Zach Selwyn

Actor. Musician. Host. Writer. Dinner Guest.

  • Episode #17 Missi Pyle & Zach Selwyn

     

    We play “Fake or Florida” and talk about women’s panties…

  • Produced by Jesse Siebenberg and Leroy Miller. CLCK IMAGE BELOW!

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  • 779925-Inside_the_Derby_Los_Angeles
    The Derby in its heyday, 1997

     

    The Day The Derby Became a Bank * By Zach Selwyn

    -2
    And the Derby today… A Chase Bank

     

     

     

     

     

     

     

    I live about a mile from the building that was once the famous swing dance club known as “the Derby.” In the mid-late 90’s, when the swing music revolution twirled its way across the streets of Los Angeles and turned regular farm boys from the Midwest into Rat Pack wannabes, “the Derby” was the swing club to frequent.

    In 1996, Jon Favreau was so inspired, he made a pretty great film about it called Swingers and suddenly star Vince Vaughn had the entire town looking for “beautiful babies” and saying that everything was “money.” I passed a bootleg VHS tape of the film around my college friends and soon fell in hook, line and sinker. After graduation, I dove head first into the post-Swingers madness that raised dirty martinis all over Hollywood. Lines formed around the Hillhurst/Los Feliz street corner where the Derby resided awaiting entrance into the ultimate haven of swing-cool.

    I owned 15 bowling shirts, white “creeper” shoes, Cadillac-emblazoned pants, shoulder-pad heavy sport coats, a flask, three Big Bad Voodoo Daddy CDs and a t-shirt that said “It’s Frank’s World, Were all Just Living in It.” I went to Las Vegas monthly, drank gin and tonics and swept my hair up into a James Dean-inspired pompadour. I remember feeling so confident that my “swinger” image would live with me for the rest of my days, I traveled to New York City around 1999 and searched out underground West Village swing clubs to show Manhattan that a “Real Life Hollywood Swinger” was in their presence. Somehow the façade worked and after ringing up a $290 credit card bill, I managed to make out with a girl named ‘Kitty’ who had a Stray Cats tattoo on her shoulder before retiring to her floor mattress in Brooklyn where she woke up six times during the night to smoke Marlboro Reds.

    It was all because of Swingers.

    swingers-movie-poster-1020259619 And then, about five years ago, it was announced that the Derby was going to be transformed into a Chase Bank. The bar where I spent my early 20’s was suddenly going to be a place where I would curse the teller for charging me a checking account fee… The club where I once dated the hottest bartender in town was turning into a place where a gal named Evelyn would inform me my mortgage was ten days late. When I heard the news, I knew this was not good. The Derby? I thought… A bank? WWJFD? (What Would Jon Favreau Do?)

    Turns out, Favreau had bigger fish to fry. Even though he could have easily bought the Derby and used it to store his Iron Man memorabilia, he ignored my twitter plea for him to buy the bar and turn it into a museum. I’m sure Vince Vaughn most likely drank at “Mess Hall,” the restaurant next door, toasting the ghosts of the barroom that made him a movie star… but he was also too busy and uninspired to save the bar. I even tweeted actor Patrick Van Horn, who played SUE in the film. He at least took the time to write me back by quipping “End of an Era.”

    A week before the Derby was to be gutted, I gathered my old “Swinger buddies,” – now dads who had traded in slick sport coats and suspenders for Old Navy hoodies – and we poured out some gin for Favreau and Vaughn, for Sinatra, for dirty martinis, for the incredible wooden Derby ceiling, for the memories we had shared at the bar and for the debauched nights spent watching amazing swing bands like Royal Crown Revue sing “walk right in, walk right out…”

    We even quoted the movie a few more times to make sure we still knew all the classic lines. “Get there…” “This place is deaaad anyway…” “He’s all growns up… I would never eat here.” “You’re the fun-loving out going party guy, and you’re sweating some lawn jockey?” The night went on and on.

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    Seanny Walls, Big Daddy Jake and the author, feelin’ “Money” in 1998. #jawline

    As the evening died down, we all retired a lot earlier than we had in the late 90’s and excused ourselves back to our families. The next week, the Chase Bank transformation had begun and the last remaining memories of my first few years out of college were carried out and discarded.

    A few weeks ago, I found myself in line at the Chase, staring up at the exact same wooden ceiling that I had spun girls beneath in the past. The ceiling beneath which I had done shots of Crown Royal a hundred times. The ceiling that watched over me as I tried to find assimilation with a unique sect of people during those weird times when you’re not yet quite sure who you were – who you are – or where you are going.

    I got up to the bank teller and deposited my meager check, taking a moment to remark that this building was once my one-time favorite nightclub.

    Without making eye-contact she mumbled, “Yep, every one of you middle-aged guys who comes in here has the same story.”

    “Fuck off,” I whispered under my breath.

    I took another glance at the ceiling and thought of the days gone by. Hollywood is forever a town of transformation. Very few restaurants and bars make it ten years… hence the stories you read about now defunct clubs like The Trip, The Cathouse and Gazzari’s that were the most happening places to be. In my life, the Derby was certainly my place. The place where I was part of a nationwide fad that engulfed my youth when I was a mere lump of clay awaiting to be molded into the lump of Play-Doh I am these days.

    As I looked down at my bank receipt and realized how far this journey in Hollywood had taken me, I thought of the dreams I had at age 22 that were still somewhat unrealized. When places that mean so much to you as a kid disappear, you fail to immediately recognize that they will be gone for good and the memories will fade or melt into new ones until all you have left are a few photographs and some journal entries. I look back at my two years as a pseudo-swinger as important remembrances that I will take with me through all of my life. At the time I thought I’d be 22 forever, twirling cute tattooed ladies across slick wooden floors only pausing to sip drinks and wipe the sweat from our brows. I never thought I’d be 40-years-old and in the exact same room looking down at a bank statement stressing about the fact that I barely had enough money that week to cover my DWP bill.

    Derby+1

    -1
    The line leading to these steps would wrap around to Los Feliz Blvd.

    Again, my thoughts turned to Jon Favreau. As the worlds most in demand director, he probably never imagined he would achieve the level of success he has back when he was simply searching for familiarity amongst the Hollywood night-crawlers of the mid 90’s. I reached back out to my old swinger buddies and arranged another drinking night to sit back and reminisce about the Derby days gone by, and we all agreed to get together on a following Tuesday night.

    Of course, by Monday morning, everybody had flaked and the plans were cancelled so we could spend some time with our families. We all agreed to try again later, and I thought about how a little piece of all of us died the day the Derby did…

    And a part of me knew, that somewhere, high up in those Malibu Hills, Jon Favreau was feeling the same thing…

     

    Buy Zach’s Book “Talent Will Get You Nowhere” on Amazon.com!

    BUY ZACH'S BOOK at AMAZON.COM!

     

    Alex Desert Doug Liman Hillhurst Hollywood Jon Favreau Patrick Van Horn Ron Livingston short stories swing dance Swingers The Derby Vince Vaughn Zach Selwyn
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  • DISNEY XD 8:00 pm March 16!

    also starring the man – Zach Lavine… !!!

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    Jacob Bertrand photo bombing Zach And Zach #kirbybuckets

    Zach LaVine will guest star on Disney’s ‘Kirby Buckets’ this week

     

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  • alloutsee below! Zach brings his worldwide knowledge of slang words to Sirius XM/ Shade 45’s hip-hop radio show “THE ALL OUT SHOW” once a month. Make sure to listen in and hear Zach and Jude play origin games and chop up the English language… on SHADE45 Sirius/XM

    https://zachselwyn.com/wp-content/uploads/2015/03/zach-selwyn-interview-pt-1.mp3

    https://zachselwyn.com/wp-content/uploads/2015/03/zach-selwyn-interview-pt-2.mp3

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  • Zach wrote and produced this piece for TBS Digital starring the Sklar Brothers.

    Sklar brothers
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  • Sadly, we had to postpone our summer shows – but we still have our merch! New T-shirts below! $25.00 – shipping included. DM z@zachariahmusic.com for info!

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    ALSO – our new EP CLOUD ROAD will be streaming everywhere in May 2020… HEADS UP! Early reviews have called it “Mac Miller meets Steve Earle.”We’ll take it!

    See you in the FALL!

    Z and LR!

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Kanye West: A Love Letdown at the Hollywood Bowl

  • September 26, 2015
  • by zachselwyn
  • · Homepage · Short Story · The Writer

-4 A lot of people give me a hard time about how much I love Kanye West. Other than the Yeezus album I consider his masterful body of work to be nearly flawless and I really don’t give a shit if he storms Grammy Awards stages to criticize critics and people who spend their lives worshipping pop stars. Kim Kardashian? Cool, the guy fell in love. Good for him.

Which is why when I heard he was going to perform his genre-bending classic record 808’s and Heartbreak at the Hollywood Bowl this weekend, I got excited. Very excited. Like drop some major money for great seats excited.

-6
808’s and Heartbreak. Groundbreaking record.

Kanye West says wants to be in the same conversation as the Rolling Stones, Jimi Hendrix, Beatles etc. Last night he went on at 9:05 p.m. He took a final bow at 10:07. That’s ONE HOUR, people. My band plays longer than that and we charge $7.00 a show. Kanye played the album, had some impressive choreography, musicianship and pyrotechnics – and then called it a wrap. Sure, the 808’s record is terrific – but it is not perfect – and a lot of Kanye fans have no idea that there is even a song called Pinnocchio Story in his repertoire. So, he could have dug a little deeper.

Here’s the bottom line. Kanye better learn that he needs to add on some other songs to any live performance.

Not sure if it has been reported, but the show was full of technical flaws – which I know he can’t help – (dead air, barking “stop the track” mid song…) but when Young Jeezy showed up in the middle of a blank spot during Amazing it just looked amateurish. As if Jeezy had been getting some brain backstage while smoking a blunt and forgot that he had to be performing on the song Kanye was laying down. James Brown would have crippled someone.

-5
Visually impressive, but technically flawed.

To charge $$$ for a 1 hour performance – when the majority of the crowd left disappointed, feeling ripped off  – is not professional or legendary. About 3/4 of us sat around asking, “Is that IT?” When he took a bow at the end… And his onstage energy at times was lackluster – resembling that lazy stripper who never really does anything but hang on the pole.

The crowd was full of music heads. Nearly every guy wearing a T-shirt with a scoop neck and a long back that resembled a mini skirt – a style nearly invented by Kanye himself – looked like they were underwhelmed. (To be fair, the best part of the show was the people watching – All the guys looked like they were only there because they had to step away from their busy “beat-making for Akon” schedule and every woman seemed as if they took three hours getting ready to channel their “inner Kendall Jenner.”)

Kanye said he wants to be remembered like the Stones or Bob Dylan. Look buddy. Neil Young might play “Greendale” once in awhile, but he also throws on “Old Man” and “Hey Hey My My” at the end. Springsteen will do the entire “Darkness at the Edge of Town” but he will still suffer through “Glory Days” at the end as well… Kanye West needs to study the master performers a little deeper before he can consider himself one. Hopefully tonight’s show will go a little smoother.

Or you can skip it and see my band at the Hotel Café for $7.00…

 

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