. Long before kindergarten cost 25 grand per year  – and way before I knew that “escrow” was an actual thing – not Sheryl Crow’s “hip-hop name.”

Did I have the thousand bucks? Are you kidding me? My wife and I are currently scrambling to refinance our house with some bullshit 2009 Obama-bank Re-Fi that we have been rejected for nine times already. I owe my kid’s dentist $847 for my son’s eight – yes EIGHT – cavities he had filled last month… (For the record, I have never had a cavity in my life, and my kid has brushed his teeth twice a day for 5 years… I am sending this quack to the board for review). I even owe my 90-year-old grandmother five grand because she executive produced the last CD my band put out. (According to my itunes sales, it has netted me negative -3,988 dollars since its release in 2010).

Right now, it’s looking like I am going to have to emcee Max Thalberg’s Bar Mitzvah… And I am scared shitless.

Back in the day, I had a pretty impressive Bar Mitzvah routine. It was cheesy and full of feigned spontaneity, but it worked almost every night. It always started with a traditional Jewish Horah, and went into me leading a choreographed dance to Think by Aretha Franklin -which was then masterfully mixed into the YMCA and The Time Warp.  Then, I’d drop the CD in the tray for a hip, new rap dance song like Gettin’ Jiggy With it before closing the set with a popular funny jam like Stacy’s Mom by Fountains of Wayne. Then came the obligatory Sinatra send-off to get people to their tables for their salads, before I would toss on James Taylor’s Greatest Hits and hit the open bar for about 5 double bourbon and ginger ales. I’m guessing that the scene may have changed a bit since then.

“Look, Zach – I’ll send you out with our hippest DJ and some glow-sticks to give away,” Mike promised. ”It’ll come right back to you, you’ve always been a natural performer.”

“I don’t know, Mike, I’m so off on the new music and everything,” I said. “Is Mase still popular?”

“I doubt it… But don’t worry, we have a bunch of Lil’ Wayne and Kanye West and Fun and all that new stuff… you’ll be fine.”

I took a deep breath. Who the hell is Fun?

“How much am I making again?” I asked.

“Well, since you already took the advance, I’ll pay you what all the emcees get these days… $250.”

250 bucks. Not bad for a night’s work, but the pressure and anxiety I used to face preparing for and executing these parties was already beginning to creep back up on me. I wasn’t sure if it was worth it. I opened a bottle of red wine before stumbling upstairs to give my kids a bath. As I soaked them in the tub, I sipped the congenial, crimson liquid and leaned back… wondering how the hell my life had led me back here.

The first time I had to emcee a Bar Mitzvah was when I was 22-years-old. It was a Saturday night, the first summer I was spending in the real world after college, and most of my friends were out at the beach, sucking down Mexican beer and talking to beautiful women, deciding between playing the Rolling Stones or Snoop Dogg on some jukebox. I was stuck in a $50 tuxedo talking to a 13-year-old girl about which song I was going to play next: Barbie Girl by Aquaor MMMBop by Hanson. That night, as the familiar words to “Hava Nagilah” crusaded off the back wall of the party room at Temple Adat Elohim, I nervously took the microphone and was forced to direct the Horah dance as best I could. I had the men grasp hands and come to the middle, circle to the left, stop and clap, circle to the right… I even had to bring in a chair on which to seat little Joshy Schnozzleman as he was hoisted into the ceiling by a bunch of inebriated uncles and proud parents. I was 22 and nervous, breaking a debilitating sweat and completely unable to grasp the concept that I had graduated USC two months earlier with a Broadcast Journalism degree – and was now officially a “Bar Mitzvah Emcee.” I gave myself three months at the job, thinking in the back of my head that some great acting job would come along and take me away from Bar Mitzvah hell…

Little did I know, this would be my profession during my 20’s. Mike even coined a phrase for all of the employees. We had to refer to ourselves as the “Pied Pipers of Party People.” I am not kidding.

The author’s own Bar Mitzvah invitation. A baseball card. Unfortunately, he hit .223 that season.

By my second year into the job, I had made some good friends. We were all actors and musicians, and we had a job that allowed us to get to auditions during the week and make a decent living on the weekends. Plus, once we figured out a way to have bartenders serve us alcohol during parties, the job eased up and became a lot more fun… And then the incredible stories started coming out.

At a wedding in 1999, a DJ named Ronnie Jacobs had sex with a bride ten minutes after her first dance in a broom closet.

Rick Freed slept with a 45-year-old mother of the Bat Mitzvah girl while meeting her to organize the slide show.

Brad Billings got paid $1000 to show a woman his dick at a wedding.

It went on and on.

The name that was thrown around the You Should Be Dancing offices nearly every day, was Paul Rudd. Apparently, in 1994 or so, Paul had worked at the company as a DJ and emcee before getting his break in the film Clueless. We all aspired to be Paul Rudd, and looked at this job as a launching pad to our acting careers. (Years later, when I interviewed Paul Rudd, I mentioned to him that I used to work at the same company he did… He laughed and asked me how I “got out.” – Like I had broken out of a Civil War prison camp or something). I even saw Paul on a late night talk show spinning stories from his days on the Bar Mitzvah circuit, and even those yarns were entirely inspiring to every one of us.

If he could get out, we all could…

Paul Rudd leads a LIMBO contest circa 1993

After overdrawing my bank account for a Trader Joe’s purchase, I realized that there was no way out of the party. Thankfully, it was then that I realized that this could, in fact, be a great opportunity. After all, I had met plenty of Hollywood folks at parties over the years – maybe someone would like my dance rendition of Greased Lightning and offer me a walk-on role on Two Broke Girls? Heck, I used to DJ Bar Mitzvahs that Jonah Hill attended… back when he was the funny fat kid who ate all the dreidel-shaped sugar cookies. Maybe this party would open an unexpected door that I hadn’t even considered? I immediately called Mike and told him I was on the job. He gave me the Thalberg’s number and I dialed it up, preparing to fill out the typical Bar Mitzvah worksheet I used to live my life by all those years ago.

Here goes… I thought to myself.

“Hello?” Alan Thalberg said as he picked up his phone.

I promptly hung up.

Nervous and anxious, I decided to look up my old friend Rick Freed on Facebook and see if he was still working in the business. Sure enough, he was. He had branched out and started his own company called “FREED YOUR MIND” and was doing quite well. I messaged him and gave him my number. He called me within two minutes.

“Zach!” He screamed. “Dude! I saw you on TV last month! You’re killing it, dude! How’s life?”

“Not bad, Rick, how are you?” I asked.

“Still sleeping with Bar Mitzvah moms, bro!”

I was taken aback. Was he serious? Was he still in the game of Bar Mitzvah MILF hunting? He must be 42 or 43 by now… hadn’t the whole novelty of that all worn off?

Rick updated me on some of our old friends from the business: Good old Ronnie Jacobs got fired in 2005 when he hit on a girl who turned out to be 16-years-old. He thought she was 25. Turns out, she was a high school junior with an Accutane prescription. Last he heard, Ronnie was DJ-ing at the Spearmint Rhino strip club in the valley.

Brad Billings was a weatherman in Piggott, Arkansas. He had 5 kids.

Rick was, indeed, still sleeping with Bar Mitzvah moms.

“Wow, man… that’s crazy,” I offered. “Listen… I have to do a Bar Mitzvah next week and I’m a little rusty… can you help me out?”

Rick greeted me with silence. His heavy breathing sounded beleaguered as he slowly let his voice drop to a whisper.

“Are you serious, man? I don’t have any positions to hire you…”

“No, no -it’s not like that, man – I made a promise to a family nine years ago that I’d do their son’s party and, well… it’s been nine years. I have to emcee a week from Saturday. I was hoping you could give me some tips.”

Rick proceeded to break it all down for me. He was a lifesaver. His main point was that nothing had changed but the pop music. The dance moves were all the same, the Candlelighting ceremony and mother-son dance hadn’t changed – and they even still played Donna Summer’s Last Dance to close the night. The only thing I might need to do is help the dancers lead a choreographed routine to “All the Single Ladies” by Beyonce.

“Watch the video on YouTube and learn the moves,” he said. “Kids LOVE it.”

You have got to be kidding me.

After thanking Rick profusely and promising him I’d meet him for a beer in the next couple of weeks, I felt somewhat relieved that I might still be able to pull off the YMCA  and Grease songs, but that All the Single Ladies idea scared me blind. I quickly Googled the video and began yelling at my wife across the house as I witnessed Beyonce and her dance partners do things the human body was never supposed to do.

“White people aren’t supposed to move like this!!” I screamed.

I finally called Alan Thalberg, who it turns out, had been shocked that I was still available. He promised me a fun night – and said that his kid Max was trying to get him to throw a Playboy Magazine- themed party. He wanted to hire actual Playmates to walk around and dance the Horah in a throne rather than a chair – all while wearing a monogrammed Hugh Hefner-inspired bathrobe instead of a suit.

Max was my kind of dude.

Over the next week, I organized a musical playlist and rented a tuxedo. I learned maybe 4 moves by Beyonce and just accepted the fact that my performance was going to suck. I asked Mike to have the DJ bring the equipment so I didn’t have to lug it all around, and he told me that it was all done on laptops these days. The 350-pound equipment I used to have to carry around was long gone. Everything could be run off of an amp and a MacBook Pro. I cursed the hernia I got from this job in 1998.

When Saturday came around, I avoided drinking beer and watching football during the day so that I would be on my game that night. I combed my hair, brushed up on some Travolta steps from Grease and left two hours early to guarantee I wouldn’t be late.

When I got to the Calabasas Marriott, it was as if had entered a time warp. The same worrisome caterers were arguing over how to plate the chicken. The uptight party planner stressed out over where the chicken fingers and pizza would be stationed during the kids dinner. Even the photographer, who had long given up his dream of becoming the next Walter Iooss, jr. in favor of party photography – looked the same. It was a black hole into 2003… Except now, I had less hair and no idea what these kids were listening to anymore.

When I got to meet Max, I didn’t remember him. After all, he was four-years-old when we had first met. He took me aside and told me how he had originally wanted a Playboy-themed party. Instead, his parents had forced him to have a Hunger Games theme.

“Totally gay,” Max said, the way only a 13-year-old can. “I hated that lame movie.”

“Ladies and Gentlemen…” I began, my palms sweating as the first crowd entered the room. “Welcome to Max’s Hunger Games! Please choose a weapon from the guest table and proceed to your local DISTRICT… also known as your TABLE!”

These are the exact moments why I quit the business for good.

Max’s Hunger Games poster welcomed anxious Bar Mitzvah guests to the celebration.

The DJ I had been assigned to work with was named Gus. He was 23 and told me he was really an actor – but was only doing this job for a few months until “his career took off.”  I laughed and wished him luck. I made sure he knew the routine… How to transition from the Horah into the YMCA, etc. and he told me not to worry. In fact, he had cued up every song on his laptop to play back-to-back.

“All I have to do is press one button, and we can coast until the salads are served,” he said. “It’s what all the big DJ’s do too, like Skrillex and David Guetta – it’s all total show. They get pad two million dollars to play a pre-recorded EDM track on their laptops.”

Even though I had no idea what EDM was, I thought back to how miserable we used to have it. I used to make sure I had a WALKMAN on stand-by with cassettes in case of emergencies. I dealt with CDs skipping, levels dropping unexpectedly and bad beat mixes between songs. Occasionally, music would come to a complete stop in the middle of a pulsating dance set… It was a DJ nightmare, and we dealt with it all the time. I used to have anxiety dreams about it the night before parties… Now, all Gus had to worry about was pressing one button. Spoiled little prick.

As Max and his friends took their seats at the Katniss Everdeen Table I suddenly caught the eye of a fantastically stunning brunette in a blue ball gown. She was probably 21, and her flirtatious gaze caught me off guard. What was this girl doing at a party like this? It was Saturday night! She should be out hitting the clubs… dating Charlie Sheen… whatever! She was radiant and young, sexy and enticing. And she was walking towards me…

“Hey Zach,” She said, coyly.

It was then that I realized. This sparkling gem of a female was none other than Goldie Thalberg. And she was smoking hot.

“Remember me? Goldie?”

I took a step back. Here I was, 37-years-old and married, staring at a perfectly shaped young woman whose Bat Mitzvah I had emceed nine years earlier.

“I go to UCLA now,” she continued. “I kept up with your career! You did some cool stuff on TV! It’s so cool that you’d come back to do Max’s party. Can we take a picture?”

“Uhh, sure,” I said, even though she had already snapped it with her iphone.

She turned back towards her table. I caught her looking over her shoulder a second later.

“Hey, save me a dance, will ya?”

Keep it in your pants, Selwyn…

As the evening rolled along and I found myself having no problem with the old routine, I did notice one peculiar thing about the kids. They weren’t interested in glow-sticks and flashy novelty giveaway rings anymore… All they did was TEXT. Every 13-year-old kid had an iPhone and was tweeting, updating a Facebook status and occasionally taking photos. At one point, a group of young girls asked to take my picture. I happily posed for them. They asked if they could “tag” me, and I said sure. For a moment, I actually felt kind of cool! Like I was back relating to the youngsters again, the way I used to do all those years ago…

And then, three minutes later, I got a Facebook update. They had tagged me on their page as “The douchey emcee at Max’s Bar Mitzvah.”

The Facebook post referring to the author as “The Douchey Emcee at Max’s Bar MItzvah”

Following my terrible rendition of “All the Single Ladies,” where I just gave up halfway through, I found myself leading a “snowball” dance amongst the kids, where everyone changes partners. It was then that Goldie Thalberg asked me to dance. I obliged, and we awkwardly embraced in that junior high way that hormone-ravaged‘tweens often do. As I spun her in a swing-dance pattern, as a way to keep things lighthearted, I happened to catch Alan Thalberg’s eye. His furious squint said it all. He gave me a signal that I quickly read as “Get the fuck away from my daughter.”

I turned to Gus and told him, “Play anything fast – NOW!”

He did. Goldie went to eat dessert and I snuck off to the bar for a double bourbon and ginger ale.

“Dude, you’re not allowed to drink at parties,” Gus told me nervously.

Two drinks later, the party was in full swing. Max shot fake Hunger Games arrows at his family during the Candlelighting ceremony and Goldie got sick and apparently puked up champagne in the bathroom. As the four-hour extravaganza came to a close, I was relieved when I turned to Gus and announced, “Play Last Dance.”

Moments later, the party came to a superbly happy end. The guests sauntered back to their cars and into the San Fernando Valley night as Gus and I went to the bar for a beer before leaving. As per tradition, Alan Thalberg came up to us with cash tips in an envelope.

“Gentlemen, terrific job tonight,” he said.

“Thanks so much,” I responded.

“Zach, at least three of my friend’s have kids Max’s age and were asking if you’d be available in the next few months… I’ll pass along your number if you like…”

I swallowed my beer and looked at Alan. Was he serious? Suddenly, I was back on top! The one time king of the Bar Mitzvah had returned! I was in demand! For the first time in about nine years, I recalled that feeling of accomplishment and recognition after a live performance… That sense that I had brought happiness to the family and had been admired by the crowd… It felt good. Almost like I was willing to step back in the Bar Mitzvah emcee game once again… And after all, you never get cash tips after you nail a take on TV.

“Uhm, you know what, Alan… sure!” I said. “Give my number to whoever you want!”

Alan thanked us again and walked away. I watched Gus gobble an olive from the bar tray before looking up from his iPhone.

“Can I ask you a question?” Gus said.

“Sure,” I responded.

“How old are you?”

“37.”

“37, wow! I hope I’m not still doing parties when I’m your age!” He said.” No offense, but I’m like, with the best agent now… and I’m doing a sketch show at UCB…”

“You sound a lot like me when I was your age,” I said.

Gus rambled on about how a girl from his acting class had co-starred on “Rules of Engagement” and how he hated reality TV – and then he said something that made me want to punch him in the nose.

“Did you know that Paul Rudd used to work at the company?” He blurted. “Can you believe that? He’s like, a comedy legend, bro!”

I slammed what remained of my beer and patted Gus firmly on the shoulder. I sauntered back to the DJ booth to gather my car keys and jacket. As I strolled out to the parking lot, I took one look back at the cracked façade of the one-time famed Calabasas Marriott Hotel.

A familiar thought rushed over me…

I am never doing one of these fucking parties again…

ZACH SELWYN * LOS ANGELES, CA. * OCTOBER 3, 2012

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Bar Mitzvah DJ bar mitzvah music Bar Mitzvah themes bukowski Clueless Comedy david sedaris Emcee fiction funny funny jewish story Heeb Magazine humor Hunger Games jew jew short stories katniss everdeen Paul Rudd will smith YMCA Time warp You should be Dancing Zach Selwyn
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