Hear Zach’s song “You Can’t Spell ‘So Bored’ Without S-O-B-E-R”

After Reading Sean Penn’s ‘El Chapo’ Piece, I Decided to See What my Old Pot Dealer From High School was Up to…

Penn meeting El Chapo

Recently, Sean Penn made headlines when he bravely traveled deep into the heart of Sinaloa to meet and converse with the notorious Mexican drug cartel leader Joaquin “El Chapo” Guzman. Right after the story went to press, El Chapo was captured – and his latest elusive time on the lam abruptly came to a close. Penn’s piece was published in Rolling Stone this week and I found it to be an engrossing piece of long lost Gonzo journalism at its finest. Penn, an actor, long known for his political involvement, put himself in the direct line of peril and danger all while partnering with a famous Mexican film actress to infiltrate the most impenetrable depths of Narco activity. He shook hands, broke bread and slammed tequila with a man that the DEA and Mexican authorities have been unable to locate for close to six months. In my opinion, Penn’s story was a hell of a lot more ballsy than anything else any pampered Hollywood actor has attempted in the past twenty years. (Sorry, Julia Roberts. Playing an AIDS-sensitive doctor in The Normal Heart may have been considered “daring” but it pales in comparison to a 55-year-old Oscar winner risking his life to traipse deep into a jungle of death for an interview for a rock-n-roll magazine).

So, inspired by Sean Penn’s courage, I decided that the recent stories and essays I have written have felt a little too “soft.” I realized that had to step it up. Knowing that I was traveling back to my hometown of Tucson to visit my mother on Martin Luther King, jr. weekend, I made up my mind that I was going to turn the trip into my own personal “El Chapo rendezvous.” I had a great idea…

My goal was to track down Ernesto Gregory, the most successful marijuana dealer in my high school. The last I had heard of Ernesto was through a photograph taken around 2011 by our mutual high school friend, Erik. He posted a picture of the two of them on Facebook drinking in the desert. Erik had captioned the photo with He’s finally out! Welcome home boss!”

Assuming that this caption insinuated that he had just been released from some high security prison, I was under the impression that Ernesto had built up an El Chapo-like narcotics network of hundreds of foot soldiers and truckloads of contraband over the past 18 years. Why else would he have been in jail? Why would Erik call him “boss?” Plus, he was wearing the typical outfit. A Large Polo Horse logo situated on a blue collared shirt on top of True Religion designer jeans. DEA agents call this look “Narco Polo.” Now I have seen Sicario. I’ve watched Breaking Bad. I had no doubt that Ernesto had risen from low-grade weed dealer at Rincon/University High School into a southwestern drug legend – living in ranches and mansions sprawled across the Tucson and Mexico landscape.

And I was going to interview him.

Ernesto in high school.

I was set to fly into Tucson International Airport on January 17^th. My plan was to eat a bunch of food at my mother’s house, drink wine and play three games of Scrabble all while hearing her talk about how amazing The Revenant was. The following day, I would travel deep into the center of Tucson to meet up with and interview the most intimidating and bad-ass pot dealer my high school had known.

Back in 1993, Ernesto Gregory had owned the school’s finest lowered mini truck. He had a 200-dollar Motorola pager. His “system” – or car stereo – was as custom as they came, complete with an Alpine tape deck, a Sony Discman attachment, two 12-inch Kicker woofers, some Kenwood tweeters and a constant bass thump of MC Breed, DJ Magic Mike and Wrecks ‘N Effect blasting from his trunk. He had his own apartment on Speedway, decked out with a two-foot bong, a television with cable and an unlimited financial account on a sort of early 90’s YouTube video-on-demand predecessor known as “The Box.” He always wore a black Colorado Rockies cap and Marithe and Francois Girbaud jeans beneath over-sized t-shirts of ridiculous animated Looney Tunes characters wearing 90’s hip-hop clothing. His pager code for weed was “907.” His girlfriend was the hottest girl in the senior class – a dark-haired Mexican sex goddess named Racquel Hernandez. And he was tough. As far as we knew, he had never lost a fight. In fact, I recalled him once putting my friend from Hebrew School – Adam Richford – into a headlock and smashing his nose repeatedly until he apologized for “mad-dogging” him in the parking lot. He claimed he had connections through “uncles in Nogales,” where his product came from. And everybody knew, anyone with “uncles in Nogales” was always in the drug game… In short, Ernesto Gregory was the most accomplished 18-year-old kid I had laid eyes on in my young life.

Ernesto’s Mini Truck from our 1993 yearbook.

After I landed, I told my mom about my plan.

“Why the hell are you meeting with this criminal?” My mother asked on the car ride from the airport.

“He was the king, mom!” I exclaimed. “Didn’t you read the Sean Penn article?”

“Sean Penn’s an idiot, going to interview that drug dealer!”

“I thought that story was genius,” I said. “Besides, what else am I going to write? Another story about my kids not being allowed to bring refined sugar to school?”

Following a few glasses of wine at the house, my mom was trying to convince me to go to Wal-Mart to buy a knife for the meeting. I assured her that Ernesto and I were in good standing and that no concealed weapons would be necessary. She broke into a desperate sweat. We played two games of Scrabble before deciding to put the third one on pause because we were so tired that word like “uh” and “is” had begun appearing on the board.

Our embarrassing 3rd game of Scrabble. 12-10 after 7 moves.

My final memory of the evening was listening to my mom curse my name before she went to bed in the other room.

The following morning I fueled up on eggs and coffee, not knowing when I would be back to the house. The afternoon’s plans had been Facebook “messaged” to me by Erik, who I quickly learned from his profile hadn’t left Tucson since graduation. Erik wrote me that Ernesto wasn’t on social media, but he mentioned that he did watch a lot of TV and he had even seen my History Channel show and had once commented, “I know that fucker!” He also told me that Ernesto had demanded that Erik take down the aforementioned photo he had posted in 2011. Sure enough, when I searched for it, it was no longer online… All this solidified my drug-lord theory even more.

Ernesto had agreed to meet at 12:30. I took off in my mother’s Acura and sped over to an address located in the shadow of the bar-heavy downtown area. A place much hipper and enticing than it had been back in the 90’s when druggies and skinheads and homeless wandered Congress Boulevard scaring off any young people looking for a good time. Must have been all the drug money given to the city by Ernesto, I theorized.

I parked in a dirt lot and immediately recognized Erik, who looked like he had been a meth fiend since about 1994. He wore a saggy shirt, filthy pants and sported a patchy beard and shaved head. He had a kid’s BMX bicycle in his pick up truck bed, which I took as also a sure sign of a man on crystal meth. For some reason, heavy meth addicts seemed to always travel on way-too-small dirt bikes. Erik wasn’t unlike them.

Erik looked a lot like this guy.

I looked up just as a helicopter darted above us in the sky. DEA drone, I thought. Of course. We were most likely being followed. Hell, who knew what corner or alleyway was outfitted with a hidden camera tracking Erik’s every move. Shit, maybe the FBI had caught on to my story as well? I mean, who’s to say they weren’t tracking Erik’s Facebook page when I sent him my original message? I was starting to hit an all-time level of paranoia. Even a pigeon that flapped above us and landed on a telephone wire looked like it had a hidden camera in its eye… I tried to keep my cool.

I was paranoid that all the pigeons around us had GoPros strapped to their backs.

Knowing some of the narco protocol, I began preparing for my meeting with Ernesto.

“So, should I give you my iphone for safety precautions?” I asked Erik.

“What for?” He replied.

“Oh, I just assumed I wasn’t allowed to bring any electronics to the meeting,” I said.

“We aint goin on no airplane or nothin,” he replied.

At this point, my entire drug kingpin theory went out the window. After all, in the El Chapo story, Sean Penn was told to turn his phone off in Los Angeles, nearly 14 hours before he even made contact with the cartel in Mexico. He had been forced to travel to in two separate SUV’s, two single engine planes and armored vehicles just to meet with El Chapo’s henchmen before gaining approval. He was most likely given a full body cavity search, frisked and water-boarded. Ernesto’s lone henchman was a meth fiend named Erik who was allowing me to bring my iphone into a meeting as if I was about to pitch him a new Angry Birds app to finance… Ernesto’s notorious drug cartel was crumbling before my eyes.

“Follow my truck, we’re going to shoot pool at Pockets,” Erik said.

“Pockets? We’re not going to his house or something?” I asked.

“What house?” He said. “Ernesto likes to play pool. You play pool?”

“Sure, man – I love pool,” I said.

I hate pool.

Pockets was a stale billiard hall way too brightly lit for a Wednesday afternoon. A few biker types with chain wallets and denim jackets drank Miller High Life at the bar. A Mexican guy who looked to be on his 5^th or 6^th Corona sat watching a soccer game on TV. One lone female, a waitress who would have slept with Bad Blake in the movie Crazy Heart after he played a set at a bowling alley, served beer. In the far west corner stood a chubby man in an Arizona Wildcats baseball cap chalking up his cue. I recognized him immediately as Ernesto Gregory.

Pockets in Tucson.

His face had filled in and he had put on close to 35 pounds. By his footwear and saggy jeans I could tell that he hadn’t done much to change his fashion choices during the past 22 years. He wore Jordan sneakers, which were probably eight years old and had accumulated a slew of new arm tattoos, including one portrait of a woman who looked a lot like a fatter version of Racquel Hernandez. He drank what I would soon learn was Jack Daniel’s and Diet Coke and was constantly adjusting his pants from the crotch area. My first thought was that the most accomplished 18-year-old I had ever known had become the sloppiest 40-year-old I had seen in some time.

“Zach Selwyn!” He announced as I nervously approached the pool table. “What up Hollywood!”

Oh boy. He was going to call me Hollywood the rest of the day, I knew it.

“I seen you on that TV show about the words and shit!”

“Yeah, America’s Secret Slang, thanks man.”

“Yeah, American Slang! That’s it, what up big homie?”

“Nada man, just trying to catch up with some old friends, ya know?”

“Well shit, let’s shoot some stick.”

Ernesto racked up some balls and began rattling off shots. He was a damn good pool player and I knew that even at my best – which was pretty terrible – I was about to be embarrassed. But, he told me to pick a cue and even though it was 1:30 in the afternoon, I ordered a pitcher of Bud Light. The waitress brought it over and charged me for it. It cost $3.75.

As Ernesto sank shot after shot, we never once discussed drug dealing. In fact, we spent most of our time talking about girls from high school that he had always wanted to screw. Turns out, he thought I was some Olympic-level cocksman in my teens and he assumed that I had slept with every cute girl in our high school. As he dug up names from the past, I could only laugh and try to remember who some of these girls even were. Most of them I had never been intimate with, but to placate Ernesto, I played along.

“Paula Schrapner? Yeah, I nailed her,” I said. Not true.

“Jen Robbins? Blow job,” I lied.

“Did you ever get together with Laura House?” Ernesto asked. “She was DOPE!”

“Uh, we just kissed,” I said, which was actually true. One New Years Eve 1992, we had briefly kissed.

“Man, I wonder what she’s up to now?” He said, staring off at a neon sign.

As the beers flowed, I was finding that I was having a hard time getting anything out of Ernesto. He was stuck in 1993, still pining for girls who were long married, divorced and even had kids in high school of their own. He remembered football games that I hadn’t even thought about in 20 years and quoted our Economics teacher Mr. Franklin from a class I didn’t even recall taking. When I took a second to ask him about Racquel Hernandez and what happened to their relationship, he grew silent, took out a vape pen and pulled long and hard.

“You know we have three kids, right?”

“I did not know that,” I said. “Congrats. I have two. How old?”

“19, 17 and 15,” he said. “But the 15-year-old has blue eyes and blonde hair – aint no way that kid’s mine. We broke up 12 years ago. My second wife bailed on me last year. Bitch.”

Wow. Here I was, stressing out about my 9 and 5-year-old kids in Los Angeles and this guy had been divorced twice and had three kids in high school – one who he was convinced wasn’t even his. I suddenly felt like every pampered Hollywood asshole I have come to despise.

“Hey Hollywood, you never slept with Racquel, did you?” He asked.

“What? Hell no!”

There was a sudden silence. Erik looked ready to tear out my jugular. Ernesto stared me down. This was what Adam Richford would call “mad-dogging.” My mom was right… I should have bought that knife.

“Man, I’m just playing!” He said. “You should see your face, you looked like a little bitch just now!”

Everybody laughed. I pounded my beer. It was then that I decided that I had to get the whole story right here or else I was going to end up on the wrong end of a bong in the south side of Tucson come six o’clock, getting high and watching some show like Ridiculousness on a Futon. I found my courage and lowered my voice to a whisper.

“So, Ernesto – you still in the weed game?” I asked.

Ernesto looked at me and laughed. He looked at Erik and then back to the pool table.

“Man, I aint dealt weed since high school,” he said.

“I thought you went to jail or something?” I inquired.

“Shit man… I shot some endangered pregnant salamander with a rifle during bow-hunting season. Thank God it didn’t die… Luckily I only did two nights in county jail, man. Sucked ass.”

He had shot a pregnant salamander with a rifle during bow-hunting season? He did two nights in county jail? El Chapo had done something like seven years in maximum security before his first escape… As far as I know, he never complained either. Here was my one-time narcotics hero admitting to me that he was scared after doing two measly nights for shooting a fucking lizard. My story was falling apart.

Salamanders can not be hunted with rifles during bow-hunting season.

“So, what about the last 15 years? I mean, what have you done for work?” I asked.

Ernesto sunk a 9 ball and looked up at me.

“I repair windshields, man. Over at Glassworx on Speedway.”

I watched him return to the table. My heart sank as he finished off the game by dropping the eight ball perfectly in the side pocket. My story was over. The most notorious drug dealer I had known had become a windshield repair guy. There was no mansion in the hills, no ranch house in Nogales… and no harem of sexy Mexican women. Ernesto had gone straight and my story was dead.

“Why do you ask, homie?” Ernesto inquired. “You need weed?”

Being that my story was a bust, I figured that the very least I could do was to go on one more pot buying deal in my old hometown. Maybe the dealer would be the drug kingpin I was looking for and I could write something about him instead.

“Yeah, sure man. Just a little bit to get me through the next two days.”

“Well, my dude sells dime bags over at hole 14 at the Golf N’ Stuff on Tanque Verde if you want to pick one up,” Ernesto said.

Dime bag? Golf N’ Stuff? I wasn’t interested. The last thing I needed was to buy Mexican weed from a kid at the same place where I had celebrated my 11-year-old birthday party. It just didn’t seem right.

Hole 14 at Golf N stuff. You can buy weed behind the yellow house.

“No that’s cool, man,” I replied. “I gotta get home anyway – maybe we can hook up tomorrow or something.”

“Are you sure?” He said. “This kid gets good shit… he has a couple of uncles in Nogales.”

Of course he did. I threw a five-dollar tip on the wooden table and finished off my beer. I high-fived Erik and Ernesto, promised to be in touch and promptly drove back to my mother’s house where I found her nervously pacing the living room like I was 15 again and out with a senior at my first high school party.

We opened a bottle of wine and finished our game of Scrabble…

Subscribe to Zach’s YouTube Channel below!!

El Chapo essay funny Sean Penn short story tucson weed dealer writing Zach Selwyn
My 25-Year Obsession With Beverly Hills 90210 Recently, I was in a bar amongst a group of young screen-addicts who were drinking Moscow Mules and comparing Instagram followers. When the bartender gave me my beer, I noticed that his nametag read, “Nat.” As a joke, I said, “Aww, what happened Nat? Did the Peach Pit close down?”

Nat wasn’t amused. Neither were the 20-something bar patrons surrounding me. In fact, nobody around me even recognized the reference to Beverly Hills 90210, one of my all time favorite TV shows that had been off the air since 2000. I quickly tried to explain to everyone that “Nat” was a solid gold reference from the 90’s, but they promptly rolled their eyes and went back to discussing a recently posted Instagram photo uploaded by the Supra Shoe Company.

“Supra is killin it,” one of them remarked.

I took my beer and walked to the end of the bar to watch basketball.

You must understand. Beverly Hills 90210 was to my generation, the single greatest television phenomenon we had ever experienced. The show debuted the same day I began my sophomore year of high school. Brandon Walsh had sideburns at 15-years-old, Kelly Taylor had already had a nose job and been raped by a college guy. Dylan McKay was balding and had already beaten drug and alcohol addiction. All of this at age 15. Growing up where I did, these guys were already living way beyond their years. At 15, my biggest accomplishment had been when I learned how to waterski during Jewish summer camp.

Donna Martin had a terrible boob job. David Silver’s friend shot and killed himself accidentally. Steve Sanders’ mom was a recovering coke-fiend actress.

My friend’s moms? Well, one of them was considered a local Tucson celebrity because she once taught aerobics to Dyan Cannon at Canyon Ranch.

Nobody I knew drove a Corvette. Nobody knew where to even get drugs OR a nose job… And finally, the most facial hair we could scrounge up at the time was an occasional lone straggler poking its way from the bottom of our chins. Of course, I had no idea that the actors were really 25-years-old. So, intrigued, I studied them. Imitated them. I grew sideburns. I edited my school paper like Brandon Walsh did and treated it as if it was the West Beverly Blaze. I squinted like Luke Perry when I went on dates and I did my best to turn my small table-bussing job at the local 50’s diner Little Anthony’s into my own little private Peach Pit.

Of course, at my high school, the white trash rednecks got all the hot chicks. The dudes who stayed shirtless most of the time, dipped Copenhagen and listened to Metallica. The dudes who drove souped-up 1982 Fords and went jackrabbit hunting and drank Budweiser and sported long hair. The dudes like Randy Gatemouth, a 17-year-old sophomore with two missing teeth and three earrings who wore a T-shirt that said “Big Johnson’s Casino: Liquor Up front; Poker in the Rear.”

Randy Gatemouth wore this shirt. A lot.

I was more of a Brandon Walsh type. I listened to Sting, Dire Straits and rap. I spent 45 minutes blow-drying my hair into a pompadour every morning. I took my dates to my diner and shared milkshakes and maybe got away with a French kiss at the end of the night. Meanwhile, Randy Gatemouth was rumored to have sired a child with a girl from Palo Verde High School who had hidden her pregnancy and given it away for adoption at age 16.

To put it bluntly, Randy Gatemouth did NOT watch Beverly Hills 90210.

But I did. And I followed it religiously. I recall how I was shocked when Dylan and Kelly hooked up when Brenda went to Europe. I remember Brandon losing his virginity. I cried when Dylan’s dad was murdered. (Sorry, spoiler alert for those of you planning a binge watch this weekend). I even WROTE about the show for the school paper, comparing the lives of these fake people on this ridiculous show to the lives of the average Tucson, Arizona high school kid in the early 90’s.

The author, attempting a Brandon Walsh look, 1992

The love affair continued into college, when I rushed a fraternity and was given the pledge name, “Brenda.” Every Thursday my entire frat would gather in the common TV room and watch the show like we were executive producers in a ratings testing lab. I played air guitar to the brilliant opening riff. Much to my surprise, I found kindred souls who never missed an episode.

“Dude, Kelly or Valerie?” Was a common question amongst the guys.

“Bro, I’m from Manhattan Beach,” a brother and fellow fan exclaimed. “No way these bitches can afford a house like that on the Strand.”

“How’s Luke Perry’s movie career going since he left the show?” I would occasionally toss around. (Note to readers: I did see – and enjoy – 8 Seconds.)

After graduation, turning 21 and discovering that the real world existed outside of college, I sort of lost interest in the show. I stayed through an extra year or two, always amused at Steve’s KEG house antics and eventually his wife Janet, but soon it just dried out and became ridiculous. It probably had been for years, but around 1997, I finally decided that I had graduated from my obsession with Beverly Hills 90210. And then I began working as an actor.

The only other guy I knew in college who followed his dream into acting was a friend named Marc. His first job? Playing a character known as “The Man” on an episode of Beverly Hills 90210. I never admitted it, but I was so jealous. I refused to act like it was a big deal, but God Damn, it was as if he had “made it.” Here I was, scrambling to get a SAG card, and this kid had swooped in and landed a role on my favorite TV show of all time. I harbored a certain hatred for that for about a year… Until I was asked to audition for the role of BRODY on an episode of Beverly Hills 90210. The character was described simply as, “Steve’s Old College Buddy.” I remember the lines so well. Here is what the script and audition looked like:

STEVE and JANET sit at a table. They gaze into each other’s eyes.

JANET

Thanks babe. You’re a great guy.

Steve smiles and holds her hand. Suddenly, BRODY, 23, Steve’s old KEG brother walks up to the table holding a beer. Even though he’s out of college, Brody is still very much living the party life.

BRODY

Woah! Sanders! The legend, man! I see you’re still scoring as many chicks as in college!

Steve looks horrified. Janet stares daggers at her husband.

JANET

I knew it, Steve. You haven’t changed one bit!

STEVE

Janet! Wait!

Offended, Janet stands and leaves. She covers her mouth crying. Steve looks at Brody, upset.

BRODY

Woah! What’s up with her?

Steve angrily tosses his napkin on the table.

STEVE

Thanks a lot, Brody.

Steve walks off, leaving Brody at the table. He sips his beer and returns to the party.

BOOM! That was it. I knew I could nail the part of “Brody” and I worked those two lines as if I was auditioning for Richard III on Broadway. The day of the audition came and I went in, overly prepared. A bunch of other young actors (One who I SWEAR was Jeremy Renner) sat in the waiting room running their lines. When my name was called, I went in and auditioned and walked out with a confident swagger that screamed, “ I NAILED it.”

Sanders. The KEG House LEGEND.

I didn’t even get a callback. I was crushed. My dream had been shattered. I was so sure I was going to play “Brody” that I cried myself to sleep that night and wondered if I had made a bad decision dedicating my life to the world of acting. My agent, Iris Burton (Legendary rep to child stars who passed away about 7 years ago) called me the next day. Through a cigarette-tinged trachea she told me the bad news. “Zach, it’s not going any further with 90210, but they like your look,” she said. “They wanna know if you’ll do extra work. I said no. We’ll get the next one.” “Wait!” I screamed. “Tell them YES! I will TOTALLY do extra work for the show!” “Are you fucking serious?” “Yes, Iris – it’s my favorite show of all time. I have to be in at least one scene.” “I don’t work with extras, Zach.” She demanded. “I work with stars.” “Please Iris? I’ll only do this once.” Iris Burton hung up on me and I was called in for a day of extra work on Beverly Hills 90210 the next morning. A bunch of young actors, most of who were in high school and/or community college were shuttled from a parking area on a backlot to the actual 90210 set. (I can not recall where this was). When we got there, I managed to find a script and I read through the dailies. I quickly noticed that the role of “Brody” was nowhere to be found. I located an assistant director and asked who was playing the role “I was born to play.” “The Brody role got cut after the first table read,” the assistant director said. “Oh, thanks,” I replied. YES. I now had an excuse on why I didn’t get the part.

I returned to “extras holding” and sat with the crowd of kids I was convinced would someday be lining up to be extras in my OWN TV show. Suddenly, a woman came in and said, “I need four men for a scene at the Peach Pit.” I threw up my arms like Donna Martin over the toilet on prom night. The woman pointed at me. “Red shirt guy, come with me,” she said. I fixed my hair and walked over to her along with three other dudes. Holy shit, I was going to the Pit. The set was a mess. Cables and cameras were everywhere. Lighting guys and grips strolled through their routines as if this job had become a burden. Some even complained about the set up of the scene. To me, however, it was as if I had made it past the most exclusive velvet rope in the world.

This was the time of the show when only Steve, Donna, Kelly, David, Brandon and Valerie remained. When I glanced at the call sheet, Jason Priestly and Tiffani-Amber Thiessen were the only ones scheduled that day, but I doubted they would even be in the same scene as me. Imagine my surprise when I glanced out the window and saw Priestley stub out a cigarette before strolling up to the set for “last looks.” I studied him. In high school, I had actually bought a pair of “Pepe Jeans” because he was the face of the brand for about two months. I idolized him. He was in Tombstone. Hell, he was even in Calendar Girl. I was in awe. He was so suave, so cool. He looked so intimidating… Until I realized he was about 5’8”.

I always believed Walsh had a shot at making the West Beverly basketball team. Until I saw he was really 5’8″

As Priestley got his makeup worked over, Tiffani-Amber Thiessen entered the room next. She was stunningly beautiful and seemed extremely happy. She very charming and took time to shake everybody’s hand. At one point, I tried to “eye-seduce” her, but I think she got a little creeped out by my gaze and turned away. I went back to standing around and waiting.

“You, with the red shirt, you wanna take money from Joe?”

I wasn’t sure if that was meant for me. I looked for the female Extras Wrangler. Sure enough, she was talking to me. She said I had one job to do in the scene.

“Take money from Joe.”

Whatever that meant. As it turned out, JOE was Joe E. Tata. “Nat” himself. The owner and king of the Peach Pit. I nodded my head ‘yes’ and went to my position in front of the cash register.

Walsh and ‘Nat.’

The scene played out like this: Brandon’s old “sports bookie” was in town for some reason or another and Brandon was freaked out. Valerie was there to comfort him (I think). My role was to take my change from Nat at the beginning of the scene and promptly exit through the front door. They set it all up. I was nervous. They rolled sound and began the scene. “Action!” yelled the director as the huge 35-millimeter cameras spun their thousand-dollar-a-foot film. Nat handed me a few fake bills.

I took them from his hand and responded, “Thanks!” I walked out.

“CUT!” The director yelled. “Did anyone tell this fucking kid to speak?”

I turned bright red. I wasn’t sure what I had done wrong, but I was quickly reprimanded by the Extras Wrangler who told me to not talk. Little did I know it, but I just cost the producers roughly $3000 dollars in 35-millimeter film because I thought I could sneak in my own line on the show. Lesson learned. Don’t speak.

“Just smile and take the money from Joe,” she said to me.

So I did. And I did it again. And again. And at the end, I heard the director say, “moving on” and I fully expected him to come up to me and offer me a recurring role on the show right there. Instead, the Extras Wrangler told me that my day was done and that I would receive my $50 paycheck in the mail within a few weeks. I signed a contract and left, knowing that I was forever immortalized on screen of the TV show that had shaped most of my teenage years.

All these years later, I have had many encounters with cast members of the show. Janet (Lindsay Price) is actually a close friend of my family. Priestley and I have mutual friends and you’re damn right I own his autobiography. David Silver (Brian Austin Green) and I had a West Beverly High “dance-off” at Comic Con 2008 (See YouTube link below). And I’ve hung with Tiffani Thiessen, Tori Spelling and Jennie Garth through mutual actor pals. I once shared a joint with Luke Perry in the smoking section of a club, but we didn’t keep in touch. And last year I failed at trying to get Ian Ziering to be a guest on my History Channel show. (Sharknado made him too big I guess). As for my friend Marc, his acting career took a small detour, and he invented the brilliant “Drop Stop” car crack filler that is revolutionizing the way we stay focused on the road. Couldn’t be more proud of him.

I’m guessing that Jimmy Fallon is days – if not weeks – away from doing some sort of fun Beverly Hills 90210 reunion sketch on The Tonight Show and he’s gonna be lauded and praised for bringing us all back to 1992 again. Heck, if I had a show like that it would be my “sweeps week” cornerstone. Still, for me, the show meant a lot. It made me want to move to California as much as the Doors and Neil Young and posters of hot blondes posing on Ferraris beneath the caption, “Dangerous Curves Ahead.” Whenever I meet a cast member, I revert back to the teenager I was in 1992, dreaming of an acting career and a night partying at a hot club with Shannen Doherty and her 5-day husband Ashley Hamilton. Suddenly my fading youth speeds back to me like Steve Sanders in a street drag race in 1990. These folks are forever in my references and mind and heart.

So, whenever I meet a bartender named “Nat” I am going to reference the Peach Pit as if it were 1993 and I was playing air guitar in my fraternity in front of the big screen TV. No matter what the ultra-hip Instagram crowd at the bar thinks about it. By the way. I eventually saw the scene in the episode where I took the money from Nat at the Peach Pit. If you look closely, you can almost see the tip of my sideburns as I walk out the door…

*Watch Zach’s new video for his song “Too Old for Molly, Too Young for LSD” !*
Missi Pyle and Zach Selwyn are back at it this week performing live from the legendary Hotel Cafe – 1623 Cahuenga Blvd. in Los Angeles – special guests from Missi’s new YouTube Red show! $10 at door

Anna Faris Comedy Hollywood hotel cafe Missi Pyle podcast unqalified
A new Zachariah song from the LP “Hungover at Disneyland”. Featuring RJ Robinson on fiddle.

Download song here: https://itunes.apple.com/us/album/too-old-for-molly-too-young/id952764244?i=952764259

420 hungover at disneyland LSD MDMA Molly Zachariah
americana country-rock guitar Hores i see hawks in LA Music townes van zandt
country music desert haunting mark maggiori symbiosis video western Zach Selwyn
baseball Casey Stern Comedy Gary Sheffield hosting Jimmy Rollins MLB Pedro Martinez playoffls sports TBS
By Zach Selwyn

It was somewhere between Los Angeles and Palm Springs when I found myself helping a woman re-apply bloody gauze to an open wound that had split open due to complications from liposuction in Tijuana.

Moments later, another woman – with a razor blade tattoo on the side of her neck – smacked her 7-year-old son for spilling his Mountain Dew on her iPhone and screamed something at him in Spanish.

Sometime after that, a man with an infant child walked out of the bathroom in the back and promptly dumped a full diaper in the trash bag hanging in the middle of the aisle.

We still had seven and a half hours until we hit Tucson…

Welcome to the Flixbus.

For the past few months, my mom and a bunch of other friends have been raving about a new public transportation service known as “The Flixbus.” For a low price, you can travel on this large “comfortable bus” anywhere you like and select from a great list of pre-chosen movies – and use free WiFi the entire time. I looked it up and it seemed legit. And definitely affordable. A ticket to San Diego from Los Angeles cost $4.99. A ticket to Palm Springs? $6.99… To get to my hometown of Tucson, I was looking at $22.00. Since Southwest Air wanted nearly $400 for two one way plane tickets, I booked my 9-year-old daughter and I on a 12:30 Flixbus to Tucson leaving from downtown LA.

Wanting to beat the crowd, my daughter and I took a Lyft down to the parking lot across from Union Station, right by LA’s famed “Twin Towers Correctional Facilities.” It’s an intimidating spot – heavily populated by at least five bail bond storefronts and street meat hot dog vendors. It’s hard not to take note of family members leaving the bail bond stores, openly weeping about their loved ones having spent the night in jail.

“Are they crying because they have to take the Flixbus too, daddy?” My daughter asked.

“Uhh, no. Whole different situation.”

I promptly took notice of the waiting area and its potential to escalate into a violent “prison yard” type of situation. A woman was walking around selling homemade “street tamales” out of a plastic bag, three 12-year-olds were selling bottles of water and packs of cigarettes and two men with children were openly sharing a blunt in front of their kids. (As would happen, I ended up buying two street tamales and a bottled water, as I had not thought to pack any food for the journey.)

I hadn’t even boarded the bus yet and I was $19 dollars in the hole.

The line to board the bus was non-existent. as Everybody sort of milled about near an area until the ticket conductor shouted out, “Palm Springs, Phoenix and Tucson line up HERE.”

The awaiting pack scrambled immediately. As people got tossed aside and trampled like they were rushing the stage of a Travis Scott show… Elbows were thrown. Space was cleared. Somehow, I managed to grab all of my luggage and scoop up my daughter before she was flattened to death. Sadly, even though we were the third people in the waiting area, we had been easily bullied to the back of the line by the violent mob, which was led by a 6’7” ex-linebacker wearing a baseball cap reading: K.U.S.H. Keeps Us Super High.

My advice? Pay the extra $20 online and get a reserved seat.

Once my daughter and I got on the bus, we noticed that any available seats together had been claimed. Eventually I was forced to convince a man who looked like he had recently been let out of a Texas prison to switch seats with me so that my daughter and I could sit together… He scoffed, kicked the side of the seat and mumbled something under his breath.

“Thank you so much, sir,” I said.

His response?

“I run this bus, cocksucker.”

Lovely.

Eventually he moved and we accepted the fact that we were stuck in the last seat in the back of the bus… basically right next to the toilet. And then, minutes before we left, a rather large woman came back and destroyed the bathroom… I nearly vomited. My daughter asked to switch seats. The bus pulled out into traffic.

Nine hours to Tucson.

Back of the bus…

The first thing people tell you about the Flixbus is that you can watch unlimited movies and surf the web, email, text, whatever you like. As it turns out this is simply not true. After trying for nearly an hour to watch Euphoria on HBO GO, I was alerted repeatedly with notes that I was in a “non-connection zone” and that I was possibly traveling “out of the continental United States.” I switched over to Netflix and was met with much of the same. Incredibly long loading times, spotty streaming and the inability to watch anything. After looking up the Flixbus website, I came across some small type in the “Services” section that read, “Please do not stream Netflix, YouTube or HBO Go on the Flixbus as it slows down everybody’s WiFi speeds and will not load correctly.”

Wow. That would have been nice to know. Oh, also? They DO NOT ALLOW MUSICAL INSTRUMENTS on the bus that are bigger than 12 inches… So unless you’re strictly a harmonica player, forget bringing your acoustic guitar anywhere. (Since I was going to play a gig in Tucson, I now had to rent a guitar from the local music shop).

Anyway, reading deeper, they recommended that passengers watch their curated film selections on the Flixbus app, which were “expertly chosen” and free. I checked it out. The selections were the same as what you’d expect on an airplane: Wonder Park, A Madea Family Funeral and about 9 shitty Melissa McCarthy movies.

Seven hours and 45 minutes to Tucson.

As we rattled over the freeways on the outskirts of Los Angeles, weaving in and out of the carpool lane, I was convinced I was going to die on the Flixbus. My daughter was getting carsick from the bumps and sudden stops and I could not believe that I had chosen this as my best means of transportation to Tucson…

A recent Flixbus accident in Germany.

The bus continued to shake from side to side, causing a middle-aged lady across the aisle from me to begin moaning. Like, painfully moaning. And grabbing her sides. Thinking that she may be in labor with a child, I looked over and noticed that she had a freshly dressed wound on the side of her mid-section. At one point, she screamed “Fucking FUCK, can you drive a little slower?”

“Are you OK ma’am?” I asked her, hoping she hadn’t been shot in a bank robbery gone wrong and was using the Flixbus as an escape tool.

“Uggh, yeah – I’m just recovering from plastic surgery,” she said.

“On the Flixbus?” I responded.

“Well, I live in Palm Springs,” she proceeded to tell me. “I went to Mexico for liposuction because it’s like, 75 percent cheaper down there.”

“Oh my God,” I said. “Didn’t you go through some sort of like, recovery first?”

“I’ll be fine once I get to Palm Springs.”

We hit a bump and she made a noise that I have only heard once before in my life back when I witnessed a goat slaughter in a tiny village in Mexico in 2003.

“Oh fuck,” she screamed. “One of my sutures popped – can you just hold your finger here for a second?.”

Shielding my daughter from the horror of this situation, I regrettably leaned over and put pressure on an area of bloodied gauze that had come undone. Eventually, the woman fastened it back together with a clip and thanked me profusely. I excused myself to the bathroom and threw ice cold water on my face.

Some of the better results from Dr. Machado’s Tijuana Surgery Clinic. Facelift? $44.99

30 minutes later the ride was smoothing out. Looking out the window I saw the desert approach.

“Folks we are stopping in North Palm Springs in eight minutes,” the driver announced. “We will have time to get refreshments and some air.”

“Thank fucking God,” the bleeding woman said.

We pulled into an AM/PM parking lot in Palm Springs and the lady limped off the bus and met her ride. She waved good-bye to me and sped off into the Palm Springs afternoon. For all I know she bled out on the way home and is dead.

The good news was that 12 passengers got off the bus in Palm Springs. This freed up some seats and we moved a few aisles away from the bathroom. The miles began to roll away and I started to fantasize that I was Jon Voight in Midnight Cowboy taking the bus to a new dream, over expansive desert land and into the heart of opportunity. Of course, Jon Voight was heading to New York City in 1968 and I was going to Tucson to visit my mom, but the view sure was pretty.

20 minutes later, I opened up one of my tamales-in-a-bag and gave it a shot. It smelled like some sort of fucking rotting animal. A few passengers looked over at me and covered their faces with blankets and scarves. Acting casual, I took a small bite and chewed for a few seconds before beginning to feel violently ill. I managed to spit the food into a bag and quickly wrapped it up, avoiding the grossed out looks of my fellow Flixbus friends. Luckily, that was exactly the moment when the newborn’s father emerged from the bathroom with the full diaper. He tossed it in the center trash bag and the entire bus groaned and began cursing him out.

“What am I supposed to do?” The dad asked the gallery of hecklers.

“Flush that shit,” the guy in the K.U.S.H. hat suggested.

The driver came on the intercom and reminded everyone that nothing but toilet paper could go down the toilet. The passengers collectively groaned and went back to their devices. At this point, between the tamale and the diaper, the bus was turning toxic. If you lit a match in the thing, there was a strong chance the bus would explode.

Six hours to Tucson.

Our next stop was in Blythe, California, on the Arizona border. Here, we were given a 30 minute lunch period and the only restaurant around for miles was a McDonalds 25 feet away. Assuming this would be my last chance to eat before 9:30 that night, I broke down and ate six Chicken McNuggets and an Oreo McFlurry.

I also called my mom to alert her of our progress.

“How’s the Flixbus?” My mom asked. “Watching any good movies?”

“Well, nothing really works,” I said. “Half the seats don’t have outlets, the WiFi in the desert sucks and they don’t allow streaming… and I refuse to watch Life of the Party. (That’s a terrible Melissa McCarthy movie BTW…)

“What kind of food do they have?” She inquired.

“They don’t have food,” I said.

“What?” She said. “On their website it says you can purchase snacks and stuff from the driver?”

What? Here I was nearly puking street tamales and eating Chicken McNuggets when the driver had food on him the entire time? Why were we not informed of this? I tracked down the driver as he smoked a cigarette and asked him if I could see a menu of the food they offered on board.

“Their aint no menu, mane… We just have some Ruffles and shit.”

Ruffles and shit?

“Come on my man, you don’t have like a Tapas box? My daughter needs some Wiki Stix!”

“This aint Alaska Airlines, mane,” he responded.

Eventually, 100 miles from Phoenix, a college kid broke down and went into the bathroom to vape. He was far from discreet and as a man who once routinely snuck weed to smoke into airplane bathrooms, I viewed his efforts as amateurish. The key to smoking on a bus or airplane is to basically flush the toilet as you exhale with your face nearly in the bowl. Yeah, this is a disgusting activity, but for some reason back in the mid 90’s I had no problem shoving my head inside an airplane toilet. Now I can’t even USE bathrooms on moving vehicles. Anyway, the kid opened the door and a cloud of Watermelon E-Juice enveloped the back area. The kid walked out as if he had done nothing wrong.

Stick your head inside and flush as you exhale. Works every time.

The smoke was impossible to miss and even though it dissipated quickly, it really upset the bus driver, who pulled over to the side of I-10 and DEMANDED to know who had smoked on the bus.

My daughter raised her hand to volunteer the information.

“Put your hand down,” I said, knowing that being labeled a “narc” at age 9 doesn’t do anybody any good.

“Who was smoking back here?” The bus driver said. “I demand an answer!”

I expected somebody to speak up… but nobody did. We all held together in a Flixbus code of silence. Shit, we felt like we were in La Cosa Nostra. For the first time on the ride I sensed a camaraderie with my fellow passengers. We all sort of looked at it the same way… If this was a bus in 1957, people would be smoking cigarettes and drinking whiskey from flasks. We all had the same thought… Let the kid vape.

Four and a half hours to Tucson.

The rest of the trip went fairly smoothly. I was amazed at how well behaved my daughter was and as the stops piled up, the passengers started getting off. A few people got on in Phoenix and we got to Tucson in roughly nine hours and 30 minutes. To put that in perspective, If you drive directly from LA in a car, you’re guaranteed to spend eight hours on the road and you have to buy gas. If you fly to Tucson from LAX, door to door takes about five hours and 30 minutes. So, I basically lost four hours of my life, had to endure some awful smells and I got to be an impromptu nurse to the woman recovering from plastic surgery.

When we got to my mom’s house, she had food and wine waiting for me and I told her all the fun stories from my 400 mile road trip in a public bus. We laughed, drank and I slept in until 8:30 the next morning when I awoke to my mom freaking out about a dead animal in the walls.

“Zach, some animal died in the wall I called the exterminator already,” she shrieked.

I woke up and smelled what she was talking about. I opened my backpack and found the OTHER street tamale I had forgotten to throw out buried beneath my laptop.

“Found it, mom,” I said.

She made me throw it out in the neighbor’s trash can…

WATCH Zach’s music video for his song “Watch the Horses”…

essay fiction flixbus humor writing hunter s. thompson jack Kerouac Los Angeles road stories Sedaris short story tijuana plastic surgery Zach Selwyn
ZZACH joins RUDE JUDE and ROSS from BINARY STAR to talk hand jobs, proper towels for that time of the month and some secret slang!

more here: http://foreallyshow.com/

Biary Star Fo Really Show funny podcast Jude Ange jude angelinni rude jude Secret Slang Sirius XM Zach Selwyn
I am uncomfortably straddling a white folding chair with 40 other people, ages ranging from 21-60 on a 103-degree day in Alta Dena waiting to work as an extra on a network TV show for the day. The pay isn’t terrible – $142.37 – or something like that, plus whatever gargantuan amounts of Craft Service snacks, candy, sodas and mini sandwiches I can shove into my shoulder bag to take home, but the overall feeling is grim. There is some old Greek food suffering beneath a sneeze guard nearby, a lot of discarded banana peels and a large fan blowing cool air towards us to keep us comfortable – like we’re NFL running backs playing a September game in Phoenix.

The scene has a prison-like feel to it. There are the lifers, the newbies and the guys who are only here for a few days trying to get their health insurance. I fall into that last category, but the fear of getting sexually assaulted by one of the older “inmates” is very real. Only problem is I can’t kick anyone’s ass to prove that I’m “tough.” Instead, I choose to bury myself into my iphone and hope the 45% charge lasts another 8 hours.

A year ago I was in New York City promoting my own TV show in Times Square for Tru TV. Now I am listening to a 22-year-old kid talk about how Hot Tub Time Machine is the main reason he dropped out of college to try to make it as an actor. You gotta love this business.

Typical extras holding area
The majority of chatter amongst these “background players” or “atmosphere” is about the world of extras. Many relay the legendary scene in Ben Hur where an extra forgot to take his watch off during the chariot race. (Look it up – it’s hilarious). Others talk about how Ricky Gervais ripped off their idea when he did his Extras TV show. However, the subject that keeps coming up time and time again is the “bump up.” A “bump up” is when an extra is promoted from an extra to a principal role. Suddenly, the lucky bloke can go from zero to hero and earn Screen Actors Guild daily rate. However, according to everyone, incidents like that are more rare than finding a piece of sushi that hasn’t been in the sun for six hours beneath the cast and crew food canopy.

I am here today because I need to make $6300 before the end of the year as a way to qualify for Screen Actors Guild health insurance, a plan I have somehow managed to attain for the past twelve years. This year, however, the jobs dried up, a ton of work went non-union and I have finally aged out of the commercial actor category of “young, shaggy haired beer-drinking party guy.”

At this pay rate, it will take me working nearly every day for three months to earn the necessary SAG income to keep my family on the health plan. Alternative options – Obamacare and Cobra – basically guarantee that I will be paying 75% more money for lesser benefits. It has long been noted that SAG has terrific health care. The problem is that you need to earn an outrageous amount of money to qualify for it, and this year has been an ice bath as far as SAG work has been going.

“My dad was Jimmy Smits’ stand-in on LA Law,” a man named Sonny who was dressed as a Native American jewelry salesman bragged to the lot of us huddled beneath the blue pop-up tent. “He told me to find a niche as an extra. When I started out I only played Latino, only roles were for prisoners or a gang members. Now that I play Native American, I work all the time.”

I suddenly found myself wishing I had some Native American cheekbones.

Snacks all day long at Craft Service. Experienced extras call it “Crafty.”
As the day rolled along, I began to hear everybody’s story. You coop someone up for long enough, they will eventually tell you their life’s narrative. Every extra on set seemed to have a tale about the one legendary time they were “bumped up” to a principal role. One woman claimed she was bumped on Two and a Half Men because Charlie Sheen fired the original woman who had been cast for her one line of “Suck it, Charlie.” A guy who often plays blue-collar types said he got his bump on Dharma and Greg and had his career-defining moment in a bar fight scene when he raised his fists and said, “Meet my two friends… Mary-Kate and Ashley.”

And then there was Sonny, who said he specifically learned the extinct Native American language Kiowa to nab a line in a Civil War series. His line was “D’on T’ap Piii.” Which translates roughly to “See deer eating.”

I stared at Sonny for a long while. He did look familiar, as that Native American guy you sort of see in films, but I wasn’t sure. Which meant he was a great extra. One who blended in. He bragged of his work on The Alamo, Oz, The Longest Yard, Texas Rising, Hatfields and McCoys. Dances With Wolves and of course, That 70’s Show. The way he saw it, he was an integral part of these films. A guy who went uncredited – but felt he deserved all the success.

“There should be an extras lifetime achievement award,” he offered.

As a young actor, I did some extra work at age 22. At the time, like most young dreamers, I thought I was a small break away from my own series and I treated the other kids in the high school dance scene like castaways and future failures. When I started booking some jobs and enjoying the confines of an air-conditioned trailer with a private bathroom, I swore I’d never go back to the extras holding again. Yet, here I was. A 15-year TV veteran with a decent resume that I was too embarrassed to share with the other inmates. I decided to shut up and do my time and maybe get out of there with a few Clif bars and some coconut water.

Then, there was a call to action.

“Peter, Mike, Donna, Marla, Zach – party scene, now!” An Assistant Director yelled at us, directing us towards the makeup department to get touched up.

I put down my phone and walked over to the area, when Donna, one of the younger extras, mentioned that she often worked on the show. She then proceeded to refer to one of the makeup artists as her “glam squad.”

A short, effeminate man named Ty erupted in her face.

“Don’t call me ‘glam,’ don’t call me ‘glam squad’ or I’ll shove this hairbrush up your ass,” he screamed.

Emily, another makeup artist stopped him before any penetration took place. It was surreal. Never in my life had I seen a fight between an extra and a makeup artist. It was like the Cubs-Pirates bench clearing brawl in the National League Wild Card this season. You couldn’t believe it was happening.

It was a major altercation. Apparently, Ty was sent home and Donna was threatening to sue the show for harassment. It didn’t make sense. In my opinion, being called the “glam squad” wasn’t nearly as bad as being referred to as “background” or “ambience.”

My scene was fairly easy. I had to drink some iced tea and mouth the words “peas and carrots” to another extra. The entire time I was placed in the corner of the party and they shot about 9 angles and we let the main actress do six takes before she was happy. As the director stood merely three feet from me, I tried to convince him that a line would be appropriate for my character. I pitched him ““D’on T’ap Piii.”

He didn’t respond. Apparently he didn’t speak Kiowa.

Kiowa. A lost language.
Lunch was at 1:00 and the extras were told to not touch or come near any food until the entire cast and crew had eaten. I was actually quite full from snacking – so I didn’t need to rush, but a lot of the extras bitched and moaned about the lack of respect. I turned to a fellow extra named Tony, who was about my age.

“Why can’t everyone just relax?” I asked him.

“Welcome to the Screen Extras Guild,” he responded.

An hour later, following one of those naps when you fall asleep with your chin in your hand, there was a small rumbling about a potential bump up for one of the extras. Apparently, a producer had seen one of us and wanted to add a line. The bit was that the lucky person would confront the female star of the show – who was wearing a fur jacket – with an uncomfortable long hug and then said, “you feel like a plushie.” All the extras began rehearsing their lines as if this was an audition for the next Coen Brothers film and we all got excited. I even took a walk around the tent and worked on my delivery.

Eventually, the female star and the director came to the extras tent and started looking around at all of us as if we were cattle being sold at a livestock auction. The female actress passed the first few folks, skipped the youngsters and then whispered to her director, “I need a middle-aged schlub.”

I am certainly creeping up on middle age, but I don’t feel like I look that way. I’m in great shape and still have hair and my skin has been hiding from the sun throughout the years as I write my life away. However, I was chosen as one of the three finalists to play “middle-aged schlub.”

We all went and had a private audition with the actress and director. I immediately messed up my hair, raised my jeans to mom-jean height and did my best to look like a total Midwestern chump who would give a hot girl a “long hug” and make her uncomfortable.

The author – doing his best to appear like a middle aged schlub.
“Mmm, you feel like a fluff – wait, what’s the line?” The first guy said, immediately messing up his chances.

“You feel like a plushie,” said the next guy who was 40 pounds heavier and 100% balder than me.

When my turn came, I looked deeply into the actress’ eyes. She stared back at me for about five seconds. I knew this was my job to lose… so I did my best to “eye-bang” her and get the job on the spot. Instead, before I could get my line out, she interrupted me.

“You look like that guy from that Tru TV show,” she said.

“I am that guy!”

“What are you doing in the extras tent?” She replied.

“Trying to get my health insurance,” I said, hoping she would feel my pain and give me the bump up on the spot. I dug deeper into my plea, mentioning that my family had been sick a lot the past year and I was a huge fan of the show.

“You might be too recognizable,” she blurted. “Second guy, you got the job.”
And with that, the fat, bald guy went off to his own folding chair, better food and a holding area behind the video village where the producers and directors hung out.

I returned to my spot in the tent. All the other extras wanted to know what had happened and I told them I relayed the story as best I could. When I mentioned that the female star had said I was “too recognizable” the tent wanted to know why. After all, not one of these folks had any idea who I was. I told them. Nobody had even heard of my show.

“I get recognized all the time,” said Sonny. “People stop me when I walk down the street.”

The rest of the day I watched my phone dwindle down towards the 3% range and eventually die. In a way, I felt like that iphone charge… A year back I was flying high at 100%. Now, I was hanging onto 3.

Actor Kevin Costner as a beer-swilling extra in the film “Night Shift” (1982) A legend to extras everywhere.
Before I left, I managed to fill my bag with enough high fructose corn syrup snacks to kill a small village and I hopped into the first awaiting white van that would shuttle us back to the parking lot. Luckily, I ended up in the same row as the female lead actress from earlier.

“Hey,” she said. “I’m sorry about that moment back there… I just recognized you from that other show – I didn’t mean to make you feel bad.”

“Amazingly, you’re the first person to know me from that like, ever,” I said.

She smiled.

“I’ll tell you what. Give me your manager’s name and I’ll make sure we get you in for a small role this season,” she offered.

I couldn’t believe it. Here she was telling me that she would go out of her way to get me a speaking part on her show. I got her personal email and said I’d be sending my demo reel and headshot over immediately. We exchanged good-byes and I returned my mom jeans to the costume department and signed out for the day.

As I walked to my car, the lead actress shook my hand and said I would be hearing from the production office very soon.

As of today, I’m still waiting for that call…

Watch Zach’s new video, “Nirvana T-Shirt”

craft service Extras extras stories fuuny Kevin Costner mom jeans Ricky Gervais Sedaris TV set Zach Selwyn