Zach Selwyn

Actor. Musician. Host. Writer. Dinner Guest.

  • Zach was a runner up for this legendary reality show and it changed the course of his career. 20 years ago! That hair! That jacket! HOLY FAAACK!
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  • LOS ANGELES, CA.

    FOR IMMEDIATE RELEASE

    Zach Selwyn Debuts First Novel Stoner Chronicles: Austin Translation
    Rogue Matter and Macmillan Press Launch New Literary Trilogy

    Rogue Matter, in partnership with Macmillan Press, proudly announces the March 24th release of Stoner Chronicles: Austin Translation, the debut novel by writer/actor and musician Zach Selwyn. The book marks the first installment in the Stoner Chronicles trilogy, to be followed by Drop Dead Gorgeous in 2027 and Hudson River Martini in 2028.

    Set against the vibrant backdrop of Austin, Texas, Stoner Chronicles: Austin Translation introduces readers to Selwyn’s sharply observed world—where art, excess, and humor collide. With a voice that is both irreverent and clever, Selwyn blends dark humor and emotional honesty, establishing a bold new presence in contemporary fiction. Famed Texas author/musician and personality Kinky Friedman wrote the foreword for the novel a couple of years before his untimely passing.

    “Kinky was an inspiration and a mentor in many ways,” Selwyn says. “The whole reason this book came about was because I was recording Kinky for a podcast down at his ranch and we started talking about writing – he encouraged me to finish the novel and keep creating.”

    The novel lays the groundwork for a trilogy of novels that move across cities, mysteries, and (often intoxicated) states of mind.

    “This book was one of those Covid projects written during the height of fear,” Selwyn says. “I was struck by how many people in Texas were defying the masks and vaccines – as compared to Los Angeles where we were all panicking and wiping down our groceries with Clorox.”

    Stoner Chronicles: Austin Translation is available for pre-order now through Rogue Matter and Macmillan Press.

    For review copies, interviews, or additional information, please contact:
    Trent Olsen

    Trent.olsen@roguematter.com

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  • New album available TODAY! CLick and download – ! Enjoy!!!

    Skywriting

     

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  • Zach and Missi Pyle have a new podcast called “Missi and Zach Might Bang!” Exec. Produced by Anna Faris and Sim Sarna of “Anna Faris is Unqualified” – the show takes on celebrity guests, improvisational music and offers entertainment business advice as well! Head to http://www.ewpopfest.com to buy tickets now!!!

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  • “LA DISPENSARY” LAUNCHES AS A GROUNDBREAKING VERTICAL INSTAGRAM SERIES EXPLORING LOS ANGELES’ CANNABIS CULTURE

    Los Angeles, CA – The cultural capital of cannabis finally has its own story told on screen. “LA Dispensary”, a new vertical comedy series that premiered on Instagram and YouTube Shorts takes viewers inside the quirky world of a fictional Los Angeles dispensary.

    TRAILER HERE

    Shot entirely in vertical format to match the way audiences consume content on their phones, “LA Dispensary” blends sketch comedy and observational humor from the perspective of two budtenders, played by Megahn Perry and writer/director Zach Selwyn. New guest stars enter the dispo every episode.

    “Cannabis is not just a product —it’s a lifestyle, a culture, and a community,” said Selwyn. “With ‘LA Dispensary’, I wanted to create something that was funny and original – as far as I can tell, this is one of the first vertical comedies out there which I think will be the future of Hollywood now that the studios have all moved to Ireland.”

    The series is designed for quick, binge-worthy viewing on Instagram, making it accessible to a global audience. The first two episodes have been released through Hiii Media’s Instagram @hiiimag – as well as @LADispensaryshow

    For Press Inquiries reach out to Zach@hiiimag.com

    420 acting cannabis Comedy dispensary funny humor improv Los Angeles marketing movies Music news SNL weed writing Zach Selwyn
  • Zachariah & the Lobos Riders are set to release their newest 6 song EP “Cloud Road.” Z details how this surprise record came about…

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    Cloud Road EP * 2020 By Zachariah & the Lobos Riders

    In December of 2019 I blew out my knee playing basketball. I vowed to return to the court within a year and elected for surgery in January of 2020 – Following the surgery came the Norcos. As a decent wine drinker, painkillers were never my thing and I have been able to avoid them after major surgeries – of which I’ve had my share… But this time, things were a little different. Lying in bed, unable to walk or barely get up to use the bathroom, I would play a lot of music and drift off into the spacial tranquility of a few pain pills. At first it was 2, then it became 3 and I was pretty soon out of my bottle… The doctor had told me it would take about three days to not need them anymore, I was on day 11. What came to me during these lost moments was a lot of lyrics about childhood memories, dreams dying, and the main street that I grew up on in Tucson Arizona in the 80’s and 90’s… Cloud Road. The first song is the raw file you hear “Cloud Road Painkiller Freestyle.” That was done in one take off the dome. I quickly understood why so many artists get involved with Vicoden, Percoset etc. These five songs came to me in three days. The sixth was written for the TV show “Breaking Bad” but ultimately not chosen.
    CLOUD ROAD  (CLICK FOR SAMPLE)

    A different approach for me for sure. A nod to my teenage years in Tucson dying to go anywhere… now looking back and realizing I have gone everywhere. What’s next? I need another motivating factor to push me into whatever is next…

    PRAY TO THE LORD

    Back in high school, my friends and I would drive around all night and break into unlocked cars and steal stuff. We then took the stuff to Zia Records for trade money, Play it Again Sports for cash and second hand shops… One night a few guys broke into my old football coach’s truck and he was watching us from his window. At one point, one of the guys said he saw him flash a gun. We ran. The part about dropping my high school ring at the scene of the crime is based on a separate incident involving a girl’s bedroom when her boyfriend stopped by – but combining these two incidents into this song made sense.

    MY MIND GOT MIXED WITH WANDERING

    Yeah, where does the motivation go? I think I speak for a lot of young people here when I talk about how we all want to find that one comfortable place but then see something else a little more appealing just around the corner. I wasted a lot off my 20’s looking for something else and not recognizing what was in front of me.

    JUST A LITTLE INTERMISSION

    Again, painkillers had me rapping to myself a lot. And for some reason I was doing it in a Humpty Hump – Special Ed voice… This is a nod to the 90’s hip-hop I loved – and it’s really just a joke – as most of my rap songs are.

    CLOUD ROAD PAINKILLER FREESTYLE

    When putting this EP together, I came across this a week before releasing it. It is the seeds that grew into the title track of the record as well as the “Intermission” song. I was rapping into my phone on a galaxy of pain meds… In a studio this might actually be dope.

    THE BALLAD OF JESSE PINKMAN

    Since I rhymed about Jesse Pinkman in “Intermission,” I felt like this fit on this record as well. I wrote this before a season of breaking Bad and sent to the EP’s, tweeted about. And had a lot of show fans RT it as well. Ultimately, someone heard it and said they did not need any new music. So FUCK THEM. This song deserves to be heard, even if the show hasn’t been on for six years.

    “ALEXA PLAY RED FUCKIN WINE!”

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Tag: Hollywood Bowl

Kanye West: A Love Letdown at the Hollywood Bowl

  • September 26, 2015
  • by zachselwyn
  • · Homepage · Short Story · The Writer

-4 A lot of people give me a hard time about how much I love Kanye West. Other than the Yeezus album I consider his masterful body of work to be nearly flawless and I really don’t give a shit if he storms Grammy Awards stages to criticize critics and people who spend their lives worshipping pop stars. Kim Kardashian? Cool, the guy fell in love. Good for him.

Which is why when I heard he was going to perform his genre-bending classic record 808’s and Heartbreak at the Hollywood Bowl this weekend, I got excited. Very excited. Like drop some major money for great seats excited.

-6
808’s and Heartbreak. Groundbreaking record.

Kanye West says wants to be in the same conversation as the Rolling Stones, Jimi Hendrix, Beatles etc. Last night he went on at 9:05 p.m. He took a final bow at 10:07. That’s ONE HOUR, people. My band plays longer than that and we charge $7.00 a show. Kanye played the album, had some impressive choreography, musicianship and pyrotechnics – and then called it a wrap. Sure, the 808’s record is terrific – but it is not perfect – and a lot of Kanye fans have no idea that there is even a song called Pinnocchio Story in his repertoire. So, he could have dug a little deeper.

Here’s the bottom line. Kanye better learn that he needs to add on some other songs to any live performance.

Not sure if it has been reported, but the show was full of technical flaws – which I know he can’t help – (dead air, barking “stop the track” mid song…) but when Young Jeezy showed up in the middle of a blank spot during Amazing it just looked amateurish. As if Jeezy had been getting some brain backstage while smoking a blunt and forgot that he had to be performing on the song Kanye was laying down. James Brown would have crippled someone.

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Visually impressive, but technically flawed.

To charge $$$ for a 1 hour performance – when the majority of the crowd left disappointed, feeling ripped off  – is not professional or legendary. About 3/4 of us sat around asking, “Is that IT?” When he took a bow at the end… And his onstage energy at times was lackluster – resembling that lazy stripper who never really does anything but hang on the pole.

The crowd was full of music heads. Nearly every guy wearing a T-shirt with a scoop neck and a long back that resembled a mini skirt – a style nearly invented by Kanye himself – looked like they were underwhelmed. (To be fair, the best part of the show was the people watching – All the guys looked like they were only there because they had to step away from their busy “beat-making for Akon” schedule and every woman seemed as if they took three hours getting ready to channel their “inner Kendall Jenner.”)

Kanye said he wants to be remembered like the Stones or Bob Dylan. Look buddy. Neil Young might play “Greendale” once in awhile, but he also throws on “Old Man” and “Hey Hey My My” at the end. Springsteen will do the entire “Darkness at the Edge of Town” but he will still suffer through “Glory Days” at the end as well… Kanye West needs to study the master performers a little deeper before he can consider himself one. Hopefully tonight’s show will go a little smoother.

Or you can skip it and see my band at the Hotel Café for $7.00…

 

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KCRW DJ Simon Hartfell at the PHISH show – Hollywood Bowl 8/8/11

  • August 27, 2011
  • by zachselwyn
  • · Uncategorized

Check out Simon Hartfell, the host of “Indie Omelette” as he reports live from a Phish show!

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