HOW TO SURVIVE A GRATEFUL DEAD SHOW WHEN YOU LOSE YOUR FRIENDS IN THE PARKING LOT * By Zach Selwyn
My old college friend Bernard (Or “Burner – for reasons that don’t need to be explained) called me the day before Father’s Day. He had an extra ticket to the 50th Anniversary Grateful Dead concert in northern California. I informed my wife that I would be traveling to the show the following Saturday night.
“Haha yeah right,” she said.
“No. I’m going.”
“Stop it. Now, what do you want to do for Father’s Day? Should we meet the Bartons for brunch? Or do you want to have people over to bar-be-cue?”
“I hate the Bartons,” I said. “I want to go to the Grateful Dead.”
“Are you serious?”
“Yes.”
“Well, take your son with you, don’t you think he would enjoy it?”
“Uhhhhhhh….”
I didn’t think that was the brightest idea. The smoke and the dancing and twirling was completely mind-blowing to me when I was at my first show at age 18. Back then I was scared shitless. Too many drugs, too many lost souls… too many people having a lot more fun than I was. I told my wife that I’d rather let my son find his own musical path. (Then again, if he’s following 5 Seconds of Summer around the country in 10 years I may have failed somewhere.) Plus, I told my wife that a 9-year-old boy does not need to see his 40-year-old dad clink Absinthe cups with a dude in hiking shorts who made Silicon Valley millions by inventing the Nook.
“Do NOT drink Absinthe,” she demanded.
“I won’t, I promise.”
Eventually, I got the green light – and I called Burner back and committed to his 70-dollar ticket. Which I soon found was WAY too expensive for my shitty seats behind the stage where just a few songs into the set a man would face-plant and nearly die on the concrete right next to me.
Recent online ticket prices for the Santa Clara shows had settled at $20-$40 depending on where you were seated, way down from the rumored $1500 nearly a month earlier. This was due to the “Soldier Field Panic Purchase” that nearly every Dead Head and ticket scalper had fallen for when their final two shows of this “Fare Thee Well” concert were originally announced… Thinking the tickets to Santa Clara might be listed at the same price as the Chicago shows, folks bought up dozens of seats at face value, only to find themselves losing money when trying to unload the tickets in the parking lot the afternoon of the show. (Steal Your Face Value, anyone?) Even Burner was left with a handful of tickets that he ended up trading for “pieces” (pipes or chillums), 50th anniversary bandanas, T-shirts and at one point a foot long joint being sold by a spritely blonde nymph out of a giant cardboard box.
$15 super joints from a beautiful blonde girl
Now, a fair amount has already been written about these shows – if you want to hear about the set lists and the fan reactions to Trey Anastasio and the supposed $50,000 “fake rainbow” – go Google that now. This is my personal adventure about smoking a lump of hash with a crazy looking scallywag who was dragging a dirty pet pit bull named “Iko” around on a hemp dog leash – and becoming so cosmically altered, that I managed to lose my friends for the duration of the show long before the first note of Truckin’ was even played.
It was a surreal experience to say the least. When I last saw the Grateful Dead in 1995, the crowd was pretty much the same… just about 20 years younger. But now, those folks have grown up. Gone are the days of living in the Vanagon and hopping from town-to-town. The “Only Users Lose Drugs” shirts I used to fawn over had been replaced by at least 25 men happily wearing a t-shirt reading “Grateful Dad.” (Thank you, honey for not getting me THAT for Father’s Day.)
At least 25 of these shirts at the show.
A vast majority of the well-off crowd could be found eating sushi and sipping wine in the safe “red” parking lot, while the more traditional “Shakedown Street” blue parking lot catered to the jewelry designers, pushers, providers, dealers and, yes, the guys selling veggie burritos. (At $5.00 a steal – considering it was $11.00 for a nitrate-riddled hot dog in the stadium). Bottom line was, it was a very balanced scene. Which is how I went from talking about music with a doctor who lived in Marin County – to witnessing a hippie trade a T-shirt for a Churro – to eventually asking the aforementioned scraggly looking pit bull owner if I could have a hit of his joint.
“It’s hash bro,” he said.
“Nice,” I said.
“Nice,” he responded.
I took a long drag from the tightly rolled spliff. It was licorice-like in flavor… and reminded me of smoking hash on a Eurorail with a Spanish stranger during a train ride from Switzerland to Germany in 1996. I exhaled.
“Nice.” I said again.
“Real nice,” he said and pulled off the joint again.
I stared up at the clouds.
“Nice,” I laughed.
“Totally nice,” he replied.
We stood and watched the sky for a few minutes. I started to realize that for the past ten minutes, I had managed to keep a totally coherent conversation going by merely uttering the word “nice.”
The author, moments after the hash took over…
I shook off my daze and decided to gather myself to find Burner and our other friends and head inside. We were 30 minutes away from the opener and I didn’t want to miss it. I looked back at my hash-providing friend and we shared an ever-knowing look of “I’ll never see you again, but thanks for the time together.” I threw up a peace sign. As I walked away to find my buddies, I heard him utter one final word as a fare thee well to our little session.
“Nice.”
Back on Earth, I was suddenly totally confused. Burner was gone. Swirls of dreadlocks and weathered faces engulfed me. I wasn’t sure if I should head back to the blue lot and skip the show altogether or saunter forth inside all alone. Like a wilderness-trained tracker, I decided I’d take some photos to document the beauty of the signage and the sky and the colorful people and cars all around me. Scrolling through my camera roll a day later, all I can find is a few pictures of the stadium and a wasted girl passed out on a lawn. I definitely could not find my friends. I was high and wandering… but at least I had a ticket to my seat.
This girl was FINISHED before the show even began
Having lost buddies at concerts over the years, I am somewhat used to making friends and surviving. This was certainly not the first time I had been alone at a Grateful Dead show… In fact, at the LA Sports Arena in 1993 I accidentally left the concert mid-song and walked 23 blocks away until I was lost in a Ralph’s parking lot deep in South Central Los Angeles. Luckily, the night cashier slipped me a Fentanyl and called me a taxicab. Once I lost my buddy in Santa Barbara and ended up sleeping in a bush after a Neil Young concert. At the Dead show, however, I wasn’t truly worried, because nowadays we are all lucky enough to have cell phones.
I looked down to text my friends. No service. Of course. No fucking service.
I made my way inside and ogled the crowds flittingly dancing along. Anticipating the first note of the show that would send me into another stratosphere. They started with Truckin’. The place went nuts.
Then the guy next to me almost died. His friends pounded his chest until he sat up and they forced water down his throat. Scared and afraid, I went to get a beer. I met some kind gentlemen in the beer line. We spoke about how awesome the show was that we were missing… by waiting in that beer line. I looked around. A girl next to me made sure to use all 9 pockets of her leather fanny pack. At least three guys purposefully wore cargo shorts to show off the “Jerry Bear” leg tattoos they had done in the 90’s that they were waiting all these years to uncover once again… Finally, a woman carrying a six-month old baby in what seemed like a paper bag attached to her back came dancing through the crowd. The kid’s head bobbled furiously, unstable and terrifying. In Los Angeles, the helicopter moms of Orange County would have screamed, rescued the baby and brought it to the nearest hospital. At the Grateful Dead show, however, grown men laughed and spewed forth dragon breaths of marijuana smoke into the sky as the baby drifted right through the haze. It was absolutely disturbing. I could not imagine my kids in this environment. As much as I would want them to appreciate what the music can do for everybody, the last thing I would want is my kid getting a second hand weed buzz around a group of folks sending wafts of OG Kush into the atmosphere.
A few songs later, I had settled down. It suddenly hit me that I was completely alone and that my conversations with strangers were fun but fleeting. I wasn’t making any new friends… I wasn’t analyzing every note Trey played… The worst part was, I was barely even seeing the show from my seat behind the stage. I watched the majority of it on a big screen. So, I wandered around and decided to talk to the security guard. His name was Reed.
“What’s crazier, a 49ers game, or this?” I asked.
“Well, different crowds, ya know?” He said. “Niners fans drink a few beers and try to look tough. These folks drink 10 beers and dance around like fools!”
“So is this the rowdiest show you’ve ever seen here?” I asked.
“Oh hell no, the worst was the WWE Wrestling event. I broke up about 30 fights, had to throw a guy down some stairs.”
“What’s the weirdest show you’ve ever seen here?”
“Kenny Chesney. Was like a Gay Pride Parade met the deep south.”
He shook my hand and walked off.
A few beers later, I was overwhelmed by hippies praying to the miracle rainbow in the sky yelling out things like “It’s a gift from JERRY GARCIA MAN!” (If you can imagine a bunch of high people reacting to a rainbow at a 50-Year Grateful Dead anniversary show, it’s EXACTLY how you picture it…) The argument that the rainbow has been faked is everywhere online, but in truth, if the Dead had 50K to blow on a holographic rainbow, I would hope they at least should have tried to construct a hologram Jerry Garcia instead. (Shit, I’d have settled for hologram 2Pac.)
As the evening went on, as a way to remember what I was going through, I began dictating voice notes into the “recorder” app on my iphone. These are the translations as best as I could decipher them:
A: I have just spent the last hour hanging with a giraffe
I wasn’t tripping. I had spent an hour hanging with a a giraffe.
B: (Me singing a song idea for my band to record in the future) – “Sunday Ticket, who’s got my Sunday ticket… man are you with it? I wish I could stop and smell the roses – but the elements of elephants are lost among the doses – I suppose it’s the way of the Dead – I suppose it’s the way of the Dead” (Then yelling): “WAY OF THE DEAD!!! MY NEW SONG WOOOOOOHOOOOOO!!!!”
C: Hot dogs, nachos, chicken fingers… hot dogs nachos chicken fingers…
D: What hole have these people been hiding in since 1995?
The last note made sense. A lot of these fans were folks who looked like they never recovered from Jerry Garcia’s death. They had been in exile, awaiting the return of the Grateful Dead for years, sort of like those Japanese soldiers you read about who were trapped on islands with their loaded weapons unaware that the war had ended months earlier.
The highlight of my night came during the song St. Stephen. I had never heard the tune live – nobody really has – and it lifted my spirits high. For five minutes, the long drive alone had been worth it. So had the hash and the lost friends and the $70 seats. I reached high for the sky and let out primal screams of joy and happiness and thought about my kids, my wife, my career, my goals, my dreams my family. I was genuinely ecstatic. I had found my top of the mountain… It was one of those moments that I remembered having as a kid – worshipping this band for slices of perfection like that – when everybody is smiling and nothing can go wrong. A moment of calm and peace I hoped would never end…
Of course, an hour after the show I found myself cursing technology and feeling depressed about having to wait in a two-hour line for an Uber.
I left the venue alone. Got to the hotel alone. I was in bed by 1:00. I woke up before my friends – who had stumbled in at 3:30 – and shook off the cobwebs before beginning the long drive back to L.A. As I listened to the radio and heard reviews of the show it became clear how awesome the evening had been. I re-played to my voice memos and shuffled Dead songs on my iphone the whole drive, wondering how I could call my work and get out of it Monday so that I could stay and watch the second night show instead. Thankfully, I decided one amazing show was enough and I rode down California 5 with Santa Clara and the Grateful Dead in my rear view mirror. As I watched northern California disappear behind the rolling hills, one word came to mind as I smiled and traveled the golden road home…
It was a hungover morning. Most of them are hungover mornings, but this one was particularly bad. It was actually quite unbearable. It was 91 degrees outside, but for some reason I was in a good mood based on the fact that it had finally stopped raining in Los Angeles. L.A. had been miserable lately. Not to mention depressing. My gas bill in January had skyrocketed to $1800 and wasn’t looking to get any better. A looming writer’s strike and a desolate media landscape had flattened any creative work available in the city. Shit. Even Disney had laid off 7,000 employees sine January 1st. Not only that, but the rain had destroyed nearly every road in the city and never-ending potholes greeted my car wherever I drove, resulting in more than one flat tire.
Anyway, it was a Friday morning and I had to drop my son in the deep valley for a haircut on his day off from school for “Teacher Organization Day.” I wasn’t sure when “Teacher Organization Day” became a national fucking holiday, but apparently, like four times a school year, teachers needed some time to get their shit together. I guess I understood… I need one of those days like, 25 times a month. I just didn’t particularly love when these days were thrust upon myself as a parent, because you suddenly had to do stuff like catch up on haircuts and Costco shopping and shit like going to the Grove to see films you would never pay for on your own, like Dungeons and Dragons. Meanwhile. My son prefers this one particular valley hairstylist to any scissor-slinging tattooed millennial who works at the Floyd’s Barber Shop 0.8 miles from our house, so I basically have to go 13 miles to Encino with him once every three months. And as you know Encino is a pretty miserable place.
It’s ten times worse it with a bad hangover.
After dropping him off, I had a roughly an hour to kill around the Encino corridor. Looking to curb the uneasiness of the body aches I was fighting from the night before, I Googled local bars and hotels to find any sort of affordable Bloody Mary that might help me open my eyes and face the day a little easier. Not finding much, I walked for a few minutes and quickly realized that I was surrounded by nothing but chain restaurants, weed stores and car dealerships. I was on Ventura Boulevard in Encino. I had nowhere to go. I felt like I had become the man I once swore I would never become: A 47-year-old dad, hungover in the Valley on a Friday morning looking for a drink. This wasn’t rock bottom, but Jesus, it sort of felt like the boat was sinking fast.
And then I spotted the Buca di Beppo. Yes. Buca di Beppo. Anyone who has been here knows this place is basically Olive Garden on HGH. You order a plate of spaghetti and it feeds nine people and you take four pounds home to haunt your fridge for the next month and a half. The leftovers are enough to choke an entire village of starving Albanians.
I was certainly their first customer of the day. The general manager, a goateed gentleman named Rick, who was wearing a tie patterned with a bushel of tomatoes, looked shocked that someone had actually entered the restaurant before noon. He struggled to greet me at the door. When he finally did welcome me inside, I noticed that he his shirt was untucked and one shoelace was untied. He brought me a monstrous menu and informed me that the restaurant was featuring a wine special that day: A glass of Apothic Red Wine was going for only $14.00. I thanked him but chose to not alert him that Apothic Red is a bottle of garbage wine found at Trader Joe’s for roughly $7.99.
Sweet tie bro.
Since the dining room was still being setup for the evening rush, I was seated in the empty bar, where half of the barstools were still turned upside down on the tables. They had sports on, so I knew I could easily kill an hour there… and I asked Rick how the Bloody Mary was.
“It’s amazing,” he said.
That was all I needed to hear.
I asked for a Bloody Mary with Tito’s and “all the fixings they could give me.”
Rick responded by asking me, “Tito’s? – OK – So Vodka or tequila?”
“Uhm Tito’s”
“Oh. So… What is that?”
“It’s a vodka from Austin, Texas dude,” I said perhaps a little too aggressively. “It’s a Bloody Mary.”
That was my first warning. I should’ve walked out then. This guy did not even know that Tito’s was a fucking vodka company?
I gave him a little side eye as he began working on the drink, making sure he was pouring in the right vodka, but unfortunately, he reached for a bottle of some brand called Helix. Helix Vodka? I had never even heard of that shit. But I watched as he incredulously poured it into a glass and then poured in some bullshit pre-packaged Bloody Mary mix from a plastic bottle that looked like it dressed Greek salads on its off-days. He didn’t even MIX the drink. He just dumped it in, and served it to me raw-dog, meaning it was lacking any olives, pickles, celery, salt, Tajin, fucking pepper… and flavor.
“Dude, Yo – do you guys don’t have any garnish whatsoever?” I asked.
“We have Tabasco,” he said.
“Olives?” I asked. “Maybe a peperoncini?”
“Uhm well, we have those but it means I would have to open the salad bar, which isn’t quite open yet.”
Jesus fucking Christ.
I took Rick’s bottle of Tabasco and tried to make this drink taste like… something. Anything but Clamato juice and ice. And it fell flat. This was by far the worst Bloody Mary ever served on American soil. Right there, in Encino, California precisely one week before my birthday in the good year of our lord 2023.
I sat there for a moment as Rick adjusted his tomato tie and folded napkins and I watched some NBA Playoffs highlights suffering through each and every sip of this bullshit drink. It basically tasted like water with hot sauce in it. The ice cubes were so prevalent that I surmounted that there was close to one to two ounces of liquid in the entirety of the glass. The straw was minuscule and sharp in my mouth.
And then I started looking around at the decor.
If you’ve ever been to a Buca di Beppo, you know that they fancy themselves as a classic “Family-Style Italian Restaurant.” That requires that they must decorate the walls with photos of great Italian American stalwarts of recent past, including 200 pictures of Frank Sinatra, at least 50 photos of Joe Dimaggio and a few stills from the movie Goodfellas. In fact, there was one large bar photo of Dimaggio that caught the Yankee Clipper smiling and youthful, at the peak of career, probably in the middle of a 200 hit season. He was grinning so widely, that there is no doubt he just flossed his teeth with Marilyn Monroe’s underwear. For some reason that photo made me happy. I pointed at the picture and then back to Rick, who mind you, was probably in his late 30’s to early 40’s and said, “What do you know about that guy?”
“Oh, Sinatra?” He said.
I almost went Joe Pesci on him and slapped him with his tomato tie.
“That’s NOT fucking Frank Sinatra, that’s Joe fuckin’ Dimaggio,” I said. “Joltin’ Joe Dimaggio.”
“Oh, the baseball player,” Rick responded. “Dodgers?”
If you work at an Italian restaurant and think this guy is Sinatra, you deserve to be fired.
Let me tell you something. If you work in a Buca di Beppo, or ANY Italian establishment that serves a version of a simple red sauce on pasta or a fucking meatball or a basket full of fucking breadsticks, you BETTER know who the fuck Joe Dimaggio is. In New York City, Rick would have been driven to the Hudson River, fitted for some cement shoes and dropped the fuck off the pier. And even the cops would have looked the other way and laughed about it at a bar later that night. But, this was Encino. And Rick was born in 1987 or so. And I was hungover. And unemployed. And bitter. So I leaned back and continued sipping the worst Bloody Mary of all time. A few sips later, I excused myself to the bathroom.
There was a photo of Kirk Gibson above the urinal.
I guess that made sense. Kirk Gibson is an LA hero and that 1988 World Series home run is one of baseball’s grandest moments, but I actually began wondering if Rick even knew who he was. When I returned to the bar, I asked him if he knew who the mustached man above the urinal was. He nodded yes.
“Joe Dimaggio?”
Look. I have nothing against Buca di Beppo. In fact, I have enjoyed many fun nights at this restaurant with family and friends over the years… I’ve murdered bottles of wine and meatballs and large pasta dishes here while singing along to That’s Amore with drunk friends two tables over. But this was ridiculous. My advice is forever avoid the Bloody Mary at all costs, and certainly do not enter any Buca di Beppo before 6:30 PM on any given day. You will leave depressed, disappointed and miserable – and when you face that blazing sunlight outside it will shine in your eyes like God’s high beams, informing you that you have made yet one more mistake in your short, miserable, pathetic life.
I paid Rick the $11.00 for the drink and walked outside, heading to pick up my son from his hair appointment. I was feeling a little better, happy that I at least informed Rick who Joe DiMaggio was, and happy that I was now aware of the catastrophic flavor of Helix Vodka. I walked back up towards the salon and texted my son to see if he was done. He wrote me back pretty quickly and seemed happy with his haircut. I squinted in the sun and read his text aloud:
Dad, can we go see the Dungeons and Dragons movie?
I went back to Buca di Beppo’s and ordered another round…
It was somewhere between Los Angeles and Palm Springs when I found myself helping a woman re-apply bloody gauze to an open wound that had split open due to complications from liposuction in Tijuana.
Moments later, another woman – with a razor blade tattoo on the side of her neck – smacked her 7-year-old son for spilling his Mountain Dew on her iPhone and screamed something at him in Spanish.
Sometime after that, a man with an infant child walked out of the bathroom in the back and promptly dumped a full diaper in the trash bag hanging in the middle of the aisle.
We still had seven and a half hours until we hit Tucson…
Welcome to the Flixbus.
For the past few months, my mom and a bunch of other friends have been raving about a new public transportation service known as “The Flixbus.” For a low price, you can travel on this large “comfortable bus” anywhere you like and select from a great list of pre-chosen movies – and use free WiFi the entire time. I looked it up and it seemed legit. And definitely affordable. A ticket to San Diego from Los Angeles cost $4.99. A ticket to Palm Springs? $6.99… To get to my hometown of Tucson, I was looking at $22.00. Since Southwest Air wanted nearly $400 for two one way plane tickets, I booked my 9-year-old daughter and I on a 12:30 Flixbus to Tucson leaving from downtown LA.
Wanting to beat the crowd, my daughter and I took a Lyft down to the parking lot across from Union Station, right by LA’s famed “Twin Towers Correctional Facilities.” It’s an intimidating spot – heavily populated by at least five bail bond storefronts and street meat hot dog vendors. It’s hard not to take note of family members leaving the bail bond stores, openly weeping about their loved ones having spent the night in jail.
“Are they crying because they have to take the Flixbus too, daddy?” My daughter asked.
“Uhh, no. Whole different situation.”
I promptly took notice of the waiting area and its potential to escalate into a violent “prison yard” type of situation. A woman was walking around selling homemade “street tamales” out of a plastic bag, three 12-year-olds were selling bottles of water and packs of cigarettes and two men with children were openly sharing a blunt in front of their kids. (As would happen, I ended up buying two street tamales and a bottled water, as I had not thought to pack any food for the journey.)
I hadn’t even boarded the bus yet and I was $19 dollars in the hole.
The line to board the bus was non-existent. as Everybody sort of milled about near an area until the ticket conductor shouted out, “Palm Springs, Phoenix and Tucson line up HERE.”
The awaiting pack scrambled immediately. As people got tossed aside and trampled like they were rushing the stage of a Travis Scott show… Elbows were thrown. Space was cleared. Somehow, I managed to grab all of my luggage and scoop up my daughter before she was flattened to death. Sadly, even though we were the third people in the waiting area, we had been easily bullied to the back of the line by the violent mob, which was led by a 6’7” ex-linebacker wearing a baseball cap reading: K.U.S.H. Keeps Us Super High.
My advice? Pay the extra $20 online and get a reserved seat.
Once my daughter and I got on the bus, we noticed that any available seats together had been claimed. Eventually I was forced to convince a man who looked like he had recently been let out of a Texas prison to switch seats with me so that my daughter and I could sit together… He scoffed, kicked the side of the seat and mumbled something under his breath.
“Thank you so much, sir,” I said.
His response?
“I run this bus, cocksucker.”
Lovely.
Eventually he moved and we accepted the fact that we were stuck in the last seat in the back of the bus… basically right next to the toilet. And then, minutes before we left, a rather large woman came back and destroyed the bathroom… I nearly vomited. My daughter asked to switch seats. The bus pulled out into traffic.
Nine hours to Tucson.
Back of the bus…
The first thing people tell you about the Flixbus is that you can watch unlimited movies and surf the web, email, text, whatever you like. As it turns out this is simply not true. After trying for nearly an hour to watch Euphoria on HBO GO, I was alerted repeatedly with notes that I was in a “non-connection zone” and that I was possibly traveling “out of the continental United States.” I switched over to Netflix and was met with much of the same. Incredibly long loading times, spotty streaming and the inability to watch anything. After looking up the Flixbus website, I came across some small type in the “Services” section that read, “Please do not stream Netflix, YouTube or HBO Go on the Flixbus as it slows down everybody’s WiFi speeds and will not load correctly.”
Wow. That would have been nice to know. Oh, also? They DO NOT ALLOW MUSICAL INSTRUMENTS on the bus that are bigger than 12 inches… So unless you’re strictly a harmonica player, forget bringing your acoustic guitar anywhere. (Since I was going to play a gig in Tucson, I now had to rent a guitar from the local music shop).
Anyway, reading deeper, they recommended that passengers watch their curated film selections on the Flixbus app, which were “expertly chosen” and free. I checked it out. The selections were the same as what you’d expect on an airplane: Wonder Park, A Madea Family Funeral and about 9 shitty Melissa McCarthy movies.
Seven hours and 45 minutes to Tucson.
As we rattled over the freeways on the outskirts of Los Angeles, weaving in and out of the carpool lane, I was convinced I was going to die on the Flixbus. My daughter was getting carsick from the bumps and sudden stops and I could not believe that I had chosen this as my best means of transportation to Tucson…
A recent Flixbus accident in Germany.
The bus continued to shake from side to side, causing a middle-aged lady across the aisle from me to begin moaning. Like, painfully moaning. And grabbing her sides. Thinking that she may be in labor with a child, I looked over and noticed that she had a freshly dressed wound on the side of her mid-section. At one point, she screamed “Fucking FUCK, can you drive a little slower?”
“Are you OK ma’am?” I asked her, hoping she hadn’t been shot in a bank robbery gone wrong and was using the Flixbus as an escape tool.
“Uggh, yeah – I’m just recovering from plastic surgery,” she said.
“On the Flixbus?” I responded.
“Well, I live in Palm Springs,” she proceeded to tell me. “I went to Mexico for liposuction because it’s like, 75 percent cheaper down there.”
“Oh my God,” I said. “Didn’t you go through some sort of like, recovery first?”
“I’ll be fine once I get to Palm Springs.”
We hit a bump and she made a noise that I have only heard once before in my life back when I witnessed a goat slaughter in a tiny village in Mexico in 2003.
“Oh fuck,” she screamed. “One of my sutures popped – can you just hold your finger here for a second?.”
Shielding my daughter from the horror of this situation, I regrettably leaned over and put pressure on an area of bloodied gauze that had come undone. Eventually, the woman fastened it back together with a clip and thanked me profusely. I excused myself to the bathroom and threw ice cold water on my face.
Some of the better results from Dr. Machado’s Tijuana Surgery Clinic. Facelift? $44.99
30 minutes later the ride was smoothing out. Looking out the window I saw the desert approach.
“Folks we are stopping in North Palm Springs in eight minutes,” the driver announced. “We will have time to get refreshments and some air.”
“Thank fucking God,” the bleeding woman said.
We pulled into an AM/PM parking lot in Palm Springs and the lady limped off the bus and met her ride. She waved good-bye to me and sped off into the Palm Springs afternoon. For all I know she bled out on the way home and is dead.
The good news was that 12 passengers got off the bus in Palm Springs. This freed up some seats and we moved a few aisles away from the bathroom. The miles began to roll away and I started to fantasize that I was Jon Voight in Midnight Cowboy taking the bus to a new dream, over expansive desert land and into the heart of opportunity. Of course, Jon Voight was heading to New York City in 1968 and I was going to Tucson to visit my mom, but the view sure was pretty.
20 minutes later, I opened up one of my tamales-in-a-bag and gave it a shot. It smelled like some sort of fucking rotting animal. A few passengers looked over at me and covered their faces with blankets and scarves. Acting casual, I took a small bite and chewed for a few seconds before beginning to feel violently ill. I managed to spit the food into a bag and quickly wrapped it up, avoiding the grossed out looks of my fellow Flixbus friends. Luckily, that was exactly the moment when the newborn’s father emerged from the bathroom with the full diaper. He tossed it in the center trash bag and the entire bus groaned and began cursing him out.
“What am I supposed to do?” The dad asked the gallery of hecklers.
“Flush that shit,” the guy in the K.U.S.H. hat suggested.
The driver came on the intercom and reminded everyone that nothing but toilet paper could go down the toilet. The passengers collectively groaned and went back to their devices. At this point, between the tamale and the diaper, the bus was turning toxic. If you lit a match in the thing, there was a strong chance the bus would explode.
Six hours to Tucson.
Our next stop was in Blythe, California, on the Arizona border. Here, we were given a 30 minute lunch period and the only restaurant around for miles was a McDonalds 25 feet away. Assuming this would be my last chance to eat before 9:30 that night, I broke down and ate six Chicken McNuggets and an Oreo McFlurry.
I also called my mom to alert her of our progress.
“How’s the Flixbus?” My mom asked. “Watching any good movies?”
“Well, nothing really works,” I said. “Half the seats don’t have outlets, the WiFi in the desert sucks and they don’t allow streaming… and I refuse to watch Life of the Party. (That’s a terrible Melissa McCarthy movie BTW…)
“What kind of food do they have?” She inquired.
“They don’t have food,” I said.
“What?” She said. “On their website it says you can purchase snacks and stuff from the driver?”
What? Here I was nearly puking street tamales and eating Chicken McNuggets when the driver had food on him the entire time? Why were we not informed of this? I tracked down the driver as he smoked a cigarette and asked him if I could see a menu of the food they offered on board.
“Their aint no menu, mane… We just have some Ruffles and shit.”
Ruffles and shit?
“Come on my man, you don’t have like a Tapas box? My daughter needs some Wiki Stix!”
“This aint Alaska Airlines, mane,” he responded.
Eventually, 100 miles from Phoenix, a college kid broke down and went into the bathroom to vape. He was far from discreet and as a man who once routinely snuck weed to smoke into airplane bathrooms, I viewed his efforts as amateurish. The key to smoking on a bus or airplane is to basically flush the toilet as you exhale with your face nearly in the bowl. Yeah, this is a disgusting activity, but for some reason back in the mid 90’s I had no problem shoving my head inside an airplane toilet. Now I can’t even USE bathrooms on moving vehicles. Anyway, the kid opened the door and a cloud of Watermelon E-Juice enveloped the back area. The kid walked out as if he had done nothing wrong.
Stick your head inside and flush as you exhale. Works every time.
The smoke was impossible to miss and even though it dissipated quickly, it really upset the bus driver, who pulled over to the side of I-10 and DEMANDED to know who had smoked on the bus.
My daughter raised her hand to volunteer the information.
“Put your hand down,” I said, knowing that being labeled a “narc” at age 9 doesn’t do anybody any good.
“Who was smoking back here?” The bus driver said. “I demand an answer!”
I expected somebody to speak up… but nobody did. We all held together in a Flixbus code of silence. Shit, we felt like we were in La Cosa Nostra. For the first time on the ride I sensed a camaraderie with my fellow passengers. We all sort of looked at it the same way… If this was a bus in 1957, people would be smoking cigarettes and drinking whiskey from flasks. We all had the same thought… Let the kid vape.
Four and a half hours to Tucson.
The rest of the trip went fairly smoothly. I was amazed at how well behaved my daughter was and as the stops piled up, the passengers started getting off. A few people got on in Phoenix and we got to Tucson in roughly nine hours and 30 minutes. To put that in perspective, If you drive directly from LA in a car, you’re guaranteed to spend eight hours on the road and you have to buy gas. If you fly to Tucson from LAX, door to door takes about five hours and 30 minutes. So, I basically lost four hours of my life, had to endure some awful smells and I got to be an impromptu nurse to the woman recovering from plastic surgery.
When we got to my mom’s house, she had food and wine waiting for me and I told her all the fun stories from my 400 mile road trip in a public bus. We laughed, drank and I slept in until 8:30 the next morning when I awoke to my mom freaking out about a dead animal in the walls.
“Zach, some animal died in the wall I called the exterminator already,” she shrieked.
I woke up and smelled what she was talking about. I opened my backpack and found the OTHER street tamale I had forgotten to throw out buried beneath my laptop.
“Found it, mom,” I said.
She made me throw it out in the neighbor’s trash can…
WATCH Zach’s music video for his song “Watch the Horses”…
I am uncomfortably straddling a white folding chair with 40 other people, ages ranging from 21-60 on a 103-degree day in Alta Dena waiting to work as an extra on a network TV show for the day. The pay isn’t terrible – $142.37 – or something like that, plus whatever gargantuan amounts of Craft Service snacks, candy, sodas and mini sandwiches I can shove into my shoulder bag to take home, but the overall feeling is grim. There is some old Greek food suffering beneath a sneeze guard nearby, a lot of discarded banana peels and a large fan blowing cool air towards us to keep us comfortable – like we’re NFL running backs playing a September game in Phoenix.
The scene has a prison-like feel to it. There are the lifers, the newbies and the guys who are only here for a few days trying to get their health insurance. I fall into that last category, but the fear of getting sexually assaulted by one of the older “inmates” is very real. Only problem is I can’t kick anyone’s ass to prove that I’m “tough.” Instead, I choose to bury myself into my iphone and hope the 45% charge lasts another 8 hours.
A year ago I was in New York City promoting my own TV show in Times Square for Tru TV. Now I am listening to a 22-year-old kid talk about how Hot Tub Time Machine is the main reason he dropped out of college to try to make it as an actor. You gotta love this business.
Typical extras holding areaThe majority of chatter amongst these “background players” or “atmosphere” is about the world of extras. Many relay the legendary scene in Ben Hur where an extra forgot to take his watch off during the chariot race. (Look it up – it’s hilarious). Others talk about how Ricky Gervais ripped off their idea when he did his Extras TV show. However, the subject that keeps coming up time and time again is the “bump up.” A “bump up” is when an extra is promoted from an extra to a principal role. Suddenly, the lucky bloke can go from zero to hero and earn Screen Actors Guild daily rate. However, according to everyone, incidents like that are more rare than finding a piece of sushi that hasn’t been in the sun for six hours beneath the cast and crew food canopy.
I am here today because I need to make $6300 before the end of the year as a way to qualify for Screen Actors Guild health insurance, a plan I have somehow managed to attain for the past twelve years. This year, however, the jobs dried up, a ton of work went non-union and I have finally aged out of the commercial actor category of “young, shaggy haired beer-drinking party guy.”
At this pay rate, it will take me working nearly every day for three months to earn the necessary SAG income to keep my family on the health plan. Alternative options – Obamacare and Cobra – basically guarantee that I will be paying 75% more money for lesser benefits. It has long been noted that SAG has terrific health care. The problem is that you need to earn an outrageous amount of money to qualify for it, and this year has been an ice bath as far as SAG work has been going.
“My dad was Jimmy Smits’ stand-in on LA Law,” a man named Sonny who was dressed as a Native American jewelry salesman bragged to the lot of us huddled beneath the blue pop-up tent. “He told me to find a niche as an extra. When I started out I only played Latino, only roles were for prisoners or a gang members. Now that I play Native American, I work all the time.”
I suddenly found myself wishing I had some Native American cheekbones.
Snacks all day long at Craft Service. Experienced extras call it “Crafty.”As the day rolled along, I began to hear everybody’s story. You coop someone up for long enough, they will eventually tell you their life’s narrative. Every extra on set seemed to have a tale about the one legendary time they were “bumped up” to a principal role. One woman claimed she was bumped on Two and a Half Men because Charlie Sheen fired the original woman who had been cast for her one line of “Suck it, Charlie.” A guy who often plays blue-collar types said he got his bump on Dharma and Greg and had his career-defining moment in a bar fight scene when he raised his fists and said, “Meet my two friends… Mary-Kate and Ashley.”
And then there was Sonny, who said he specifically learned the extinct Native American language Kiowa to nab a line in a Civil War series. His line was “D’on T’ap Piii.” Which translates roughly to “See deer eating.”
I stared at Sonny for a long while. He did look familiar, as that Native American guy you sort of see in films, but I wasn’t sure. Which meant he was a great extra. One who blended in. He bragged of his work on The Alamo, Oz, The Longest Yard, Texas Rising, Hatfields and McCoys. Dances With Wolves and of course, That 70’s Show. The way he saw it, he was an integral part of these films. A guy who went uncredited – but felt he deserved all the success.
“There should be an extras lifetime achievement award,” he offered.
As a young actor, I did some extra work at age 22. At the time, like most young dreamers, I thought I was a small break away from my own series and I treated the other kids in the high school dance scene like castaways and future failures. When I started booking some jobs and enjoying the confines of an air-conditioned trailer with a private bathroom, I swore I’d never go back to the extras holding again. Yet, here I was. A 15-year TV veteran with a decent resume that I was too embarrassed to share with the other inmates. I decided to shut up and do my time and maybe get out of there with a few Clif bars and some coconut water.
Then, there was a call to action.
“Peter, Mike, Donna, Marla, Zach – party scene, now!” An Assistant Director yelled at us, directing us towards the makeup department to get touched up.
I put down my phone and walked over to the area, when Donna, one of the younger extras, mentioned that she often worked on the show. She then proceeded to refer to one of the makeup artists as her “glam squad.”
A short, effeminate man named Ty erupted in her face.
“Don’t call me ‘glam,’ don’t call me ‘glam squad’ or I’ll shove this hairbrush up your ass,” he screamed.
Emily, another makeup artist stopped him before any penetration took place. It was surreal. Never in my life had I seen a fight between an extra and a makeup artist. It was like the Cubs-Pirates bench clearing brawl in the National League Wild Card this season. You couldn’t believe it was happening.
It was a major altercation. Apparently, Ty was sent home and Donna was threatening to sue the show for harassment. It didn’t make sense. In my opinion, being called the “glam squad” wasn’t nearly as bad as being referred to as “background” or “ambience.”
My scene was fairly easy. I had to drink some iced tea and mouth the words “peas and carrots” to another extra. The entire time I was placed in the corner of the party and they shot about 9 angles and we let the main actress do six takes before she was happy. As the director stood merely three feet from me, I tried to convince him that a line would be appropriate for my character. I pitched him ““D’on T’ap Piii.”
He didn’t respond. Apparently he didn’t speak Kiowa.
Kiowa. A lost language.Lunch was at 1:00 and the extras were told to not touch or come near any food until the entire cast and crew had eaten. I was actually quite full from snacking – so I didn’t need to rush, but a lot of the extras bitched and moaned about the lack of respect. I turned to a fellow extra named Tony, who was about my age.
“Why can’t everyone just relax?” I asked him.
“Welcome to the Screen Extras Guild,” he responded.
An hour later, following one of those naps when you fall asleep with your chin in your hand, there was a small rumbling about a potential bump up for one of the extras. Apparently, a producer had seen one of us and wanted to add a line. The bit was that the lucky person would confront the female star of the show – who was wearing a fur jacket – with an uncomfortable long hug and then said, “you feel like a plushie.” All the extras began rehearsing their lines as if this was an audition for the next Coen Brothers film and we all got excited. I even took a walk around the tent and worked on my delivery.
Eventually, the female star and the director came to the extras tent and started looking around at all of us as if we were cattle being sold at a livestock auction. The female actress passed the first few folks, skipped the youngsters and then whispered to her director, “I need a middle-aged schlub.”
I am certainly creeping up on middle age, but I don’t feel like I look that way. I’m in great shape and still have hair and my skin has been hiding from the sun throughout the years as I write my life away. However, I was chosen as one of the three finalists to play “middle-aged schlub.”
We all went and had a private audition with the actress and director. I immediately messed up my hair, raised my jeans to mom-jean height and did my best to look like a total Midwestern chump who would give a hot girl a “long hug” and make her uncomfortable.
The author – doing his best to appear like a middle aged schlub.“Mmm, you feel like a fluff – wait, what’s the line?” The first guy said, immediately messing up his chances.
“You feel like a plushie,” said the next guy who was 40 pounds heavier and 100% balder than me.
When my turn came, I looked deeply into the actress’ eyes. She stared back at me for about five seconds. I knew this was my job to lose… so I did my best to “eye-bang” her and get the job on the spot. Instead, before I could get my line out, she interrupted me.
“You look like that guy from that Tru TV show,” she said.
“I am that guy!”
“What are you doing in the extras tent?” She replied.
“Trying to get my health insurance,” I said, hoping she would feel my pain and give me the bump up on the spot. I dug deeper into my plea, mentioning that my family had been sick a lot the past year and I was a huge fan of the show.
“You might be too recognizable,” she blurted. “Second guy, you got the job.”
And with that, the fat, bald guy went off to his own folding chair, better food and a holding area behind the video village where the producers and directors hung out.
I returned to my spot in the tent. All the other extras wanted to know what had happened and I told them I relayed the story as best I could. When I mentioned that the female star had said I was “too recognizable” the tent wanted to know why. After all, not one of these folks had any idea who I was. I told them. Nobody had even heard of my show.
“I get recognized all the time,” said Sonny. “People stop me when I walk down the street.”
The rest of the day I watched my phone dwindle down towards the 3% range and eventually die. In a way, I felt like that iphone charge… A year back I was flying high at 100%. Now, I was hanging onto 3.
Actor Kevin Costner as a beer-swilling extra in the film “Night Shift” (1982) A legend to extras everywhere.Before I left, I managed to fill my bag with enough high fructose corn syrup snacks to kill a small village and I hopped into the first awaiting white van that would shuttle us back to the parking lot. Luckily, I ended up in the same row as the female lead actress from earlier.
“Hey,” she said. “I’m sorry about that moment back there… I just recognized you from that other show – I didn’t mean to make you feel bad.”
“Amazingly, you’re the first person to know me from that like, ever,” I said.
She smiled.
“I’ll tell you what. Give me your manager’s name and I’ll make sure we get you in for a small role this season,” she offered.
I couldn’t believe it. Here she was telling me that she would go out of her way to get me a speaking part on her show. I got her personal email and said I’d be sending my demo reel and headshot over immediately. We exchanged good-byes and I returned my mom jeans to the costume department and signed out for the day.
As I walked to my car, the lead actress shook my hand and said I would be hearing from the production office very soon.
A Musician’s Dream Dies at Amoeba Records * By Zach Selwyn
By now music snobbery should have gone by the wayside. After all, the state of music has been disgustingly bleak since MP3s dethroned the industry in the 2000’s. Jobs have been eliminated, rock ‘n roll clubs have closed and bands with true talent and drive have settled for Spotify streams as a means to an .08 cent residual check twice a year. It wasn’t always this way.
In the glorious 90’s, I had friends with million dollar expense accounts, closets full of CD’s and other useless swag – like the Dave Matthews Band rain poncho I still have in a garage somewhere – and pockets full of drugs. But to say you are a “music executive”… or an A & R guy these days – sort of signifies that you are hanging onto a dream that died long ago. I have a good friend still in the business whose job it is to re-package Greatest Hits compilations to Wal-Marts across America. He’s the last executive I know – and I doubt that putting together a 10 song CD called Best of Soul Asylum is what he dreamt of when he was a younger man. In a way, today’s aging execs sort of resemble the 55-year-old hair metal musicians still hanging around the Rainbow hoping their demo CD lands them a review in Hit Parader Magazine.
Sure, nowadays vinyl is popular, but not everybody can plunk down $28.00 for a new Jack White album, no matter how many awesome backward grooves and upside down hidden songs exist when you play the thing on a 1976 Fisher-Price stereo. Besides, nice record players today can run upwards of 500 bucks. Isn’t it just so much easier to have a digital device or streaming service with everything you’ve ever wanted on it? Most of the world thinks so… But apparently, the gargantuan structure known as Amoeba Records in Hollywood does not.
Amoeba Records is the last place in the world where a used “out of print compact disc” can fetch roughly $17.00. It is the last place in the world where snobby record store employees still exist- and consider themselves way superior than the people shopping in their store. It is the last place in the world where music entitlement continues to thrive, as tattooed polliwogs insult your used DVD or CD collection while snickering behind the counter about the fact that you are wearing a Black Crowes shirt.
“Another R.E.M. CD?” One super tool employee whinnied as I tried to sell back a stack of CD’s from my collection. “Sorry, wrong decade.”
There are two things the Amoeba employee despises: Your band and your CD/DVD collection.
In 2003 my band released the first of our now five country-rock albums, ”Ghost Signs.” At the time, the death cart hadn’t quite been dragged through the streets for the physical CD, and independent manufacturers like Discmakers were still convincing artists like myself that things like shrink-wrap and jewel cases were ever so important. I fell for it, not only because it was my first time putting out my own album, but because I had always been one of those kids with 10,000 CD’s neatly arranged in jewel case displays across my dorm room. In short, I wanted my own title to exist with those titles. And there it was, finally in April of 2003: My album Ghost Signs by Zachariah.
The minute I received my shipment of 1000 CDs in the mail, I did what any bright-eyed troubadour who harbored dreams of becoming the next Springsteen would do – and I sent them out to a hundred magazines, music festivals and bigger record labels, hoping for a bite, a lead or a review. I also packed a box of 50 and went down to Amoeba Records, hoping to get a top display in front of the store. I lugged the huge box to the consignment counter and met a skinny employee with a Descendents t-shirt on who rolled his eyes when he saw me drop my hard-fought album on his counter. In those songs were my heart, soul and dreams. I was under the impression that he would take 50 of them and then ask for 50 more. After all, this wasn’t some crappy demo tape, this was an actual well-produced bad-ass album.
The employee barely shrugged at my hard work. He giggled and yawned. He wasn’t impressed. Instead, he offered up the following.
“We take two copies.”
“Two?” I said, incredulously.
“Yep.”
“But I have, like 1000 of these,” I said.
“So does everyone else. Here’s our deal. If these sell, you get 3 bucks. If they don’t sell in 30 days they go in the dollar bin.”
I couldn’t believe it. Here I was, expecting to unload 50 CDs and have hundreds of new fans clamoring for me to perform live at the Greek Theatre by the end of the summer. Instead, a skinny asshole with skin so pale you could count his remaining good vein had shattered my dreams in under three minutes.
As of last week, both copies of that album are still floating around the dollar bin at Amoeba Records.
11 years later, I experienced roughly the same exact thing when I dropped my band’s new album off at the store, hoping that they had opened their minds to independent artists actually trying to distribute their own music. I was greeted by a chubby woman with Betty Page bangs – who had a dozen bangles hanging from her wrist. She had strange vampire kitty tattoos and was ironically wearing an Usher tour t-shirt. I hated her smugness immediately.
“Consignment?” She asked.
“Yeah,” I said. “I’ve actually placed some of my music in the store before.”
“What an achievement,” she puked.
I laid my new album on the counter. 11 songs. Pristine and awesome. A personal accomplishment. It was called Skywriting and was my fifth album of original material. I had foregone the jewel case this time around for the plastic sleeve and single panel artwork. It was cheaper, less clunky and much easier to store. My friends had been doing it this way for years, so I took their lead and saved some money on manufacturing costs. The girl looked at me as her lip curled upwards.
“What kind of packaging is this?” She asked.
“Well, I didn’t print my new album in jewel cases because – really – who uses jewel cases anymore, right?”
She shot daggers. It was as if I told her that the world was ending in a few minutes. I wasn’t sure why. The CD game had suffered so immensely in the time since I put out my first record, I figured the days were numbered that anyone would be caught dead with a jewel case. Or a CD for that matter. After all, new computers don’t even have DISC DRIVES anymore.
“You’re kidding, right?” She vomited. “Of course we use jewel cases.”
“Oh, I just figured they were becoming obsolete and everything.”
“I have 25,000 CD’s at my house. You call that obsolete?” She said.
I wasn’t sure what to call it. I have 25,000 CD’s as well, but mine were all stored in Case Logic books and on shelves in closets. The days when my alphabetized CD collection was the envy of every Pi Phi who waltzed into my fraternity house asking to borrow The Chronic were OVER.
“You don’t use the big CD books?” I asked.
“CD books are bullshit… You can never find anything, the artwork gets folded which means you can’t re-sell it and the discs get scratched in the storage… Whoever started using those things in the first place was an idiot.”
“Youre music sucks, bro…” – Every record store guy.
I couldn’t believe it. I was having an argument with a record store employee about how to store compact discs. It was like arguing that the news in tomorrow’s print newspaper would be more relevant than the news just posted on the internet.
She took my CD’s and re-packaged them in some abandoned clear jewel case she had in the back of the counter and filled out a consignment sheet for me. This time, I only brought two copies of my new album, wishing not to embarrass myself by leaving down the elevator with 50 copies like I did a decade prior. I signed a sheet saying that they could sell the album for $7.99 and that I’d retain three bucks of each sale.
Then I suggested we put the CD in the country section, to which she replied, “Nobody wants to be in the country section… especially with a name like Zachariah. You think anyone is looking in the ‘Z’ section of country?”
“Maybe they’ll find it while looking for Dwight Yoakam?” I suggested.
She rolled her eyes again and hit me with even more conceit and arrogance.
“No offense, but if anybody is looking for Dwight Yoakam, they probably aren’t looking for you.”
I hated this bitch.
“Fine,” I said. “Put me next to Warren Zevon and ZZ Top in the ‘Z’ section of rock n roll.”
“Good choice,” she said. “Not that anybody is looking for them either.”
I thanked her for being so awesome and told her that she’d be surprised at how fast my CD’s would sell. She eeked out a fake smile and waved me off before moving onto the next customer who was selling a large amount of unopened House of Cards DVD’s.
Three days later, I sent my brother into Amoeba to buy both of my CD’s. I didn’t care if I was losing a few bucks by doing it. The point was to prove to these assholes that I could sell something at their store. I slipped him $20.00 and he went in and came out with both copies of my new album.
A day later, a different manager called me and informed me that I had “miraculously” sold out of my CD’s and that if I wanted to bring a few more by, he’d be happy to consign them and pay me the $6.00 I was
owed.
“How many copies should I bring down?” I asked him sarcastically. “About 50?”
“Why don’t we start with one,” he said.
I told him I’d be in that afternoon. But that I wasn’t providing a jewel case…
Zach Selwyn 