Zach Selwyn

Actor. Musician. Host. Writer. Dinner Guest.

  • Zach wrote and produced this piece for TBS Digital starring the Sklar Brothers.

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  • Re-Examining the 1997 NBA Draft – If I Had Been Selected…
    (Originally published @Nerdist Sports 2017)

    At the end of my senior year in college – despite having not played organized basketball since high school and maintaining a 1.8 blood alcohol level for four years straight, my friends dared me to declare for the NBA draft. I wrote an official letter the NBA commissioner David Stern and presented my accolades: Six-foot-two. 3.8 G.P.A. Fraternity scoring leader and dunk contest winner on the 8-foot hoop in the parking lot.

    I wasn’t selected.

    Looking back now, I have to argue that I might have been a better pick than 75% of the players in the 1997 NBA draft. Sure, the draft produced perennial all-stars Tim Duncan (#1), Chauncey Billups (#3) and Tracy McGrady (#9), but for every one of those guys, there are three Ed Elisma’s (#40), Bubba Wells’ (#34) and Ben Pepper’s (#55). Who’s to say that if I was chosen in the late second round I wouldn’t have made a better impact than a guy like 44th pick Cedric Henderson?

    I was too short to be a forward, my high school position. My handle wasn’t strong enough to compete for a point guard slot, so basically, my only shot was to be drafted as a shooting guard – and my guess is I would have been picked somewhere around 46 – where Orlando took Alabama marksman Eric Washington. (Whose best year came with the Idaho Stampede in the NBA D-League in 2010).

    Due to some late garbage time minutes, I estimate I would have averaged roughly 1.2 points a game… Which is more than draft picks C.J. Bruton (#52), Roberto Duenas (#57) and Nate Erdmann (#55) ever averaged in their careers.

    The 11th pick of the draft was a guy named Tariq Abdul-Wahad. Nobody past the top 10 picks truly ever made a big statement in the NBA. Sure, Stephen Jackson (#42) was a key piece to the 2003 Spurs, Bobby Jackson (#23) was a sixth man sparkplug and Mark Blount (#54) was a dependable center for a few teams – but overall, 1997 was pretty mediocre… Even though I once bought into the ESPN theory that Jacque Vaughn (#27) would be the next Allen Iverson.

    My own personal draft journey began after a two-game playoff run in the annual 1997 fraternity basketball challenge.

    It was in a game against Pi Kappa Alpha. Their starting point guard tried to take me off the dribble to the left. I stuck my arm just above his bounce and poked the ball free into the open court. I ran after it, scooped it up and laid it in for the victory. My fraternity, Alpha Epsilon Pi had won our first play-off game in 10 years. In our next contest, we gave the brothers of Sigma Alpha Epsilon a good run, and I poured in 21 points. Ultimately, we lost on a late technical foul call when I got kicked out for calling the referee a “dickbag.”

    It was after that game, while consuming a lot of Natural Light beer, that I decided to declare for the draft.

    On draft day 1997, I sat on my mother’s couch with baited anticipation as the others had their moments. I ordered some pizza for my family. My mother thought I had lost my mind.

    As the evening progressed, I had seen enough of the long, tailored mustard and pinstriped suits making their way to the podium to shake David Stern’s hand. I watched as guys like Tony Battie (#5), Danny Fortson (#10) and Antonio Daniels (#4) put on those crisp new NBA caps. I accepted the inevitable as the first round telecast came to an end.

    The second round was only on the radio, so I sat in my Civic, listening in.

    “And with the 48th pick in the 1997 NBA Draft, the Washington Bullets select Predrag Drobnjak from KK Partizan, Serbia.”

    Really? A guy named Predrag was taken? Nobody could even pronounce his name. So what if he was a six-foot-eleven three time Euro League National Champion? I played on the frat tournament second runner-up team!

    Most of the players from the ’97 draft ended up overseas, injured or, in Ron Mercer’s (#6) case, involved in a strip club assault or two. I was no different – except for the fact that I never played one minute in the NBA.

    Then again, neither did Serge Zwikker (#29), Mark Sanford (#30) or Gordon Malone (#44).

    I still think I would have had a shot.
    Ed. Note: Zach Selwyn currently averages 15.2 points per game in his over 40-YMCA league.

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  • Dir. by Lauren Banuvar

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  • From April 25 – 28, ZACH will lead a band featuring Nashville legends -while performing LIVE at the world famous Tootsie’s Orchid Lounge in Nashville during live tapings of the hit NFL Network show “Good Morning Football”Screen Shot 2019-04-08 at 10.38.25 PMZach’s band Zachariah & the Lobos Riders recently released their new album “Hacienda” to high praise Lead singer Zach Selwyn, a former ESPN personality and digital sports content talent for TBS currently hosts the new interactive game show “Stacks” – Returning fall 2019. Stay tuned for more NFL Draft information! Show airs 6am-10am – prepare for NFL FREESTYLES, COUNTRY REWRITES, COVERS, EPIC CLOTHING and Zachariah ORIGINALS!

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    Zach Selwyn Photo by Brie Childers

    Watch the band’s newest music video HERE

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  • Extras Holding =>

            I am uncomfortably straddling a white folding chair with 40 other people, ages ranging from 21-60 on a 103-degree day in Alta Dena waiting to work as an extra on a network TV show for the day. The pay isn’t terrible – $142.37 – or something like that, plus whatever gargantuan amounts of Craft Service snacks, candy, sodas and mini sandwiches I can shove into my shoulder bag to take home, but the overall feeling is grim. There is some old Greek food suffering beneath a sneeze guard nearby, a lot of discarded banana peels and a large fan blowing cool air towards us to keep us comfortable – like we’re NFL running backs playing a September game in Phoenix.

    The scene has a prison-like feel to it. There are the lifers, the newbies and the guys who are only here for a few days trying to get their health insurance. I fall into that last category, but the fear of getting sexually assaulted by one of the older “inmates” is very real. Only problem is I can’t kick anyone’s ass to prove that I’m “tough.” Instead, I choose to bury myself into my iphone and hope the 45% charge lasts another 8 hours.

    A year ago I was in New York City promoting my own TV show in Times Square for Tru TV. Now I am listening to a 22-year-old kid talk about how Hot Tub Time Machine is the main reason he dropped out of college to try to make it as an actor. You gotta love this business.

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    Typical extras holding area
    The majority of chatter amongst these “background players” or “atmosphere” is about the world of extras. Many relay the legendary scene in Ben Hur where an extra forgot to take his watch off during the chariot race. (Look it up – it’s hilarious).  Others talk about how Ricky Gervais ripped off their idea when he did his Extras TV show. However, the subject that keeps coming up time and time again is the “bump up.” A “bump up” is when an extra is promoted from an extra to a principal role. Suddenly, the lucky bloke can go from zero to hero and earn Screen Actors Guild daily rate. However, according to everyone, incidents like that are more rare than finding a piece of sushi that hasn’t been in the sun for six hours beneath the cast and crew food canopy.

    I am here today because I need to make $6300 before the end of the year as a way to qualify for Screen Actors Guild health insurance, a plan I have somehow managed to attain for the past twelve years. This year, however, the jobs dried up, a ton of work went non-union and I have finally aged out of the commercial actor category of “young, shaggy haired beer-drinking party guy.”

    At this pay rate, it will take me working nearly every day for three months to earn the necessary SAG income to keep my family on the health plan. Alternative options – Obamacare and Cobra – basically guarantee that I will be paying 75% more money for lesser benefits. It has long been noted that SAG has terrific health care. The problem is that you need to earn an outrageous amount of money to qualify for it, and this year has been an ice bath as far as SAG work has been going.

    “My dad was Jimmy Smits’ stand-in on LA Law,” a man named Sonny who was dressed as a Native American jewelry salesman bragged to the lot of us huddled beneath the blue pop-up tent. “He told me to find a niche as an extra. When I started out I only played Latino, only roles were for prisoners or a gang members. Now that I play Native American, I work all the time.”

    I suddenly found myself wishing I had some Native American cheekbones.

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    Snacks all day long at Craft Service. Experienced extras call it “Crafty.”
    As the day rolled along, I began to hear everybody’s story. You coop someone up for long enough, they will eventually tell you their life’s narrative. Every extra on set seemed to have a tale about the one legendary time they were “bumped up” to a principal role.  One woman claimed she was bumped on Two and a Half Men because Charlie Sheen fired the original woman who had been cast for her one line of “Suck it, Charlie.” A guy who often plays blue-collar types said he got his bump on Dharma and Greg and had his career-defining moment in a bar fight scene when he raised his fists and said, “Meet my two friends… Mary-Kate and Ashley.”

    And then there was Sonny, who said he specifically learned the extinct Native American language Kiowa to nab a line in a Civil War series. His line was “D’on T’ap Piii.” Which translates roughly to “See deer eating.”

    I stared at Sonny for a long while. He did look familiar, as that Native American guy you sort of see in films, but I wasn’t sure. Which meant he was a great extra. One who blended in. He bragged of his work on The Alamo, Oz, The Longest Yard, Texas Rising, Hatfields and McCoys. Dances With Wolves and of course, That 70’s Show. The way he saw it, he was an integral part of these films. A guy who went uncredited – but felt he deserved all the success.

    “There should be an extras lifetime achievement award,” he offered.

    As a young actor, I did some extra work at age 22. At the time, like most young dreamers, I thought I was a small break away from my own series and I treated the other kids in the high school dance scene like castaways and future failures. When I started booking some jobs and enjoying the confines of an air-conditioned trailer with a private bathroom, I swore I’d never go back to the extras holding again. Yet, here I was. A 15-year TV veteran with a decent resume that I was too embarrassed to share with the other inmates. I decided to shut up and do my time and maybe get out of there with a few Clif bars and some coconut water.

    Then, there was a call to action.

    “Peter, Mike, Donna, Marla, Zach – party scene, now!” An Assistant Director yelled at us, directing us towards the makeup department to get touched up.

    I put down my phone and walked over to the area, when Donna, one of the younger extras, mentioned that she often worked on the show. She then proceeded to refer to one of the makeup artists as her “glam squad.”

    A short, effeminate man named Ty erupted in her face.

    “Don’t call me ‘glam,’ don’t call me ‘glam squad’ or I’ll shove this hairbrush up your ass,” he screamed.

    Emily, another makeup artist stopped him before any penetration took place. It was surreal. Never in my life had I seen a fight between an extra and a makeup artist. It was like the Cubs-Pirates bench clearing brawl in the National League Wild Card this season. You couldn’t believe it was happening.

    It was a major altercation. Apparently, Ty was sent home and Donna was threatening to sue the show for harassment. It didn’t make sense. In my opinion, being called the “glam squad” wasn’t nearly as bad as being referred to as “background” or “ambience.”

    My scene was fairly easy. I had to drink some iced tea and mouth the words “peas and carrots” to another extra. The entire time I was placed in the corner of the party and they shot about 9 angles and we let the main actress do six takes before she was happy. As the director stood merely three feet from me, I tried to convince him that a line would be appropriate for my character. I pitched him ““D’on T’ap Piii.”

    He didn’t respond. Apparently he didn’t speak Kiowa.

    Kiowa_Apache-Chief_Pacer_(Peso,_Essa-queta)_wearing_earings,Photo._by_William_S._Soule,_1868-74-NO.113
    Kiowa. A lost language.
    Lunch was at 1:00 and the extras were told to not touch or come near any food until the entire cast and crew had eaten. I was actually quite full from snacking – so I didn’t need to rush, but a lot of the extras bitched and moaned about the lack of respect. I turned to a fellow extra named Tony, who was about my age.

    “Why can’t everyone just relax?” I asked him.

    “Welcome to the Screen Extras Guild,” he responded.

    An hour later, following one of those naps when you fall asleep with your chin in your hand, there was a small rumbling about a potential bump up for one of the extras. Apparently, a producer had seen one of us and wanted to add a line. The bit was that the lucky person would confront the female star of the show – who was wearing a fur jacket – with an uncomfortable long hug and then said, “you feel like a plushie.” All the extras began rehearsing their lines as if this was an audition for the next Coen Brothers film and we all got excited. I even took a walk around the tent and worked on my delivery.

    Eventually, the female star and the director came to the extras tent and started looking around at all of us as if we were cattle being sold at a livestock auction. The female actress passed the first few folks, skipped the youngsters and then whispered to her director, “I need a middle-aged schlub.”

    I am certainly creeping up on middle age, but I don’t feel like I look that way. I’m in great shape and still have hair and my skin has been hiding from the sun throughout the years as I write my life away. However, I was chosen as one of the three finalists to play “middle-aged schlub.”

    We all went and had a private audition with the actress and director. I immediately messed up my hair, raised my jeans to mom-jean height and did my best to look like a total Midwestern chump who would give a hot girl a “long hug” and make her uncomfortable.

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    The author – doing his best to appear like a middle aged schlub.
    “Mmm, you feel like a fluff – wait, what’s the line?” The first guy said, immediately messing up his chances.

    “You feel like a plushie,” said the next guy who was 40 pounds heavier and 100% balder than me.

    When my turn came, I looked deeply into the actress’ eyes. She stared back at me for about five seconds. I knew this was my job to lose… so I did my best to “eye-bang” her and get the job on the spot. Instead, before I could get my line out, she interrupted me.

    “You look like that guy from that Tru TV show,” she said.

    “I am that guy!”

    “What are you doing in the extras tent?” She replied.

    “Trying to get my health insurance,” I said, hoping she would feel my pain and give me the bump up on the spot. I dug deeper into my plea, mentioning that my family had been sick a lot the past year and I was a huge fan of the show.

    “You might be too recognizable,” she blurted. “Second guy, you got the job.”
    And with that, the fat, bald guy went off to his own folding chair, better food and a holding area behind the video village where the producers and directors hung out.

    I returned to my spot in the tent. All the other extras wanted to know what had happened and I told them I relayed the story as best I could. When I mentioned that the female star had said I was “too recognizable” the tent wanted to know why. After all, not one of these folks had any idea who I was. I told them. Nobody had even heard of my show.

    “I get recognized all the time,” said Sonny. “People stop me when I walk down the street.”

    The rest of the day I watched my phone dwindle down towards the 3% range and eventually die. In a way, I felt like that iphone charge… A year back I was flying high at 100%. Now, I was hanging onto 3.

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    Actor Kevin Costner as a beer-swilling extra in the film “Night Shift” (1982) A legend to extras everywhere.
    Before I left, I managed to fill my bag with enough high fructose corn syrup snacks to kill a small village and I hopped into the first awaiting white van that would shuttle us back to the parking lot. Luckily, I ended up in the same row as the female lead actress from earlier.

    “Hey,” she said. “I’m sorry about that moment back there… I just recognized you from that other show – I didn’t mean to make you feel bad.”

    “Amazingly, you’re the first person to know me from that like, ever,” I said.

    She smiled.

    “I’ll tell you what. Give me your manager’s name and I’ll make sure we get you in for a small role this season,” she offered.

    I couldn’t believe it. Here she was telling me that she would go out of her way to get me a speaking part on her show. I got her personal email and said I’d be sending my demo reel and headshot over immediately. We exchanged good-byes and I returned my mom jeans to the costume department and signed out for the day.

    As I walked to my car, the lead actress shook my hand and said I would be hearing from the production office very soon.

    As of today, I’m still waiting for that call…

    Watch Zach’s new video, “Nirvana T-Shirt”

     

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  • Zach recently began shooting a multi-episode series for History Chanel – where Zach travels deep into the heart of America to find the most unique and unusual people, jobs, locations and history he can find! Produced by Bullet Point Films, expect the series to premiere on TV and online in late 2017 or early 2018! Here’s a sneak peak of Zach at Rhinebeck Aerodrome in upstate New York and in Grand Teton National Park… Look for him on the road!

     

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  • Zach’s new weekly series “NBA RAPDATE” turns it up a notch this week… check it!

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Read Zach’s New Short Story “4 Old Guys Go to a Phish Concert”

  • August 20, 2012
  • by zachselwyn
  • · The Writer

                    PHISH STORY (Four Old Guys Go to a Phish Concert)

In 1995, I had hair to my back, owned 329 bootleg Phish cassette tapes and dated a girl who didn’t shave her armpits with whom I shared a cat named “Fee.” Phish was more than a band. They were a way of life, and whenever they sauntered within 300 miles of Los Angeles, I was out the door, in my Honda Civic that I had named “Hayley’s Comet” (After an obscure Phish song), en route to another show somewhere down the road. In the 19 years since my first concert, I have seen Phish in 13 different states (and many altered ones). I have snuck into their dressing rooms during long, improvised jam sets and taken pictures of their guitar cases. I even made a long trip to Europe in 1996 to follow them around as the opened – yes opened- for Santana. The highlights of this trip included meeting Trey Anastasio in an Amsterdam café and shaking Mike Gordon’s hand outside of the venue in Paris… (As well as making out with plenty of European women, who didn’t speak a word of English). Yes, I was fanatical. Phish was even the reason I decided to “join the internet” – just to check out their website Phish.net – and they were the benchmark by which I held a person’s character. Did you like Phish? No? Sorry, we can’t be friends.

Mike Gordon’s road case. Taken backstage somewhere around… who the hell remembers. (photo by the author)

Every one of my close friends was right there with me. We would write letters of set lists from East Coast shows to buddies stuck in LA, send tapes, make mixes and throw listening parties. Throughout the years, some of us had been cited for possession, arrested for selling bootleg t-shirts and handcuffed at DUI checkpoints. One friend – Frisco Freddy – in an ecstasy-fueled dare – once got married to a girl he met at the Aladdin Theatre in Las Vegas at a drive-through chapel following the show. The danced to “If I Could” and made love in a hotel room shared by 12 people that night – as we all giggled listening to Frisco Freddy reach his climax. It was all part of the adventure. (The marriage was annulled 2 days later. Frisco Freddy is now Fred Goldfarb, commercial real estate agent).

It seemed so normal. It was our existence. If we timed our chemicals right, we might peak during a terrific “Chalkdust Torture” that would stoke college apartment discussions for weeks on end. My favorite moment/lyric of any Phish show was in the same song when Trey erupted into the brilliant line “Can’t this wait ‘til I’m old? Can I live while I’m young?!” The lyric clanged through our heads like the National Anthem.

The words were a true celebration of our freedom. Of being young, making our own bold choices and not wanting to face any responsibilities of the reality of survival in the real world. That lyric was my unofficial catch phrase for my way of life.

The author (on the right) with fellow Phish fan Dan Ryan on spring tour in 1996

When Phish concerts were announced, a plan was hatched to buy tickets and block out the dates roughly an hour after the show was revealed. We traveled anywhere, drove in any state of mind – and slept five deep on friend’s apartment floors. It was all part of being 20 and being in love with a band of 4 vagrant virtuoso musicians from Vermont who had captured the hearts of our generation. Nothing could ever distance me from my brothers – both onstage and in that endless, dancing crowd. The nameless faces who said to me “Have a good show” before every gate opened – and the post show strangers who would sell me a Pheelin’ Phine sticker and joint for ten bucks in the parking lot to help face the impossible comedown on the drive home.

And then, something happened.

Around 1998 – somewhere between college and the real world, something changed. I remember going to the July 20, 1998 show at the Ventura County Fairgrounds – and for the first time, at age 23 – feeling as if the band and I had suddenly grown apart. Maybe it happened during “Poor Heart” when I didn’t get up and dance like a maniac like I used to do – or maybe it happened somewhere in the second set during “Maze” when I suddenly developed a bunch of insecurities about my career choices and lack of girlfriend – I was never quite sure. All I knew was that there was definitely a grand abyss that suddenly presented itself before me. And my old friends in Phish somehow took the unlucky slack. I contemplated a drive to the following night’s show at Desert Sky Pavilion in Phoenix– site of some of the most memorable concerts of my youth… and I decided against it. It somehow seemed a little irresponsible and desperate. It seemed like another distraction from chasing my new path.

Don’t get me wrong, plenty of my friends attended and sent me letters telling me that they couldn’t believe I missed my home state gig – but I somehow didn’t care. (I think I saw Big Bad Voodoo Daddy at the Derby in Hollywood that same night and felt pretty damn good about myself…) Needless to say, the tides had turned. I was a different man.

I guess it seemed like Phish was a band that would keep me treading in the same spot rather than blazing a new path forward. The recent passing of a dear friend – who I last saw at a Phish concert a year prior – had brought a vague sorrowful cloud over the frivolity of my youth. It was as if a window of life had closed and a dream had ended. I sold Hayley’s Comet that summer and bought a more sensible 1998 Honda CR-V. It went unnamed.

My final show was September 17, 1999 at Shoreline. I sort of wandered around during a long jam session during the second set, seemingly bored. It was as if the drug had worn off and I couldn’t wait to get back to my room and climb into my bed. I was only 24 years old, but I had peaked. It was time to settle in, make some money and follow my own dreams of leading my own band – instead of just following someone else’s. I felt like the pupil who was about to overtake the instructor. When I finally got my band together, in 2002, the goal was to outdraw Phish in five years… Didn’t quite happen. (My band went on to hit some extremely minor success on the zombie country – rap music movie soundtrack circuit, but other than that, we never quite sold out Madison Square Garden…)

Oddly enough, a year after my last show, Phish would break up. I felt like I had timed it perfectly. For six strong years, I followed a band to the ends of the Earth – Draining my wallet while feeding my head and my soul. I was 25, and engulfed in Hollywood – listening to new finds like The Band, Gram Parsons and Little Feat. Suddenly, Phish seemed like a tiny speck on the musical map and I was done with their guidance. It had been a gorgeous journey but it had to come to an end. The CD’s and tapes began collecting dust as I opened my mind into a deeper track list of song and only occasionally reminisced about getting to do the clapping thing along with 13,000 people during songs like “Stash.” The band had broken up, my hair had been cut off and things like set lists and rides to shows no longer mattered. I didn’t think I’d ever see Phish live again.

The phone call came in two days before the concert. Our old friend Larry had bought four tickets to the 2012 West Coast summer tour kick off show at the Long Beach Arena. His first instinct was to gather the tribe back together for a reunion show. It was brilliant. Larry had assembled a crew of former fraternity brothers and Phish-heads alike, none being bigger than me – a man with nearly 35 shows to my name – including some back as far as 1993. Our pal Mike was coming – his first show since 1997. Also along for the ride was a man known as “The Sauce” for his heroic drinking capability back in college – a longtime fan who had seen over 12 shows. And Larry. As advanced a partier as I have ever known. Never without a pocket full of Percoset and a bottle of 18-year-old scotch in his back pocket. We were four old warriors returning for one more battle with the great gentle giant of our past. Prepared to run the place, the way we did in 1997… Prepared to experience an earth shattering revolutionary moment of clarity. Perhaps at a time when we all needed it the most.

All of us are in our late 30’s and married. Three of us have steady every day high-paying jobs. I’m the one without one. (Still coasting along in the entertainment industry). Amazingly enough, whereas we used to compare make out stores and conquests, now, all these years later, there are 9 children between the four of us. There is one stepdaughter and one baby on the way. It was a far cry from the days of smoking an ounce of weed in an old Ford Explorer with our sorority girlfriends. It was our time to prove that we could pretend we were 20, but always be aware that we are 37.

Larry’s offer was impossible to refuse.

See, I had actually broken my Phish hiatus a year earlier. The summer of 2011, I had gone to see Phish at the Hollywood Bowl, my first show in 12 years. It had blown my mind. The songs were familiar and inspiring and even new jams like “Backwards Down the Number Line” had me believing for a few glorious hours, that my life with the band was all worth it. I hit peaks, flashed back to marvelous memories on highways and in hotels, with girls and old friends and eventually simmered into a state of serenity as I took a $5.00 cab home from my neighborhood venue. I had never seen a more perfect concert. So, the possibilities a show in Long Beach held were endless. Old friends gathering once again in a beach community to smoke a little, drink a little and dance a little? It was a no-brainer. I signed up immediately. Mike and the Sauce were in too. The stage was set. We would meet down at the Long Beach Hilton around 5:00 pm and pre-party before hitting the show. If all went too crazy, we’d share a hotel room. We’d even try to carpool down to save money for parking and gas. We were planning on being more responsible, trying to spend a night not thinking about the troubles at work, our kid’s schooling and whether or not to sell our Facebook stock.  Larry had even mentioned ecstasy. After a minute-long consideration, we all passed, but the knowing smiles we shared with each other only reminded us of a time more innocent when rolling on a tab of E was a guaranteed path to a brilliant Phish experience. Now, we decided to just have a few beers and maybe split a joint. We had grown.

A page from the author’s 1996 European scrapbook. Note the Santana/Phish Paris ticket. Oddly enough, that’s Larry on the right, walking a dog in a French countryside with our friend Chris.

The 5:00 meeting did not happen. When work let out, the traffic to Long Beach from Los Angeles was unbearable. I left my house at 3:30 and met up with the Sauce at 5. We then spent another hour and a half on the 405 and 710 to the LBC. It took us roughly three hours to get to the concert. I was fuming.

Back in the day, a two- day drive to Texas for a show would have never been out of the question. Now, however, spending three hours in a car these days is not my idea of a “night out from the kids.” And years ago, joints would have eased the pain of the ride as we blasted some live tape from 1992 smiling at the cars we crept along the freeway with. Now we were afraid to hold our cell phones up to our ears to avoid getting pulled over for not having “hands-free” devices.

The Sauce and I made a wrong turn off the 710, but somehow ended up meeting Mike and Larry at the hotel. After long lost friendly pleasantries were exchanged, the immediate recognition of spotting the familiar Phish army sank in once again. Kids showed up in John Fishman dresses – kooky Phish t-shirts from 30 years of merchandising gone right and plenty of MAN-dals. It was all as familiar as a “Bathtub Gin” guitar riff. As we approached the venue, we became aware that we were definitely amongst the older generation – probably by 7-10 years – and we quickly noticed the similarities between 1995 and 2012. Except for instead of being the longhaired young kids with hot girlfriends, we were the dirty old dudes drooling over hot 20-something hippie girls who were there with their boyfriends. It should also be noted that the hairy armpit girls of the 90’s were nowhere to be seen. The California crowd was HOT. Young, bountiful, blonde, sexy, natural, curvy and gorgeous. A far cry from the dreadlocked smock-wearing wanderers that would hitch rides with us from town to town in the 90’s. Somewhere in the past 15 years, Phish’s female fan base somehow got SMOKIN’ hot.

I smoked a joint with my old friends. We laughed, shared pictures of our kids and split decent gyros we bought from some dude on a bicycle. It started to feel like home once again. As we saw the throng of concert goers celebrating the very fact that it was a religious night we began smiling like we were all young and innocent again, We were transported back to a time of peace and incorruptibility, purity and clarity. We were in heaven.

I’m pretty sure I made my first mistake when I stood in a 30-minute line to get a wristband to buy beer. Nobody had told me that inside, there was a smaller line – so I freaked out and wasted a half hour. I also made the mistake of not using the port-a-potties outside. I saw five people waiting to pee and got frustrated. But when I went inside, the line was 75 dudes deep. Took me another 20 minutes to hit the head.

Still, as the anticipation mounted, the familiar feeling returned. I knew I was seeing one of my all-time favorite bands and I couldn’t wait to get into the music like I did one year earlier at the Hollywood Bowl. It had been five hours since I left my house. I had drunk a few beers and took a long hit off of another friend’s chillum pipe. I was flying high when they opened the show with “Suzy Greenberg” – an old school jam that I used to LOVE. I hadn’t even thought about the song in 16 years. But it sounded as boisterous and thunderous as it had all those years ago. The set continued. “Kill Devil Falls” is one of my newest favorites. “Bouncing Round the Room” made me reminisce of old friends and women dancing around my apartment. Just young and dumb and free… Fucking FREE.

The funny thing was, back in the 90’s I would have been able to tell you what song was beginning by the first three notes. I knew every opening riff, line, bass thump, drum kick, you name it. Now, it took me half a song to even recognize what it was. I wasn’t as up to the familiarity as I thought I was. Still, it didn’t matter. That first set was perfect. We were all happily stoned, shrugging off the $10.50 Miller Lites and ignoring the fact that the Long Beach Arena should really have been reserved for a WNBA game – and not a Phish concert in a fine-looking slice of California near the sea. Even the dozens of people near us smoking cigarettes didn’t bother us just yet. We were all in a Phish trance, heckling stadium vendors trying to sell kettle corn and churros to a bunch of drugged out super fans and doing our best to remember our killer dance moves.

My first Phish show cost me $15.00. These were $60 – Nothing but respect…

Everything was conscious. Everyone was free. Everyone was happy… Until they played “Stash.” It was then that I decided to make my first journey into my iphone to see what the name of the song was. (Back in college I would have had the lyrics tattooed on my arm, but now, I was struggling with the title). As I looked at my phone, my wife’s name appeared in a text. As did my brother’s. And a text from a possible business opportunity. Suddenly, Phish was GONE. I had to return my wife’s text to make sure the kids were OK. I had to send my brother a pdf file. I had to go talk to my business contact about the TV show idea he had. I was distracted. I suddenly realized it was Wednesday. Oh man, I had shit to do.

The classic “Stash” lyric “Was it for this my life I thought? Maybe so, maybe not” began.

It made sense when I was 20. It made perfect sense again.

I made sure I clapped at the right places and sang the “Ohhwooahh woah woah ooh” part in the song somewhat properly, albeit less enthusiastically than I had all those years ago, but I listened to that lyric repeat itself as I embarrassingly dove back into my phone. Afraid my friends would make fun of me for not being as entranced in the show as they were, I was pleasantly surprised to look over and see that Larry, Mike and the Sauce were all frantically texting into their phones as well. We were once slaves to the music. Now we were slaves to technology, wives, kids and work.

I decided to wait to go outside to call my wife until after the first set, which was a good move. But when Phish crushed the arena with “Quinn the Eskimo,” I was as as festive as anyone my age can get. As I drooled over some ridiculously hot dancing brunette who reminded me of half the girls I had dated in the 90’s, I began whispering to my friends about how old I felt at the show. We all nodded, laughed and high-fived.

I think The Sauce was the first one of us to yawn.

Still, I knew I had to go find a quiet place where I could calmly call my wife in peace and let her know I wasn’t wasted and that I would be home on time to wake up with the kids so she could go to work in the morning. As the set ended, and the place erupted, I darted for the doors. Somehow, I beat the bathroom line and even got a beer before getting stuck in sweat-filled traffic towards the front entrance where a full cell phone signal awaited. I called. It rang. My wife was asleep. I looked at the time. 9:45 p.m. Once, the beginning of my nights. Now? Fucking LATE,

I looked around at all of the fans around me. Most of them were texting, tweeting and updating Facebook pages, which I chalk up to the generation. However, when I saw the crew I had rolled with come outside, it was thoroughly predictable. We were all blowing kisses to our wives, checking on kids and even taking business calls. (Larry opened and closed a lawsuit between sets).

The Sauce took a 10-minute business phone call.

Mike went off to buy a churro and didn’t return for 40 minutes.

I sent photos of the crowd to my brother.

The guy next to me played Angry Birds.

30 minutes later, we were all exhausted and ready to call it a night. Still, we  forced ourselves back inside. The anticipation was gone, the reality of an hour long drive back to L.A. sank in and we all crowded around the Long Beach water fountains for free cups of polluted tap water – just to avoid $4.50 twelve ounce Dasani’s from the concession stands.

The light shows are still spectacular, but once you have kids, they resemble “nightlights” rather than mind expanders…

As we sat in our seats, the lights came back and an unfamiliar tune came on. After five minutes of pretending we knew what it was, a guy behind us finally used his “Shazam” app on his phone and figured out it was “Rock and Roll” by Velvet Underground. The Phish version went on for 25 minutes. It was amazing. But then. The pdf file I sent earlier didn’t go through. Larry’s lawsuit took a turn for the worst. Mike’s churro sucked and The Sauce had to discuss hotel design with somebody in Macau. We were suddenly no longer the four Phish phreaks who would bed five girls before the night was through. We were grown men with responsibilities and allergies, children and long drives home. We were fading fast. When “Ghost” started, I shrugged it off. It was never one of my favorite songs, but I knew it well. It was one of those songs I had heard back when I began to separate myself from the band. Still, the song sounded great, and my body seemed to once again start buzzing… Until I realized it was just the buzz from another iphone text from my wife. Our two-year-old daughter was awake and crying. I felt guilty for not being there.

I’m pretty sure I was the second one to yawn.

Larry soon informed me during “Guyute” that he had a place for me to crash on his hotel room floor. My contact lenses were burning – and the drive home seemed impossible, but I figured it would be better for me to get home and not wake up in Long Beach hitching a ride back to Hollywood at my age, so I decided to go get some water from the tap once again. Four glasses later, and I was in the bathroom, staring at the bags below m eyes in the mirror while listening to two 20-something kids discuss some Festival in 2008 that I had obviously missed. I heard “Guyute” climax into that space age three chord re-birth that always made me happy and I smiled again. I was back inside, full of energy and ideas and resilience and glee. Until I returned to our section to find a good amount of the fans in my section seated and unconsciously bored.

“I’m bouncing like a newborn elf,” sang Trey.

Really? I didn’t see any newborn elves dancing near me. I saw four guys who were exhausted, rubbing their temples and beginning to worry about their hearing.

I stuck it out for “Julius” – one of my all time favorites – but when I noticed that our crew was all in the wife-texting mode we all looked at each other with an unspoken knowledge that it was time to go home. Yes, we had blossomed into the OLD GUYS AT THE PHISH SHOW. We weren’t quite what we used to be. And I think, truthfully, we were all a little grateful that we weren’t.

I remember waiting in line to buy Phish t-shirts as a kid to wear around college and try and instigate conversation. I made it a ceremonial task to buy a shirt at every show I went to. I have something like 22 Phish t-shirts in a closet in my house and I’ll hold onto them forever. Mike, Sauce, Larry and I thought we’d take a look at the newest merch and maybe drop a few bills. Of course, the only item that appealed to us was the baby onesies. Mike bought a toddler t-shirt and a newborn onesie. Larry got a onesie as well. I decided against it, as my kids were a little older, but it was the final moment of truth. We were now here just to tell our kids that we were there. The thrill had somewhat faded and we were all just looking forward to a decent night’s sleep.

The four of us attempting an iphone picture at the end of the show. Could be the first time the author has a cup of tap water in his hand in a photo – and not a beer – in 15 years.

It was the first time I had ever left before the encore. It was the first time I was happy to do so. It was the first time I hadn’t bought a beer, weed or burrito in the post-show parking lot. It was the first time I hadn’t left completely blasted out of my skull.

When Mike suggested taking a taxi back to the hotel three blocks away, all four of us smiled. Yes, a taxi! Brilliant! We were close enough to walk, but forget that idea, man. When we arrived at the Hilton, We split the $5.25 charge amongst four of is, said some pleasant good-byes and split apart. We had come to do what we came to do… sort of. It was a new experience on an old battlefield. WE were the decorated aging generals of yonder.

On the way home from Long Beach in my car, I fired up the MP3 player to “Chalkdust Torture.”

There was that magical phrase again.

“Cant this wait ‘til I’m old, can I live while I’m young…”

Well, I guess I let it wait ‘til I was old. I lived when I was young! And even though 37 still seems young in a way, when there are babies to feed and diapers to change at 6:00 in the morning, 37 is really fucking old.

Still, Phish will forever hold a deep piece of my heart – and should they play anywhere within 10 miles of me (haha) I will go anytime. The band is one of the reasons why I became a confident stage performer, a songwriter and a well-traveled man.  They were a part of my youth, but also of my adulthood. They continue to offer inspiration and wild creativity but they also continue to keep me grounded. To know that nothing lasts forever… be it friendships, bands, trends, beauty, money… you name it. All we have is belief, love and music. And that ain’t bad at all.

Still, if anybody has an extra ticket for tomorrow night’s San Francisco show, I’m totally in… I’ll drive….

                       —-  Zach Selwyn * August 16, 2012

2012 A Picture of Nectar bass Billy Breathes Comedy drums Europe 96 Farmhouse Fee fun Grateful Dead guitar Hoist hot hippie chicks hunor jam bands John Fishman Joy Junta keyboards Long Beach Arena Maze mike gordon Old guys Page McConnell Paris Phish Phish Food Phish tickets phish.net Rift Round Room short story Story of the Ghost Suzy Greenberg Trey anastasio Vermont's Phinest Zach Selwyn Zachariah
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