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I have to Emcee a Bar Mitzvah next week.
No, not as a favor to a relative… This is a job I am contractually obligated to do. A job I consented to nine years ago. A job that will pay me to slow dance with a 95-year-old great-grandmother as “What a Wonderful World” careens throughout the ballroom of the Calabasas Marriott Hotel. A job that is part of an occupation so nerve-wracking and terrifying, that I once swore I would never do again. Here’s the deal…
Apparently, I did such a good job of emceeing Goldie Thalberg’s Princess Fairy Tale Bat Mitzvah Celebration in 2003, that her father – Alan – had booked me to be a part of his youngest child Max’s Bar Mitzvah – for the upcoming date of September 29, 2012… According to my old boss, Mike, I took a $1000 booking fee in 2003 – and signed a contract. I have absolutely no recollection of this event whatsoever, but Mike said that if I returned the1000 bucks, I could get out of the commitment… Unfortunately, thus far in 2012, I have made a grand total of 329 dollars.
Looks like I’m doing the Bar Mitzvah.
My career shifted right around the time of the Goldie Thalberg party, I was given a small break on television and I began working somewhat consistently – for channels like ESPN, G4 and Discovery Channel. I have not emceed a Bar or Bat Mitzvah since. I actually thought I was out of the game forever. I have not thought about Bar Mitzvahs at all – and in fact – I haven’t even been to a Bar or Bat Mitzvah since 2003. And I couldn’t be happier…
For seven years, it was my only job.
See, from late 1997 to December 2003, I was a part of one of the biggest Bar/Bat Mitzvah/Wedding party planning companies in the world. We controlled the party business in southern California, sending out charismatic party emcees and hot female dancers, adequate young DJ’s and aging cheese-meisters with grease-pan hairdo’s to turn boring parties into the greatest celebrations of a family’s life. The company was called You Should Be Dancing – and at one point, I was a high-ranking performer, desired and requested by Jewish families alike across the expansive California landscape. I sacrificed my Saturday nights for paychecks soaring well into the low four-figure range – all while making a fool of myself in front of a bunch of smiling Jews and their awkward offspring. From Candlelighting ceremonies to mother-son dances, I witnessed it all. The stories are endless and the experience was invaluable, but in 2003, the minute I saw even a slight crack in the window to try and escape, I did – and I never once looked back. Until my old boss called me last week.
“You’ve gotta be kidding me!” I said to Mike, my onetime supervisor. “When did I do this kid’s sister’s party?”
“2003, Zach,” Mike responded. “You need to call them and start working out the details… unless you just want to return the thousand bucks.”
Hmm. Return the 1000 bucks? The bottom line is, that thousand dollars was spent long ago when I used to have something called “money” in the bank. Long before kindergarten cost 25 grand per year – and way before I knew that “escrow” was an actual thing – not Sheryl Crow’s “hip-hop name.”
Did I have the thousand bucks? Are you kidding me? My wife and I are currently scrambling to refinance our house with some bullshit 2009 Obama-bank Re-Fi that we have been rejected for nine times already. I owe my kid’s dentist $847 for my son’s eight – yes EIGHT – cavities he had filled last month… (For the record, I have never had a cavity in my life, and my kid has brushed his teeth twice a day for 5 years… I am sending this quack to the board for review). I even owe my 90-year-old grandmother five grand because she executive produced the last CD my band put out. (According to my itunes sales, it has netted me negative -3,988 dollars since its release in 2010).
Right now, it’s looking like I am going to have to emcee Max Thalberg’s Bar Mitzvah… And I am scared shitless.
Back in the day, I had a pretty impressive Bar Mitzvah routine. It was cheesy and full of feigned spontaneity, but it worked almost every night. It always started with a traditional Jewish Horah, and went into me leading a choreographed dance to Think by Aretha Franklin -which was then masterfully mixed into the YMCA and The Time Warp. Then, I’d drop the CD in the tray for a hip, new rap dance song like Gettin’ Jiggy With it before closing the set with a popular funny jam like Stacy’s Mom by Fountains of Wayne. Then came the obligatory Sinatra send-off to get people to their tables for their salads, before I would toss on James Taylor’s Greatest Hits and hit the open bar for about 5 double bourbon and ginger ales. I’m guessing that the scene may have changed a bit since then.
“Look, Zach – I’ll send you out with our hippest DJ and some glow-sticks to give away,” Mike promised. ”It’ll come right back to you, you’ve always been a natural performer.”
“I don’t know, Mike, I’m so off on the new music and everything,” I said. “Is Mase still popular?”
“I doubt it… But don’t worry, we have a bunch of Lil’ Wayne and Kanye West and Fun and all that new stuff… you’ll be fine.”
I took a deep breath. Who the hell is Fun?
“How much am I making again?” I asked.
“Well, since you already took the advance, I’ll pay you what all the emcees get these days… $250.”
250 bucks. Not bad for a night’s work, but the pressure and anxiety I used to face preparing for and executing these parties was already beginning to creep back up on me. I wasn’t sure if it was worth it. I opened a bottle of red wine before stumbling upstairs to give my kids a bath. As I soaked them in the tub, I sipped the congenial, crimson liquid and leaned back… wondering how the hell my life had led me back here.
The first time I had to emcee a Bar Mitzvah was when I was 22-years-old. It was a Saturday night, the first summer I was spending in the real world after college, and most of my friends were out at the beach, sucking down Mexican beer and talking to beautiful women, deciding between playing the Rolling Stones or Snoop Dogg on some jukebox. I was stuck in a $50 tuxedo talking to a 13-year-old girl about which song I was going to play next: Barbie Girl by Aquaor MMMBop by Hanson. That night, as the familiar words to “Hava Nagilah” crusaded off the back wall of the party room at Temple Adat Elohim, I nervously took the microphone and was forced to direct the Horah dance as best I could. I had the men grasp hands and come to the middle, circle to the left, stop and clap, circle to the right… I even had to bring in a chair on which to seat little Joshy Schnozzleman as he was hoisted into the ceiling by a bunch of inebriated uncles and proud parents. I was 22 and nervous, breaking a debilitating sweat and completely unable to grasp the concept that I had graduated USC two months earlier with a Broadcast Journalism degree – and was now officially a “Bar Mitzvah Emcee.” I gave myself three months at the job, thinking in the back of my head that some great acting job would come along and take me away from Bar Mitzvah hell…
Little did I know, this would be my profession during my 20’s. Mike even coined a phrase for all of the employees. We had to refer to ourselves as the “Pied Pipers of Party People.” I am not kidding.
By my second year into the job, I had made some good friends. We were all actors and musicians, and we had a job that allowed us to get to auditions during the week and make a decent living on the weekends. Plus, once we figured out a way to have bartenders serve us alcohol during parties, the job eased up and became a lot more fun… And then the incredible stories started coming out.
At a wedding in 1999, a DJ named Ronnie Jacobs had sex with a bride ten minutes after her first dance in a broom closet.
Rick Freed slept with a 45-year-old mother of the Bat Mitzvah girl while meeting her to organize the slide show.
Brad Billings got paid $1000 to show a woman his dick at a wedding.
It went on and on.
The name that was thrown around the You Should Be Dancing offices nearly every day, was Paul Rudd. Apparently, in 1994 or so, Paul had worked at the company as a DJ and emcee before getting his break in the film Clueless. We all aspired to be Paul Rudd, and looked at this job as a launching pad to our acting careers. (Years later, when I interviewed Paul Rudd, I mentioned to him that I used to work at the same company he did… He laughed and asked me how I “got out.” – Like I had broken out of a Civil War prison camp or something). I even saw Paul on a late night talk show spinning stories from his days on the Bar Mitzvah circuit, and even those yarns were entirely inspiring to every one of us.
If he could get out, we all could…
After overdrawing my bank account for a Trader Joe’s purchase, I realized that there was no way out of the party. Thankfully, it was then that I realized that this could, in fact, be a great opportunity. After all, I had met plenty of Hollywood folks at parties over the years – maybe someone would like my dance rendition of Greased Lightning and offer me a walk-on role on Two Broke Girls? Heck, I used to DJ Bar Mitzvahs that Jonah Hill attended… back when he was the funny fat kid who ate all the dreidel-shaped sugar cookies. Maybe this party would open an unexpected door that I hadn’t even considered? I immediately called Mike and told him I was on the job. He gave me the Thalberg’s number and I dialed it up, preparing to fill out the typical Bar Mitzvah worksheet I used to live my life by all those years ago.
Here goes… I thought to myself.
“Hello?” Alan Thalberg said as he picked up his phone.
I promptly hung up.
Nervous and anxious, I decided to look up my old friend Rick Freed on Facebook and see if he was still working in the business. Sure enough, he was. He had branched out and started his own company called “FREED YOUR MIND” and was doing quite well. I messaged him and gave him my number. He called me within two minutes.
“Zach!” He screamed. “Dude! I saw you on TV last month! You’re killing it, dude! How’s life?”
“Not bad, Rick, how are you?” I asked.
“Still sleeping with Bar Mitzvah moms, bro!”
I was taken aback. Was he serious? Was he still in the game of Bar Mitzvah MILF hunting? He must be 42 or 43 by now… hadn’t the whole novelty of that all worn off?
Rick updated me on some of our old friends from the business: Good old Ronnie Jacobs got fired in 2005 when he hit on a girl who turned out to be 16-years-old. He thought she was 25. Turns out, she was a high school junior with an Accutane prescription. Last he heard, Ronnie was DJ-ing at the Spearmint Rhino strip club in the valley.
Brad Billings was a weatherman in Piggott, Arkansas. He had 5 kids.
Rick was, indeed, still sleeping with Bar Mitzvah moms.
“Wow, man… that’s crazy,” I offered. “Listen… I have to do a Bar Mitzvah next week and I’m a little rusty… can you help me out?”
Rick greeted me with silence. His heavy breathing sounded beleaguered as he slowly let his voice drop to a whisper.
“Are you serious, man? I don’t have any positions to hire you…”
“No, no -it’s not like that, man – I made a promise to a family nine years ago that I’d do their son’s party and, well… it’s been nine years. I have to emcee a week from Saturday. I was hoping you could give me some tips.”
Rick proceeded to break it all down for me. He was a lifesaver. His main point was that nothing had changed but the pop music. The dance moves were all the same, the Candlelighting ceremony and mother-son dance hadn’t changed – and they even still played Donna Summer’s Last Dance to close the night. The only thing I might need to do is help the dancers lead a choreographed routine to “All the Single Ladies” by Beyonce.
“Watch the video on YouTube and learn the moves,” he said. “Kids LOVE it.”
You have got to be kidding me.
After thanking Rick profusely and promising him I’d meet him for a beer in the next couple of weeks, I felt somewhat relieved that I might still be able to pull off the YMCA and Grease songs, but that All the Single Ladies idea scared me blind. I quickly Googled the video and began yelling at my wife across the house as I witnessed Beyonce and her dance partners do things the human body was never supposed to do.
“White people aren’t supposed to move like this!!” I screamed.
I finally called Alan Thalberg, who it turns out, had been shocked that I was still available. He promised me a fun night – and said that his kid Max was trying to get him to throw a Playboy Magazine- themed party. He wanted to hire actual Playmates to walk around and dance the Horah in a throne rather than a chair – all while wearing a monogrammed Hugh Hefner-inspired bathrobe instead of a suit.
Max was my kind of dude.
Over the next week, I organized a musical playlist and rented a tuxedo. I learned maybe 4 moves by Beyonce and just accepted the fact that my performance was going to suck. I asked Mike to have the DJ bring the equipment so I didn’t have to lug it all around, and he told me that it was all done on laptops these days. The 350-pound equipment I used to have to carry around was long gone. Everything could be run off of an amp and a MacBook Pro. I cursed the hernia I got from this job in 1998.
When Saturday came around, I avoided drinking beer and watching football during the day so that I would be on my game that night. I combed my hair, brushed up on some Travolta steps from Grease and left two hours early to guarantee I wouldn’t be late.
When I got to the Calabasas Marriott, it was as if had entered a time warp. The same worrisome caterers were arguing over how to plate the chicken. The uptight party planner stressed out over where the chicken fingers and pizza would be stationed during the kids dinner. Even the photographer, who had long given up his dream of becoming the next Walter Iooss, jr. in favor of party photography – looked the same. It was a black hole into 2003… Except now, I had less hair and no idea what these kids were listening to anymore.
When I got to meet Max, I didn’t remember him. After all, he was four-years-old when we had first met. He took me aside and told me how he had originally wanted a Playboy-themed party. Instead, his parents had forced him to have a Hunger Games theme.
“Totally gay,” Max said, the way only a 13-year-old can. “I hated that lame movie.”
“Ladies and Gentlemen…” I began, my palms sweating as the first crowd entered the room. “Welcome to Max’s Hunger Games! Please choose a weapon from the guest table and proceed to your local DISTRICT… also known as your TABLE!”
These are the exact moments why I quit the business for good.
The DJ I had been assigned to work with was named Gus. He was 23 and told me he was really an actor – but was only doing this job for a few months until “his career took off.” I laughed and wished him luck. I made sure he knew the routine… How to transition from the Horah into the YMCA, etc. and he told me not to worry. In fact, he had cued up every song on his laptop to play back-to-back.
“All I have to do is press one button, and we can coast until the salads are served,” he said. “It’s what all the big DJ’s do too, like Skrillex and David Guetta – it’s all total show. They get pad two million dollars to play a pre-recorded EDM track on their laptops.”
Even though I had no idea what EDM was, I thought back to how miserable we used to have it. I used to make sure I had a WALKMAN on stand-by with cassettes in case of emergencies. I dealt with CDs skipping, levels dropping unexpectedly and bad beat mixes between songs. Occasionally, music would come to a complete stop in the middle of a pulsating dance set… It was a DJ nightmare, and we dealt with it all the time. I used to have anxiety dreams about it the night before parties… Now, all Gus had to worry about was pressing one button. Spoiled little prick.
As Max and his friends took their seats at the Katniss Everdeen Table I suddenly caught the eye of a fantastically stunning brunette in a blue ball gown. She was probably 21, and her flirtatious gaze caught me off guard. What was this girl doing at a party like this? It was Saturday night! She should be out hitting the clubs… dating Charlie Sheen… whatever! She was radiant and young, sexy and enticing. And she was walking towards me…
“Hey Zach,” She said, coyly.
It was then that I realized. This sparkling gem of a female was none other than Goldie Thalberg. And she was smoking hot.
“Remember me? Goldie?”
I took a step back. Here I was, 37-years-old and married, staring at a perfectly shaped young woman whose Bat Mitzvah I had emceed nine years earlier.
“I go to UCLA now,” she continued. “I kept up with your career! You did some cool stuff on TV! It’s so cool that you’d come back to do Max’s party. Can we take a picture?”
“Uhh, sure,” I said, even though she had already snapped it with her iphone.
She turned back towards her table. I caught her looking over her shoulder a second later.
“Hey, save me a dance, will ya?”
Keep it in your pants, Selwyn…
As the evening rolled along and I found myself having no problem with the old routine, I did notice one peculiar thing about the kids. They weren’t interested in glow-sticks and flashy novelty giveaway rings anymore… All they did was TEXT. Every 13-year-old kid had an iPhone and was tweeting, updating a Facebook status and occasionally taking photos. At one point, a group of young girls asked to take my picture. I happily posed for them. They asked if they could “tag” me, and I said sure. For a moment, I actually felt kind of cool! Like I was back relating to the youngsters again, the way I used to do all those years ago…
And then, three minutes later, I got a Facebook update. They had tagged me on their page as “The douchey emcee at Max’s Bar Mitzvah.”
Following my terrible rendition of “All the Single Ladies,” where I just gave up halfway through, I found myself leading a “snowball” dance amongst the kids, where everyone changes partners. It was then that Goldie Thalberg asked me to dance. I obliged, and we awkwardly embraced in that junior high way that hormone-ravaged‘tweens often do. As I spun her in a swing-dance pattern, as a way to keep things lighthearted, I happened to catch Alan Thalberg’s eye. His furious squint said it all. He gave me a signal that I quickly read as “Get the fuck away from my daughter.”
I turned to Gus and told him, “Play anything fast – NOW!”
He did. Goldie went to eat dessert and I snuck off to the bar for a double bourbon and ginger ale.
“Dude, you’re not allowed to drink at parties,” Gus told me nervously.
Two drinks later, the party was in full swing. Max shot fake Hunger Games arrows at his family during the Candlelighting ceremony and Goldie got sick and apparently puked up champagne in the bathroom. As the four-hour extravaganza came to a close, I was relieved when I turned to Gus and announced, “Play Last Dance.”
Moments later, the party came to a superbly happy end. The guests sauntered back to their cars and into the San Fernando Valley night as Gus and I went to the bar for a beer before leaving. As per tradition, Alan Thalberg came up to us with cash tips in an envelope.
“Gentlemen, terrific job tonight,” he said.
“Thanks so much,” I responded.
“Zach, at least three of my friend’s have kids Max’s age and were asking if you’d be available in the next few months… I’ll pass along your number if you like…”
I swallowed my beer and looked at Alan. Was he serious? Suddenly, I was back on top! The one time king of the Bar Mitzvah had returned! I was in demand! For the first time in about nine years, I recalled that feeling of accomplishment and recognition after a live performance… That sense that I had brought happiness to the family and had been admired by the crowd… It felt good. Almost like I was willing to step back in the Bar Mitzvah emcee game once again… And after all, you never get cash tips after you nail a take on TV.
“Uhm, you know what, Alan… sure!” I said. “Give my number to whoever you want!”
Alan thanked us again and walked away. I watched Gus gobble an olive from the bar tray before looking up from his iPhone.
“Can I ask you a question?” Gus said.
“Sure,” I responded.
“How old are you?”
“37, wow! I hope I’m not still doing parties when I’m your age!” He said.” No offense, but I’m like, with the best agent now… and I’m doing a sketch show at UCB…”
“You sound a lot like me when I was your age,” I said.
Gus rambled on about how a girl from his acting class had co-starred on “Rules of Engagement” and how he hated reality TV – and then he said something that made me want to punch him in the nose.
“Did you know that Paul Rudd used to work at the company?” He blurted. “Can you believe that? He’s like, a comedy legend, bro!”
I slammed what remained of my beer and patted Gus firmly on the shoulder. I sauntered back to the DJ booth to gather my car keys and jacket. As I strolled out to the parking lot, I took one look back at the cracked façade of the one-time famed Calabasas Marriott Hotel.
A familiar thought rushed over me…
I am never doing one of these fucking parties again…
ZACH SELWYN * LOS ANGELES, CA. * OCTOBER 3, 2012
A week ago, I got into a freestyle rap battle.
Now, I know this is not something that a 37-year-old father of two should ever be writing, but for some reason, last Wednesday night – I felt a burning desire to join an intimidating rap circle and try and drop some dope-ass, quick-minded, funny lyrics on some totally unsuspecting strangers.
If there is ever a moment in my life I could have back, it is this one.
Standing out in front of the Smokehouse restaurant in Burbank – in front of my wife and another couple – whose kid is in the same kindergarten class with our son, I decided to stumble over into a “cypher,” or crew of people rapping together in a cyclical pattern. I suddenly turned from “the bearded weirdo who always drives the soccer practice carpool,” into “the drunk dad from the kindergarten class who thought he was Eminem.”
Let me back up here a minute. See, I used to be a rapper. That is not a typo. I didn’t “wrap” presents… I RAPPED. I recorded a few CD’s and everything. I had skills. A future. A following.
I know, laugh it up…my outside appearance is deceiving. I am white, fatherly and pasty. I wear basketball shorts and t-shirts 90 percent of the time for “comfort.” I occasionally have non-dissolved Rogaine foam in my hair. I am not intimidating at all.
But, believe it or not, at one point in my younger life I was a bona-fide, authentic, legitimate, validated, record deal – having, somewhat admired freestyle rapper. Arguably, one of the best in the world. I could rhyme like Dr. Seuss on a mushroom trip. I could think off the top of my head faster than 99 percent of all improvisational actors I have encountered. I used to perform my skills live with bands in nightclubs, at late night parties and at sketch comedy shows. I garnered mad respect. People would come up nightly and ask me, “How the hell does your mind think like that?” The truth is? I had no idea.
I bet you’re wondering how this all started…
In 1987, if you had asked my mother what career she thought I’d pursue as a young man – based on the thousands of dollars I made mastering Jose Canseco and Mark McGwire’s signatures – she most likely would have said “professional autograph forger.” (A quick arrest at the local baseball card shop in 1989 ended that career…)
She might have guessed I could have followed my father – who is a doctor – into medicine – but a quick “D” in chemistry my sophomore year of high school stifled that dream. (I even cheated. And I still got a D…)
I may have even been able to make a living in the courtroom, brandishing my gift of gab in front of honorable judges while trying to convince the jury that the defendant was not even in the country when the crime occurred… But to me, law school was for the geeks who couldn’t talk to girls at junior high parties. Or make them laugh at summer camp… Or freestyle rap their way into their pants.
“Yo Melissa/ I wanna kiss ya/Take off your dress and I wont dismiss ya…”
The first time I made a rhyme up about a girl was in eighth grade. Her name was Melissa, and we were at Dana Restival’s Halloween party. Everybody knew I was the best rapper in school – and when I dropped those lyrics to her in front of a crowd of people, she continued to follow me around the party for the rest of the night. Around 9:30, we snuck away, near a saguaro cactus in the Tucson desert – and shared our first kiss. It was sloppy, but unbelievably perfect. Brilliant and everything I had ever imagined. In my mind, Melissa was going to be my girlfriend. I thought I had it made… Problem was, she ended up letting John Coates – school hesher – feel her up on the school bus a week later.
Back in the 1980’s, if you were into rap music, it made you unique. I had a partner in crime named “Ryan the Rhymer” (Now a dentist in Tucson) – and we comprised the tightest white-boy rapping outfit at Townsend Junior High School in 1989. We were a two-man wrecking crew known as “SO FRESH.” I wore African leather medallions to school and sported those 3rd Bass/ Dwayne Wayne flip-up glasses as a way to seem more “intelligent.” We wrote raps and performed onstage as a crew at talent shows, and were basically laughed at for not listening to cheesy hair-cock rock like Poison and Slaughter. Back then, we were the musical outcasts, because we liked Beastie Boys, Shinehead and Boogie Down Productions. Then, one day, we won a student council election based on one of our raps (Called “Do it for the School!!!”) – After that, we were no longer considered out-of-touch losers.
The first rap I performed at my high school was when a kid named Eric Tiberon challenged me to a rhyme-off in ninth grade. He was black, and had the entire school behind him mainly for the sole reason that he had a high-top fade that looked like Kid from “Kid ‘N Play.” When I accepted his challenge, people were somewhat scared for me… but the final parking lot battle went a little differently. Eric basically recited Eazy-E’s classic Eazy-Duz-It. I made up a rap about how much being in ninth grade sucked.
Eric rapped about his cars and his girls (Both of which he did not have).
I rapped about being beat up by a high school bully named Jason and getting a C in Geometry. I remember my verse well.
“School sucks, I get up so early/ Bully named Jason always looking so burly/ Said I looked like a freshman girlie/ stuck my head in a toilet and gave me a swirlie…”
Yeah, I know it was WILL SMITH-ish… It wasn’t hardcore or gangsta – but it was funny – and the people loved it. So much so, that Eric and I became friends after that – even going to see Ghostbusters 2 together just to hear Bobby Brown’s new song “On Our Own.” (Still holds up today. CLASSIC jam).
After that, high school was certainly an awkward stumble through athletics, music, girls and experimentation – but hip-hop music was always a staple in my life. I rapped over Humpty Dance break beats at high school proms and earned my juice on the dance floor busting out the Running Man, Roger Rabbit and the Butterfly to songs like The Choice is Yours by Black Sheep during my junior prom. By my senior year, I thought I’d even try to make a legitimate rap album.
And then The Chronic came out.
Dr. Dre’s album changed my life Suddenly, dancing wasn’t cool anymore. My style of rap sucked and whatever street cred I had amongst my Tucson, Arizona brethren went out the window. I was Vanilla Iced-out. Squashed. 187-d. Ignored.
At the time, I was surprised at how little I cared. In fact, it was a relief to know that my rap career had ended… And the following fall I enrolled in college at USC in Los Angeles – where I engulfed myself in West Coast G-funk – but also expanded my mind into other areas of music as well. I picked up the acoustic guitar as a means to get laid – and even started my first band with my pal Jason Richards. (The only other freshman that could play more than 3 chords) We were called, sadly – “Two College Freshman.”
We were at USC – which is a terrific campus in the middle of south central Los Angeles – and we were one year removed from the famed LA riots of 1992 – so the West Coast dominance of rap music was everywhere – but I no longer wanted to be a rapper. In fact, based on the amount of girls I got when I rapped compared to how may I got when I did an acoustic guitar cover of “Your Bright Baby Blues,” I suddenly realized that I really wanted to be JACKSON BROWNE. Especially when legends like 2Pac and Notorious BIG were murdered, I knew the rap game wasn’t exactly cut out for a 3.8 GPS-having son of a Jewish doctor.
I ended up paying tuition and making ends meet in college by DJ-ing and Emcee-ing fraternity parties and weddings – and I eventually branched out into Bar Mitzvahs after school (An entirely different story altogether). But by the time the late 90’s rolled around – and I found myself hanging around musical friends like the bands Matchbox 20, Paperback and even boy-band acquaintances like ‘NSYNC – I noticed that everybody always talked about the newest rap music out at the time. Puff Daddy, Mase, Nelly – you name it. This was the music of the time, and even the biggest musical stars I knew were obsessed with the genre. I’m not sure where it happened for the first time, but I was around some guy who began freestyle rapping. He was decent, but his trite choice of lyrics and lack of originality made me consider attempting my own rap. I jumped in. He nodded along, probably unimpressed – but nonetheless enjoying my effort. When I was done, he gave me a fist bump and walked away.
I did it again with the guys from ‘NSYNC. Living in Los Angeles in 1998 meant I had a lot of young friends who were trying to act, sing, dance, direct, produce – you name it. One of my buddies had grown up with Chris Kirkpatrick – probably best remembered as the guy Eminem threatened to beat up in a song in 2000 – and the dread-locked “bad boy” of ‘NSYNC – the most popular boy band in the history of the world. Chris and I would get drunk together and end up in some random hotel room with a bunch of girls and background dancers and rap producers at two in the morning. Somehow, after 30 Heineken bottles littered the floor and a few joints were passed, people began rapping. I started stepping in. I started getting the laughs. Making up rhymes – and ultimately having the tightest flows of any so-called “rapper” hanging around these after-parties.
Once, around 1999 – I ended up in the Standard Hotel with Dr. Dre. He was surrounded by 300-pound bodyguards and a crew of slinky women who looked like they were in En Vogue. – He employed a personal “blunt-roller” and was encircled by about ten wanna-be rappers. That night was the first time I was actually afraid to rap in front of somebody in nearly ten years. In fact, after witnessing three saggy-pantsed douche-nozzles try to rap Dre’s ear off, I decided that perhaps my rap future was a pointless joke. I guess I always knew what I did in hotel rooms with my friends was more of a party-trick, and less of a career choice, and it didn’t bother me. I had no interest in becoming a professional rapper. I was committed to having fun and getting laid and occasionally jumping on-stage after 10 drinks to freestyle along with my friend’s band at their Hollywood club gigs. None of it made any sense. We were 25-years-old, wasted and happy and sleeping until noon. We were young, dumb, naïve and convinced that fame and success was just around the corner. One of my friends, a former hip-hop dancer for the local rap station Power 106 – began calling me “Zachariah.” I immediately took on the moniker as my rap handle. “Zachariah, the Rhyme Messiah.” There it was. My party trick. I would go around any room and rap about what people were doing, wearing, drinking, you name it. I never thought it would lead to anything but a few free drinks and some laughter.
And then somebody offered me a record deal.
The first studio time I ever had booked was around this time. A girl I had fooled around with named Lisa knew a rap producer named “Cookie” and she arranged a meeting for us at the Skybar on Sunset Boulevard. I wasn’t sure what I was going to do during this meeting, but I put on a cowboy shirt and fluffed my hair up to Lindsay Buckingham –heights. Anything to seem somewhat marketable and charismatic.
At the time, nobody in LA had any type of haircut but a short spiked boy-band thing, so my wild Jew-fro gave me a little edge. It somehow made me a bit more reckless. Maybe even dangerous – if only in that “I don’t give a fuck” drug-addict look that you see outside of Venice Beach grocery stores.
At the Skybar, “Cookie” – as he introduced himself – told me to order a beer. Lisa was next to me, and I think I ordered a Corona because Mexican beer was about all I lived on in my early 20’s. Lisa bragged about my ability to freestyle and Cookie then stared me down, took a long pull off his beer and asked me to “do something impressive.”
It was on. Was he serious? I nearly froze. I was unsure of what to do. Should I recite some lyrics? Tell him some song ideas? I wasn’t sure. Instead I rapped off the top of my head to the cocktail waitress.
“Come here now for a second Miss blondie/ Any chance you wanna get on me?/ You live in LA? I’m from Arizona/ Do my boy Cookie a favor – another Corona?/ Don’t mistake this – I Cant fake this – you’re so hot for a waitress/ Do ya have fake tits? I cant tell/ That’s alright, I still think yer swell/ My name is Zachariah, how do I look?/ Trying to rhyme for this dude named Cook/ Ill steal yer heart like a bona-fide crook/Ill take yer naked photos and put em in a book/ So lets just let this relationship bloom/ So here’s the key to my hotel room…”
The waitress smiled. Cookie looked at me and said, “I want to capture THAT in the studio.”
I made out with the waitress that night.
So a week later, we were in Cookie’s studio, known as “LeftSide.” I had written a song in Las Vegas with my friend Jason Jacobs called “Runnin’ Shit” about two guys who slept with girls, traveled to Mexico and Vegas on random Wednesdays – and got high and drove really nice cars. In reality, we were both Southern California Bar Mitzvah DJ’s. The last time I had been to Mexico was with my mother over a family Christmas vacation (typical Jewish trip – Mexico over Christmas) and I drove a 1989 Dodge Lancer.
To top it all off, I was desperately unable to do anything in the studio that night – but SUCK.
The studio was a small rented office space off of Slauson and La Cienega. Cookie hooked me up with a producer named Warrior – who was a master of the MPC 3000. We smoked some weed, made a beat and put together a silly rap song full of voice imitations and bad jokes and pop culture references. It was called “Come On” and I was convinced it was my ticket to the big time. A crossover hit… a massive smash. Cookie started marketing me to record companies as “If Eminem hung out at Dawson’s Creek.” I should have quit right then.
I put out an EP on Q/LeftSide Records – and it went triple plastic. Every major label denied me. I ended up with a closet full of 3500 CD’s – which included a song called “Other Side” featuring the powerful voice of a silk-voiced friend of Cookie’s named Stacy Ferguson. Today she’s known a little differently. She’s Fergie from Black Eyed Peas. I never thought she had much of a future. She did have a voice from God, but so did a lot of girls. When we stopped hanging out, I didn’t think she’d go very far.
After LeftSide folded, I ended up starting a country rock band that dabbled in hip-hop. We had a little local success, but not much more. From there, I caught a lucky break and got on TV – where I was able to convince the folks behind the screen to let me attempt to record some songs for nearly every show I have been a part of. Today, those residual checks amount to roughly 63 cents a year.
I also recorded a bunch of stupidly silly comedy rap songs about Cartoons I’d like to F*%&, White People Problems and the TSA. I have released a few CD’s on some small labels and I have been hired by over two dozen companies to write and record rap songs for their products, from Levi’s Jeans to Netgear. So, I guess, technically, I once called myself a rapper… but I certainly never took it seriously. And now, the style of rap is so much different, I have no idea how to imitate lyrical geniuses like Lil Wayne and Drake. I’m still stuck in that Will Smith meets Skee Lo style. Storytelling, comedy and fluff rap.
According to my calculations, it had been nine years since I truly “battled” somebody. A battle is when you trade rhymes with another emcee, often including insults, braggadocio and clever wordplay. A lot of rappers suck at this. For some reason, I was always able to come up with quick rhymes. In fact, I have never lost a battle in my life. Other fools have claimed they out-rapped me, but most of them recited something I could tell was written beforehand. I was strictly improvisational.
Freestyle rapping is like working out. You need to do it all the time or you get rusty. Rarely do you take nine years off and step up to the microphone and sound like Rakim. For some reason, however, last week – following a few glasses of red wine, I thought I was back in the Skybar in 1999.
The three dudes standing outside of the Smokehouse restaurant in Burbank were sharing a joint and rapping about “Maybach’s” and “Stackin’ Chips.” The valet parking attendant took our ticket as I caught one of the guy’s eyes. I guess in the 90’s you would call what he was doing “Mad-dogging.” I would normally run from any large crew of wasted black dudes in a parking lot at 11 o’clock at night, but for some reason, I felt the need to jump into the rap battle. Maybe it was because he kept staring at my wife and obviously commenting under his breath about her. Whatever it was, I felt like I needed to say something. I took a step towards them.
“Punk ass bitches get stitches like snitches/rub you out like a genie, grant ya 3 wishes/ Im a killa, son, drinking Miller, son – All the tracks on my album dope, no filler son…”
I heard the guy’s rhyme. Not bad, but I knew I could hang. I sort of stumbled over as my wife failed to pull me back and stop me from entering the cypher. As I walked up, they noticed me and rapped about my approach.
“White boy stepping up, what the fuck he want/ Gonna kick him in the dick if he pull a stunt…”
The 3 guys laughed uproariously. I started getting nervous. I heard my wife gasp. The other couple we were eating with immediately signaled for their Volkswagen Touareg to be ready to drive off should I get into a street brawl or something. I slipped up to the crew of rappers.
“Are you guys rapping?” I asked, realizing I sounded like that fat pledge in Animal House asking the frat brothers if they were playing cards.
They burst out laughing. I thought I was doomed.
“Yeah, you wanna step in?” A large man with a diamond encrusted grenade-chain offered.
“Well, I actually freestyle… was hoping to get in on the cypher.”
More laughter. They punched each other’s shoulders and leaned their heads against one another.
“Are you gonna put your doggie bag down first?” One of the guys asked.
I looked down. In my hand was a plastic bag of leftovers with a red bow around it. I looked like the schlub I used to make fun of when I was younger. The out of touch chump who was taking home half a New York Strip and three pieces of cheesy-bread after a double-date night. I knew the only way out was to rap. I began firing.
“Yo -I take a bag of leftovers from the smokehouse/ you can continue with your jokes now/I’m broke now – so I have to eat this for breakfast/ When’s your next concert? Put me on the guest list/ I spent my weed money on my wife’s gold necklace/ That’s her over there, she’s got the Best Tits/ I’ve ever seen and they aint even fake/ We live in a house over in Toluca Lake/ I bust freestyles in only one take/ Put the kids to bed stay up late and get baked/ and I know I look lame and somewhat old/ You guys look like a younger De La Soul/ But my wife’s calling me to get the car and go home/ Because she don’t want me to catch another cold/ So I’m out – thanks for giving me time / I doubt any of ya’ll can defeat that rhyme!”
I stepped back and took a breath. Wow. I had dropped 16 bars in front of a crew of three hardcore hip-hop heads who probably took rap music more seriously than I ever did… I had held my own. I was proud and I looked back at my wife and the other couple, who were stone-faced and somewhat impressed. Wait until I tell my son about this!!! I thought to myself.
And then one of the guys began answering my challenge. His name was Black Angus.
“Yo, white boy – your white noise aint right boy/ yeah I see yer wife, she no longer tight, boy/ cause I did her last week/ in the back seat of my Jeep/ Did it in five seconds without a peep/ while you was asleep/ getting kids ready for school/ I gave her my tool and took a piss in your pool/ Smoked your bullshit weed/ pulled it indeed/ Killed you like Drago did Apollo Creed/ Planted a seed – inside her – you mind?/ Now you wonder why your kid looks like mine?/ Don’t step into my circle unless you bring skills/ go home to your anti-anxiety pills/ Watch whack white TV like that show the Hills/ and keep being a sucker and paying yo’ bills/ You a dumb-ass honky who cant rhyme for shit/ Now go back to your Minivan before you get HIT.”
The crew cheered. Our friends Touareg sped off and I was silenced. A terrifying chill, like one I’ve had on airplanes when we hit some odd air pocket that scares even the flight attendants, engulfed my body. I was smoked. Forget winning a freestyle battle, I had been pulverized, insulted, dissed and clowned by a dude outside of a steakhouse that I would probably never be able to go to again. I faked a laugh, and tripped backwards towards my wife and our awaiting car. Which, by the way, is NOT a Minivan.
“How’d that go for you?” My wife asked as we raced off into the Burbank night.
“Uhm, not well,” I said.
After five minutes of complete silence, I uttered my final words of the incident.
“Why’d they have to be so mean?”
I sulked into my home. Being a little buzzed, I passed out watching SportsCenter and the thought of rap music sickened me with every commercial starring Andre 3000 or Ice Cube. It was a cold bucket of water to the face that reminded me that I am – at best – an above average rapper. I am a decent freestyler, but in no way cut out to be a professional. Bottom line? I am too much of a pussy.
The next morning, I pulled out the leftovers from the Smokehouse and considered making a steak-and-egg omelet. The one indulgence I was going to allow myself. When I saw that half of a New York Strip in the bag, it brought back too many bad memories from the night before. I tossed the meat in the trash and settled for a bowl of Trader Joe’s ‘Honey Nut O’s’ instead.
That afternoon, the new Rolling Stone arrived.
Fergie was on the cover…
– Zach Selwyn, September 12, 2012