Zach Selwyn

Actor. Musician. Host. Writer. Dinner Guest.

  • Bartneders country rock Los Angeles Zach Selwyn Zachariah
  • This morning I drove past two skinny homeless men with multiple missing teeth who were smoking cigarettes before nearly running over a mangy stray dog panting in the street. I made a left turn at the Hustler Hollywood store, narrowly averting a woman who was squatting and urinating into a discarded water bottle. I eventually parked and walked around my car, side-stepping two discarded needles some dog crap and a used condom. I dodged a speeding Hyundai that was being driven by a dude vaping and texting at the same time before opening the passenger door… and helping my kid get out of the car.

    “Ready for school?” I asked.

    Welcome to Hollywood.

    1221098_1280x720
    A scene from our nice little walk to school

    I was raised in a peaceful, quiet corner of the desert where coyotes and jumping cholla cacti were my biggest fears while walking to school. I didn’t see a homeless man until I was about 13. Hustler was a magazine that only prisoners and truckers read and needles were something only a doctor could get a hold of. Yesterday, my son asked me why the guy who lives in the dumpster across the street from his carpool pick-up lane is always shouting, “Ho ass bitch” while shuffling down Selma Avenue.

    I am raising my children in Gomorrah and it’s starting to freak me the fuck out.

    photo-1
    Nice little bottle of urine found by the carpool pick up

    This school year, my son’s entire fifth grade class was moved to a new school campus – about 10 blocks north of the previous campus where they had been since kindergarten. The new campus is on Selma Avenue and is a stone’s throw from the Hollywood YMCA. It’s also a block south of Hollywood Boulevard, nearly 10 medical marijuana dispensaries, six seedy bars, smoke shops, two run-down hotels, a vintage street clock that has been permanently set to 4:20 and about nine tattoo parlors.

    Back in my 20’s, when I was stumbling out of the bar Boardner’s (a block away from the school on Cherokee), I could never imagine that someday my son would be taking “Beginner Spanish” 50 yards from where I once puked after a night of Vodka – Red Bulls. I never thought I’d be raising my kids anywhere but some pristine little tucked away school with manicured lawns and open fields and morning sing-a-longs. Little did I know that barbed wire fences, metal detectors and cement soccer fields were going to be the norm for my children…

    At a back-to-school meet and greet two weeks after the first day, some other parents expressed their concerns as well.

    “We just don’t like the way the school feels,” an angry parent offered.

    “We are striving to make everybody comfortable,” the principal, a 40-something man named Reggie replied.

    “It’s hard to be comfortable when I smell marijuana every day when I drop my kid off,” another mom piped up.

    Hustler+season+to+be+sexy+billboard
    This nearby billboard has all the kids very excited for Christmas

    Hollywood has changed immensely since the rundown 1990’s. Tourism is up, souvenir stores are making great money and people from all over the world are still traveling here to take photos of the sidewalk where an actor’s name is etched into a star. Of course, when the tourists come, so do the hustlers. You’ve seen them selling rap CD’s, trying to get you to take the TMZ Tour and drunkenly swaying into your photos while dressed up in a piss-stained Spider-Man costume demanding five dollars.

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    This guy smells like beef and wants $5 a picture.

    Look, my high school was no picnic. I witnessed a shooting, a lot of fights and certainly saw my share of LSD and dirt weed from Mexico, but I was in high school… Not fifth grade. Being raised in the desert certainly shaded me from the inner city realities of gang-ridden America, but I was also lucky enough to travel to places like New York and LA to see how other kids were growing up. Ultimately, their fast-paced lives had a strong effect on me because I headed for college in Los Angeles the minute I turned 18. Thinking back about my childhood dreams, I turned my son one day after school.

    “Hey dude, where do you want to live when you grow up?” I asked him.

    “Probably the beach… or New York I guess.”

    Obviously he hadn’t thought this one out. Not me. By the time I was ten, I had it narrowed down to Los Angeles and Los Angeles.

    My son is also already planning out his first tattoo, based on a conversation we had last week. After pouring over NBA star Brandon Ingram’s arms as we were watching a basketball game, he asked me a question.

    “Dad, if you could get a tattoo, what would you get?”

    “Oh wow, I dunno – probably your name and your sister’s name,” I said. “Something small and hidden and meaningful.”

    “I’d probably get Savage in cursive across my eyebrow,” he said.

    “You’re not getting a tattoo,” I told him.

    “Why not? All the sickest rappers have face tattoos now…”

    Oh boy.

    1116-lil-peep-getty-4
    The late rapper Lil Peep had the type of facial tattoos my son is craving.

    As we listened to my kid’s Spotify playlist, I heard no less than ten “N-Bombs”, three songs about abusing Xanax, Percocet and Molly and over ten about Gucci, 80,000 dollar watches and ‘Lambos. Every song featured sound effects like “Skrrr” for a cool car or “Skrrrrratatatatata” to mimic an assault rifle peppering an enemy with bullets… Look, I love rap music. I chased a rap career myself at one point… but no 5th grader should be asking his dad what Codeine, Mountain Dew and Jolly Ranchers taste like together.

    Alas, the reality of this situation is that I can’t afford to shell out 35,000 dollars to private academies like Campbell Hall or Oakwood… Although from what I remember from college – most of the heaviest partiers came out of these schools. Which gives me some hope… And truthfully, other than the dead guy who was wheeled away from the apartment down the block last week, the school is fun, diverse and growing and I’m actually proud to be a part of the community.

    So, as the years roll along, I’ll just have to deal with the syringes, homeless guys and Hustler Hollywood foot traffic for a few more years until junior high. Luckily, that campus is located downtown in a much more secure location…

    It’s across the street from an outpatient clinic for opioid addicts…

    GOT ZACH’S BOOK YET?

    TENTS

     

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  •  

    A new Zachariah song from the LP “Hungover at Disneyland”. Featuring RJ Robinson on fiddle.

    Download song here: https://itunes.apple.com/us/album/too-old-for-molly-too-young/id952764244?i=952764259

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  • Z36974ZACH joins RUDE JUDE and ROSS from BINARY STAR to talk hand jobs, proper towels for that time of the month and some secret slang!

     

    more here: http://foreallyshow.com/

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  • HACIENDA is streaming everywhere. Here is a music video for the song “When I Return (I Promise You)” – GO stream or download! (CDs coming soon!)

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  • Thanks to the Mangy Moose Saloon for having us for 6 sets in 2 nights!

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Tag: san francisco

Watch Zach in the new California Lottery Commercial!

  • November 27, 2015
  • by zachselwyn
  • · Film/TV · Hero · Homepage · Television

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Read Zach’s New Essay “A Musician’s Dream Dies at Amoeba Records”

  • July 28, 2015
  • by zachselwyn
  • · Homepage · Music · Short Story · The Writer

  original_amoeba-music-hollywood-los-angeles     A Musician’s Dream Dies at Amoeba Records * By Zach Selwyn

         By now music snobbery should have gone by the wayside. After all, the state of music has been disgustingly bleak since MP3s dethroned the industry in the 2000’s. Jobs have been eliminated, rock ‘n roll clubs have closed and bands with true talent and drive have settled for Spotify streams as a means to an .08 cent residual check twice a year. It wasn’t always this way.

       In the glorious 90’s, I had friends with million dollar expense accounts, closets full of CD’s and other useless swag – like the Dave Matthews Band rain poncho I still have in a garage somewhere – and pockets full of drugs. But to say you are a “music executive”… or an A & R guy these days – sort of signifies that you are hanging onto a dream that died long ago. I have a good friend still in the business whose job it is to  re-package Greatest Hits compilations to Wal-Marts across America. He’s the last executive I know – and I doubt that putting together a 10 song CD called Best of Soul Asylum is what he dreamt of when he was a younger man. In a way, today’s aging execs sort of resemble the 55-year-old hair metal musicians still hanging around the Rainbow hoping their demo CD lands them a review in Hit Parader Magazine.

      Sure, nowadays vinyl is popular, but not everybody can plunk down $28.00 for a new Jack White album, no matter how many awesome backward grooves and upside down hidden songs exist when you play the thing on a 1976 Fisher-Price stereo. Besides, nice record players today can run upwards of 500 bucks. Isn’t it just so much easier to have a digital device or streaming service with everything you’ve ever wanted on it? Most of the world thinks so… But apparently, the gargantuan structure known as Amoeba Records in Hollywood does not.

     Amoeba Records is the last place in the world where a used “out of print compact disc” can fetch roughly $17.00. It is the last place in the world where snobby record store employees still exist- and consider themselves way superior than the people shopping in their store. It is the last place in the world where music entitlement continues to thrive, as tattooed polliwogs insult your used DVD or CD collection while snickering behind the counter about the fact that you are wearing a Black Crowes shirt.

     “Another R.E.M. CD?” One super tool employee whinnied as I tried to sell back a stack of CD’s from my collection. “Sorry, wrong decade.”

-1   There are two things the Amoeba employee despises: Your band and your CD/DVD collection.

    In 2003 my band released the first of our now five country-rock albums, ”Ghost Signs.” At the time, the death cart hadn’t quite been dragged through the streets for the physical CD, and independent manufacturers like Discmakers were still convincing artists like myself that things like shrink-wrap and jewel cases were ever so important. I fell for it, not only because it was my first time putting out my own album, but because I had always been one of those kids with 10,000 CD’s neatly arranged in jewel case displays across my dorm room. In short, I wanted my own title to exist with those titles. And there it was, finally in April of 2003: My album Ghost Signs by Zachariah.

61ANnlXky5L._SY355_      The minute I received my shipment of 1000 CDs in the mail, I did what any bright-eyed troubadour who harbored dreams of becoming the next Springsteen would do – and I sent them out to a hundred magazines, music festivals and bigger record labels, hoping for a bite, a lead or a review. I also packed a box of 50 and went down to Amoeba Records, hoping to get a top display in front of the store. I lugged the huge box to the consignment counter and met a skinny employee with a Descendents t-shirt on who rolled his eyes when he saw me drop my hard-fought album on his counter. In those songs were my heart, soul and dreams. I was under the impression that he would take 50 of them and then ask for 50 more. After all, this wasn’t some crappy demo tape, this was an actual well-produced bad-ass album.

    The employee barely shrugged at my hard work. He giggled and yawned. He wasn’t impressed. Instead, he offered up the following.

“We take two copies.”

“Two?” I said, incredulously.

“Yep.”

“But I have, like 1000 of these,” I said.

“So does everyone else. Here’s our deal. If these sell, you get 3 bucks. If they don’t sell in 30 days they go in the dollar bin.”

I couldn’t believe it. Here I was, expecting to unload 50 CDs and have hundreds of new fans clamoring for me to perform live at the Greek Theatre by the end of the summer. Instead, a skinny asshole with skin so pale you could count his remaining good vein had shattered my dreams in under three minutes.

            As of last week, both copies of that album are still floating around the dollar bin at Amoeba Records.

      11 years later, I experienced roughly the same exact thing when I dropped my band’s new album off at the store, hoping that they had opened their minds to independent artists actually trying to distribute their own music. I was greeted by a chubby woman with Betty Page bangs – who had a dozen bangles hanging from her wrist. She had strange vampire kitty tattoos and was ironically wearing an Usher tour t-shirt. I hated her smugness immediately.

“Consignment?” She asked.

“Yeah,” I said. “I’ve actually placed some of my music in the store before.”

“What an achievement,” she puked.

I laid my new album on the counter. 11 songs. Pristine and awesome. A personal accomplishment. It was called Skywriting and was my fifth album of original material. I had foregone the jewel case this time around for the plastic sleeve and single panel artwork. It was cheaper, less clunky and much easier to store. My friends had been doing it this way for years, so I took their lead and saved some money on manufacturing costs. The girl looked at me as her lip curled upwards.

“What kind of packaging is this?” She asked.

“Well, I didn’t print my new album in jewel cases because – really – who uses jewel cases anymore, right?”

Skywriting_rev
She shot daggers. It was as if I told her that the world was ending in a few minutes. I wasn’t sure why. The CD game had suffered so immensely in the time since I put out my first record, I figured the days were numbered that anyone would be caught dead with a jewel case. Or a CD for that matter. After all, new computers don’t even have DISC DRIVES anymore.

      “You’re kidding, right?” She vomited. “Of course we use jewel cases.”

    “Oh, I just figured they were becoming obsolete and everything.”

    “I have 25,000 CD’s at my house. You call that obsolete?” She said.

      I wasn’t sure what to call it. I have 25,000 CD’s as well, but mine were all stored in Case Logic books and on shelves in closets. The days when my alphabetized CD collection was the envy of every Pi Phi who waltzed into my fraternity house asking to borrow The Chronic were OVER.

      “You don’t use the big CD books?” I asked.

      “CD books are bullshit… You can never find anything, the artwork gets folded which means you can’t re-sell it and the discs get scratched in the storage… Whoever started using those things in the first place was an idiot.”

jack-black-high-fidelity
“Youre music sucks, bro…” – Every record store guy.

      I couldn’t believe it. I was having an argument with a record store employee about how to store compact discs. It was like arguing that the news in tomorrow’s print newspaper would be more relevant than the news just posted on the internet.

    She took my CD’s and re-packaged them in some abandoned clear jewel case she had in the back of the counter and filled out a consignment sheet for me. This time, I only brought two copies of my new album, wishing not to embarrass myself by leaving down the elevator with 50 copies like I did a decade prior. I signed a sheet saying that they could sell the album for $7.99 and that I’d retain three bucks of each sale.

            Then I suggested we put the CD in the country section, to which she replied, “Nobody wants to be in the country section… especially with a name like Zachariah. You think anyone is looking in the ‘Z’ section of country?”
“Maybe they’ll find it while looking for Dwight Yoakam?” I suggested.
She rolled her eyes again and hit me with even more conceit and arrogance.

“No offense, but if anybody is looking for Dwight Yoakam, they probably aren’t looking for you.”
I hated this bitch.

“Fine,” I said. “Put me next to Warren Zevon and ZZ Top in the ‘Z’ section of rock n roll.”

“Good choice,” she said. “Not that anybody is looking for them either.”

I thanked her for being so awesome and told her that she’d be surprised at how fast my CD’s would sell. She eeked out a fake smile and waved me off before moving onto the next customer who was selling a large amount of unopened House of Cards DVD’s.

     Three days later, I sent my brother into Amoeba to buy both of my CD’s. I didn’t care if I was losing a few bucks by doing it. The point was to prove to these assholes that I could sell something at their store. I slipped him $20.00 and he went in and came out with both copies of my new album.

            A day later, a different manager called me and informed me that I had “miraculously” sold out of my CD’s and that if I wanted to bring a few more by, he’d be happy to consign them and pay me the $6.00 I was
owed.

            “How many copies should I bring down?” I asked him sarcastically. “About 50?”
“Why don’t we start with one,” he said.

I told him I’d be in that afternoon. But that I wasn’t providing a jewel case…

ZACH’S LATEST CD “SKYWRITING” is for sale for $7.99 somewhere at Amoeba.

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Watch Zach’s Freestyle Rap from the Bacon Bacon Truck in San Francisco!

  • September 4, 2012
  • by zachselwyn
  • · Uncategorized

 

Zach was invited up to San Francisco last week to drop some freestyle rhymes about the world’s greatest food truck: BACON BACON. He rolled in , borrowed a guitar and made this up on the spot – ENJOY!

(directed by Miles Steuding)

LINKS to BACON BACON TRUCK

http://www.baconbaconsf.com

twitter – @baconbaconsf

 

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