Zach Selwyn stars as DWIGHT STRIPES, a filthy, sleeves hating guitar playing Shitrocker in Bubbles’ new outlaw country band, “Bubbles and the Shitrockers!” Zach also wrote five of the songs on the soundtrack! Find out where this film is showing and get right out of ‘er and see it! Also starring Billy Bob Thornton, Ronnie Wood and your favorite Trailer Park Boys…! Dir. by Charlie Lightening
Recently, on social media and my website, I have made no secret of my modern return into the world of competitive basketball. I play full court four days a week at the Hollywood YMCA and recently entered a Three-on-Three tournament against other fathers at elementary schools, which I happened to have won. (My proudest athletic achievement in my life to date – not counting the time I took Colton – the star 7-year-old pitcher – DEEP in a father-son Little League game last summer…)
Ray, me and James – LCS 3 on 3 Dad Champions
I have re-discovered a love for the game I haven’t had sine 1993 and I’m actually a better player now than I have ever been.
Throughout my life and into high school, basketball was everything. As a 6’2” inch eighth grader, I was groomed by my coach to become the next great Arizona Wildcats big man. Unfortunately, I haven’t grown an inch since eighth grade. I switched to the wing, where I lacked certain skills, but was still able to hold my own mainly because I was actually grabbing the rim with ease and in top physical shape. However, around age 18, I discovered the usual pitfalls – Weed, beer and women – and decided that since I had no chance, or interest in walking on my college team, I would hang up my Air Jordan XII’s and I only stepped on the court a handful of times over the ensuing decade.
The author (circa 1992) on the left just before discovering cannabis.
A few years ago, however, I was listening to UCLA great and fellow Grateful Dead-Head Bill Walton broadcast an Arizona- Oregon basketball game, when something he said struck me deep inside. After he spent a few minutes comparing some obscure 1970’s Bob Dylan song to the Oregon Ducks’ fast-break technique, he discussed his history of injuries he attained while playing. At the end of this sidebar, Bill Walton claimed to have broken his nose 13 times.
“That’s what happens when you play defense with your face,” he exclaimed.
He also mentioned his surgically fused ankles, incinerated spine, broken wrists, 36 surgeries and broken leg – all suffered on the basketball court. Walton’s lifelong injuries, along with his 1978–1979 year-long protest of the Portland Trail Blazers unethical treatment of his injuries, gave him the record of missing the most games during an NBA playing career, when taking into account the number of years he was officially listed as a player on a team roster. He spoke of how debilitating it became to walk and I researched even deeper to see that Walton once even contemplated suicide due to severe depression from debilitating back pain.
However, Walton then made a comment that made his life on the disabled list seem even more surreal… He observed a certain move power forward Solomon Hill had made and remarked, “That is a move to study – for those of you who are still lucky enough to play basketball…”
Lucky? How could 13 broken noses and suicidal thoughts be considered lucky? I felt that I was lucky to have quit basketball with my original nose still in place. What was Walton talking about?
Attempting to find out, the next day I dusted off some 10-year-old shoes and made my first trip to a court in what was nearly five or six years. I checked out a basketball at the YMCA that looked as if it had spent a good majority of its life underwater, and went to shoot around. It took me awhile, but eventually I was making short jump shots and working on my cardiovascular fitness while running up and down the gymnasium floor. Some of my old spin moves came back to me, and I put up a couple of nice finger rolls and hit some three pointers. It actually felt amazing.
About an hour later, a few guys asked me if I wanted to play “21” with them, but I declined, afraid of shooting 9 air balls and getting embarrassed. Instead, I continued to work on some post moves and drives and watched them from the corner of my eye. They were laughing, having fun and playing just above the level where I was – which made me think I might have hung in there if I had accepted their challenge. Instead, I returned my ball and went home and told myself I’d be back the next day.
I did come back the next day. And the next. I ran that court nearly every other day for months until I was actually joining the games of 21 and winning a good majority of the time. For the first time in over a decade, I was having a lot of fun playing basketball. I soon found myself in the full court games and now, three years later, found myself coming home and discussing the games with my wife as if I was playing in the NBA Finals. It became an obsession to the point where if I missed a lay-up during a game, I got depressed for the rest of the day. Still, it drove me to come back again, improve and remedy the situation.
My shrink had me draw a self portrait of what made me happy. Statistics are “close enough…”
My wife thought I was nuts. Every time I would bring up my day on the court, she would roll her eyes and remind me that I’m more Kevin Arnold than I am Kevin Durant. She also warned me to be careful, to which I reminded her that I was playing against a bunch of guys in their 30’s and that I was in better shape than most of them.
And then, about six months ago, I got smashed in the nose by a teenager who lowered his shoulder into me on a penetration. My nose now cracks in both directions when I try to move it, but I luckily avoided a full break. Then, a couple weeks later I was slightly concussed after being run under by a guy who was pissed that I was outplaying him. I ended up sitting out two days nursing my brain – which luckily was not permanently damaged. In December, I took an elbow to the bridge of my nose, which caused it to bleed profusely all over the court and earned me 75 “likes” on Instagram.
Blood on the basketball court. 75 “likes” on Instagram
In February, I jammed my left thumb so hard during a rebound that I am still having trouble operating the zippers on my jeans. Then I jammed my right pointer and ring finger in consecutive games. I’m consistently fighting shin splints and a bone spur. Finally, last week, I discovered that I have bursitis in my right shoulder and that I might not be able to play for three weeks or so. This will be my first trip to the disabled list in my athletic career. And I’m a month away from 40. According to my dad, the injuries will now just start piling up. In short, I am about to enter my Bill Walton years. Now, my family is giving me all kinds of advice.
“Maybe think about not playing anymore,” my mother offered. “You know, you’re no spring chicken.”
I hung up on her.
“A spin class is much better on your body,” my dad suggested. I simply sent him pictures of my three-on-three trophy and told him I’d be back on the court in a month.
“Don’t do anything stupid, you don’t want to really hurt yourself,” my wife told me.
I rolled my eyes and studied Russell Westbrook highlights like it was important game film.
During the past week, I have found myself watching Bill Walton again. I guess recently there have been petitions to remove him from the Pac-12 broadcast booth, which upsets me entirely. Sure, he can go on tangents about the time Bob Weir and him spoke Arabic to camels in the Egyptian desert, but his unique and loveable qualities are what make him a treasure in the booth. He’s not a cookie-cutter color guy. He’s quotable and full of basketball wisdom. In fact, he may be my favorite college basketball announcer working today. Not only does he know the game, he makes it fun. I know he seems like he might be high or severely “out-there” once in awhile, but his love for the game is like nobody’s I’ve ever heard before. Not only that, his passion for the game is what got me playing basketball again.
Bob Weir of the Grateful Dead in Egypt ’76
Without Bill Walton, I’d still be jogging three miles on a treadmill. Not competing and not getting any sense of accomplishment.
For that, I thank you Mr. Walton. For inspiring me to lace up my sneakers that early morning three and a half years ago and return to the sport of my youth.
Walton at the height of his game resembling the lead singer of My Morning Jacket. (1978)
The evening after I won the three-on-three “Dads” championship, my wife said I had a “glow” about me. I knew what she was talking about, because I felt it. It was a sense of invincibility and achievement. I felt young again. Above the rim. It brought to mind a famous Bill Walton quote I had read years ago when he said, “You don’t win championships by being normal, by being average…”
I may have only defeated a bunch of dads in a Saturday pick-up tournament, but for those of us who are just hanging onto the final glimpses of what we might be able to accomplish as men, it was as if I won an NBA Championship.
Now if you excuse me, I have to go ice my shoulder. I’m planning on returning to the court earlier than expected…
The LCS “3 on 3” basketball trophies I won. My proudest athletic achievement to date.
Buy Zach’s BOOK at amazon.com!
**UPDATE!** Read Bill Walton’s email to ZACH below following the publication of this essay!!
Bill.Walton<bill.walton@billwalton.com
to me
all good things in all good time
here we go—-forward, furthur,
good everything forever, BW,
and please don’t play defense with your face, there’s no future in that
“LA DISPENSARY” LAUNCHES AS A GROUNDBREAKING VERTICAL INSTAGRAM SERIES EXPLORING LOS ANGELES’ CANNABIS CULTURE
Los Angeles, CA – The cultural capital of cannabis finally has its own story told on screen. “LA Dispensary”, a new vertical comedy series that premiered on Instagram and YouTube Shorts takes viewers inside the quirky world of a fictional Los Angeles dispensary.
Shot entirely in vertical format to match the way audiences consume content on their phones, “LA Dispensary” blends sketch comedy and observational humor from the perspective of two budtenders, played by Megahn Perry and writer/director Zach Selwyn. New guest stars enter the dispo every episode.
“Cannabis is not just a product —it’s a lifestyle, a culture, and a community,” said Selwyn. “With ‘LA Dispensary’, I wanted to create something that was funny and original – as far as I can tell, this is one of the first vertical comedies out there which I think will be the future of Hollywood now that the studios have all moved to Ireland.”
The series is designed for quick, binge-worthy viewing on Instagram, making it accessible to a global audience. The first two episodes have been released through Hiii Media’s Instagram @hiiimag – as well as @LADispensaryshow
My Wife and I Spent a Week on Tinder and it Almost Wrecked Our Marriage * 2015 by Zach Selwyn
Having been lucky enough to fall in love at the dawn of the internet dating era, I was never able to partake in the highly sexually charged world of apps like Tinder, Plenty O’Fish and Match.com. I have never sexually texted any girl – besides my wife – and certainly will never be able to type in the words Let’sNetflix and chill to anyone – unless all I truly want to do is come home and, well, watch Netflix and chill. My Facebook profile has always said, “married.” I have never “swiped left,” “matched” with anybody or desperately called the It’s Just Lunch girls in any airline in-flight magazine. Some might say I’m extremely lucky. Others can’t believe how much fun I missed out on by not being able to explore the overtly sexual side of the smart phone.
Last week, while scanning my Facebook page, I noticed an advertisement for a new Jewish dating app called JFIIX that had posted to my page. Not being sure how or why a singles ad would appear on my page, I glanced at it for a brief moment, silently shocked at the pure magnificent beauty of the girl being featured as a lonely Jewish single. She was mesmerizing. Beautiful and stunning with green eyes and perfectly structured face. My first thought was, after years of dating and befriending hundreds of Jewish women – was that Jewish girls do NOT look like that. Not to sound like a jerk, but looking back at the girls in my life – and according to my friends who had experience on JDATE and other apps –very rarely did a Jewish supermodel with eyes like the girl in that photo show up in synagogue.
Sure, there are your ScarJo’s and your Mila Kunis’s and of course Bar Rafaeli, but to tell you the truth, the majority of Jewish girls I remember dating in the 90’s did not resemble Scarlett Johannsen – in fact, most of them looked more like David Johannsen.
So, I had an idea. I was going to write a true, investigative article into the world of online Jewish dating apps – or as some call it, “Jewish Tinder.” I decided to register as a single man in his 30’s on JFIIX with the intention of seeing what type of Jewish women were out there in the dating world today as compared to the swimsuit model featured in the ad. The hard part would be convincing my WIFE to let me do this.
“I think you’re an idiot,” she said immediately.
“Why? This is going to be hilarious!” I responded. “I’ll only go on a few dates, get my material and delete my account.”
“What if I registered on Tinder and went out with a few dudes, would you be cool with that?”
She had a point. No, I didn’t think I could handle my wife hitting the town with some Los Angeles business owner who might just sweep her off her feet with his Tesla, Clippers tickets and full head of hair. Still, I argued that a Jewish dating site would not offer me any temptation. After all, I was, in general, not attracted to Jewish women. My wife then made me a deal.
“If you do a week on your Jewish dating site, I get to do a week on Tinder.”
It was the hall pass agreement for the screen generation. Here we were, two middle-aged married people agreeing to explore the dating world as a social experiment for one week. The goal for me was nothing more than a good story and maybe a few laughs. What transpired was a total nightmare.
I began by creating my online dating profile. JFIIX uses Facebook as your homepage, so I had to alter nearly every detail on my personal life. I considered naming my profile “Guns ‘N Moses…” but I didn’t. I used a photo from 9 years earlier, described myself as a “working musician” (Only 24% true… half the time) – and listed my religious affiliation as “Casual.” At further glance on the Jewish dating apps, other options to the user are to declare themselves, “Orthodox,” “Reform” and my favorites, “Willing to Convert” and “Not Willing to Convert.” There is also something called “Frum,” which did not stand for “frumpy” but for someone who lives by the strict laws of the Torah.
Having known plenty of women who have converted to Judaism over the years for marriage, I never made my wife convert because, well, frankly she was raised Athiest and I just didn’t care. Judaism has always been more about a culture than a way of life for me anyway, so I listed myself as ‘Casual’ – which I hoped just revealed that I was happy to sit around the house in sweatpants and watch Woody Allen movies.
Meanwhile, my wife was busy setting up her Tinder profile in the other room. I heard her giggling as she uploaded a photo. I was immediately losing my mind. I texted my buddy Adam, who is one of those guys who crushes on Tinder, and told him to look out for my wife’s profile. Within an hour he sent me screenshots of her online details, revealing that she had used a past bikini modeling photo, listed herself as ten years younger than she is and put her age-dating window between “21 and 32 years old.” After all, my wife is a little older than me – and when we met, when I was 26, she said, “Funny, ever since I was 18 I have been dating 26-year-olds.”
Well, now I was 40 and way past her window. Which is maybe why she agreed to do this horrifying but exciting experiment with me in the first place.
The kind of cheesedick I imagined asking out my wife
Once our profiles went online and we were invited to “start searching,” I quickly became aware of the reality of online Jewish singles. Most of them were better looking than I had expected, and I initially matched with one reformed girl named Sadie who was only on my feed because we both liked The Allman Brothers Band. A second match came an hour later when a fairly cute girl named Heather approved my photo and said I looked like a rock star. One half-Asian girl who said she, “loved Jewish guys,” said she was simply looking for a good time. It was then that the Jewish guilt kicked in pretty harshly. I felt like I was in a brothel or some lascivious red light district. I felt like I was betraying my kids, my wife my existence. I hated myself. I quickly signed off and decided to pull the rip cord on this entire story.
And then my wife got asked out on a date.
“You’re not going, “ I screamed.
“Bullshit I’m not,” she said. “This was your stupid idea… You go out with your Jewish girls and I’ll go out with Dante.”
“Dante? His name is Dante?” I exclaimed. “You can’t go out with a Dante!”
“Sorry, you’re watching the kids Saturday and I’m going out to dinner at some place called Craig’s.”
She slammed the door and left me in the living room, gutted. I was a pile of nerves. Lord knows what type of animal this Dante was. Date rapist, swindler… talent agent. It was as if I was awaiting some horny high school guy to take out my daughter and I was a frantic ball of tension and stress. I immediately called Adam to find out what to expect.
“Do you know anyone named Dante?” I asked.
“No, why?”
“Because he’s taking my wife out on a date Saturday night.”
Adam did not know Dante, but he knew of the bar Craig’s. According to Adam, Craig’s was a scene, full of beautiful people, celebrities and rich guys who have trophy girls on their arms everywhere.
He described it as, “the kind of place that David Spade brings a Playmate to.”
Oh crap.
How I imagined ‘Dante.’
I asked Adam if he would spy on my wife this coming Saturday, hanging in the bar and stealing glances her way to make sure nothing creepy was going on. I even offered to cover his dinner and drinks if he did it. He agreed.
Meanwhile, the next few days, I didn’t sign onto JFIIX at all. I spent my time in the gym, getting my aggressions out and dreading the Saturday night when my wife would Uber to the restaurant to meet Dante, who at this point, I had decided was either African American or Greek – based on the hundreds of Google searches I made for “Dante- images.” The one rule I made was that he could not pick her up at our house, and she agreed. However, the anxiety-ridden toll of this experiment was already hanging over my head pretty heavy. It wasn’t as if I expected my wife to sleep with this guy, but I worried about someone we knew seeing them or Dante’s reaction when my wife informed him that she is married and has two children.
I decided to get back on JFIIX. Amazingly, 29 girls had requested a chat. Maybe it was the photo I was using. One of them was named Perla, and she claimed to be new in town from the Ukraine. I broke down and sent her a message. She asked for more photos. I uploaded a few more. I was feeling ashamed and guilty and almost began searching for apartments to rent in Koreatown following what was to be my impending divorce.
I really hoped Perla didn’t look like this.
Perla wanted to get a coffee. She uploaded an attractive photo of herself in a bikini standing near the Dead Sea in Israel and I suddenly found myself typing, “Have you ever been to the Bourgeois Pig on Franklin Avenue?”
It was on. Saturday morning I was meeting Perla for a latte in the darkest coffee shop I could think of. My wife ignored me as I dressed myself conservatively and strolled out the door to go on the first date I have been in since 2001.
Perla looked a little different than her photos. For one, her long black dress covered what appeared to be an increasing paunch in the stomach area. Not that I’m some David Beckham-like specimen, but at least I didn’t post a photo of myself with Photo-shopped abs. Perla had played me. She was at least five years older than her listed age of 33, her hair was wiry and curly and had stray greys everywhere. After ordering two coffees and a muffin, Perla revealed that she was recently divorced and had two kids. One was named “Absalom,” which meant “Father of Peace” in Hebrew, and the other was “Raananah” which meant, “Unspoiled.” She said she was pretty religious and ultimately wanted five children. She also mentioned she was working on a children’s book. I told her I was a touring rock star with lots of girlfriends and that I was due back on the road in three days to open up for My Morning Jacket. That sealed it. The rest of the date was pretty much silent and I shook her hand good-bye, promising to call her soon.
Meanwhile, back home, my wife was hours away from her date with Dante. It was then that Adam called me and told me that he had a hot date that night and that there was no way he could spy for me that night. Crushed, I begged him to make it work. He told me to relax and I went home and started drinking.
My wife took off at 7:30, as I was bathing the kids. Before she left, I instructed them to say in their cutest voices, “We love you mommy,” and it was a success. The last thing I wanted my wife to have on her mind before submitting to a stranger’s bedroom was the angelic voices of her kids saying good-bye.
After they went to bed, I paced the house like a maniac. One bottle of red wine led to some beers and eventually I was passed out drunk on my couch with the baseball playoffs on in the background. When I was startled awake by a fire engine, it was 11:30. She still wasn’t home.
I called Adam, who was out in the valley with his Tinder date. He said not to worry… he said Craig’s was a late night place anyway. I called Craig’s, and asked if a beautiful woman was making out with “a Greek or African-American man at the bar.” They put me on hold and never returned. I frantically texted my wife and got no response. I went to bed. At around 12:45 the door opened and my wife ascended the stairs, skipped brushing her teeth and passed out.
“How was Dante?” I asked the following morning.
“A perfect gentleman,” she responded.
“What did you do?”
“Not much,” she replied. “He took me to dinner at Craig’s, where I ran into Tony Halvarr – remember him from my acting class? And then we had a glass of wine at the bar with these hilarious guys who were in town training for the US Olympic volleyball team – then we went to some club – oh my God I can’t believe I even went to this place – where it was that model Amber Rose’s birthday celebration… She used to be married to Wiz Khalifa – and then some DJ – DJ Premiere? Do you know who he is?”
“Yeah.”
“Anyway, he was spinning. Then there was a fight and then we left because the bottle service was waaaay too expensive and I noticed it was 11 so I came home.”
“No – you came home at 12:45,” I said.
“Oh, really? Wow! Whatever the case, it was nice to feel 25 again! He’s super cool – 25 – and sells edibles for a THC company. He wants me to go to some basketball games with him this year, so we might keep in touch… Amber Rose was really nice by the way!”
My wife’s new friend, the extremely talented Amber Rose.
The rest of the day was full of uncomfortable silences and me inaudibly moping around the house. I had nobody to blame but myself. As per our agreement, my wife and I deleted our respective accounts and agreed to never do something like this again.
What I derived from this social media experiment is that there are a lot more men than women trolling for quick hook-ups and conquests on these apps, and unless you can find a stunning photograph of yourself in a bathing suit, you can almost forget being asked out by anybody. Then again, this is Los Angeles, the most image-conscience town in the world. Perhaps out there in America, say in Des Moines or Peoria, there are actually decent people looking for significant others and not relying on a 10-year-old photo to stir their loins into a sexual frenzy. These apps might be effective for folks out there who can’t find the time for dating or casual meet and greets. If you are currently finding love and interesting conversation through dating apps like Tinder, JFIIX, Zoosk, Christian Mingle or even the fascinating Farmers Only – I can only wish you the best of luck.
And if you get sick of looking for love in all the wrong places, you can always move to Los Angeles. I know where Amber Rose is having her birthday party next year…
Buy Zach’s Book “Talent Will Get You Nowhere” at Amazon.com!
I am uncomfortably straddling a white folding chair with 40 other people, ages ranging from 21-60 on a 103-degree day in Alta Dena waiting to work as an extra on a network TV show for the day. The pay isn’t terrible – $142.37 – or something like that, plus whatever gargantuan amounts of Craft Service snacks, candy, sodas and mini sandwiches I can shove into my shoulder bag to take home, but the overall feeling is grim. There is some old Greek food suffering beneath a sneeze guard nearby, a lot of discarded banana peels and a large fan blowing cool air towards us to keep us comfortable – like we’re NFL running backs playing a September game in Phoenix.
The scene has a prison-like feel to it. There are the lifers, the newbies and the guys who are only here for a few days trying to get their health insurance. I fall into that last category, but the fear of getting sexually assaulted by one of the older “inmates” is very real. Only problem is I can’t kick anyone’s ass to prove that I’m “tough.” Instead, I choose to bury myself into my iphone and hope the 45% charge lasts another 8 hours.
A year ago I was in New York City promoting my own TV show in Times Square for Tru TV. Now I am listening to a 22-year-old kid talk about how Hot Tub Time Machine is the main reason he dropped out of college to try to make it as an actor. You gotta love this business.
Typical extras holding areaThe majority of chatter amongst these “background players” or “atmosphere” is about the world of extras. Many relay the legendary scene in Ben Hur where an extra forgot to take his watch off during the chariot race. (Look it up – it’s hilarious). Others talk about how Ricky Gervais ripped off their idea when he did his Extras TV show. However, the subject that keeps coming up time and time again is the “bump up.” A “bump up” is when an extra is promoted from an extra to a principal role. Suddenly, the lucky bloke can go from zero to hero and earn Screen Actors Guild daily rate. However, according to everyone, incidents like that are more rare than finding a piece of sushi that hasn’t been in the sun for six hours beneath the cast and crew food canopy.
I am here today because I need to make $6300 before the end of the year as a way to qualify for Screen Actors Guild health insurance, a plan I have somehow managed to attain for the past twelve years. This year, however, the jobs dried up, a ton of work went non-union and I have finally aged out of the commercial actor category of “young, shaggy haired beer-drinking party guy.”
At this pay rate, it will take me working nearly every day for three months to earn the necessary SAG income to keep my family on the health plan. Alternative options – Obamacare and Cobra – basically guarantee that I will be paying 75% more money for lesser benefits. It has long been noted that SAG has terrific health care. The problem is that you need to earn an outrageous amount of money to qualify for it, and this year has been an ice bath as far as SAG work has been going.
“My dad was Jimmy Smits’ stand-in on LA Law,” a man named Sonny who was dressed as a Native American jewelry salesman bragged to the lot of us huddled beneath the blue pop-up tent. “He told me to find a niche as an extra. When I started out I only played Latino, only roles were for prisoners or a gang members. Now that I play Native American, I work all the time.”
I suddenly found myself wishing I had some Native American cheekbones.
Snacks all day long at Craft Service. Experienced extras call it “Crafty.”As the day rolled along, I began to hear everybody’s story. You coop someone up for long enough, they will eventually tell you their life’s narrative. Every extra on set seemed to have a tale about the one legendary time they were “bumped up” to a principal role. One woman claimed she was bumped on Two and a Half Men because Charlie Sheen fired the original woman who had been cast for her one line of “Suck it, Charlie.” A guy who often plays blue-collar types said he got his bump on Dharma and Greg and had his career-defining moment in a bar fight scene when he raised his fists and said, “Meet my two friends… Mary-Kate and Ashley.”
And then there was Sonny, who said he specifically learned the extinct Native American language Kiowa to nab a line in a Civil War series. His line was “D’on T’ap Piii.” Which translates roughly to “See deer eating.”
I stared at Sonny for a long while. He did look familiar, as that Native American guy you sort of see in films, but I wasn’t sure. Which meant he was a great extra. One who blended in. He bragged of his work on The Alamo, Oz, The Longest Yard, Texas Rising, Hatfields and McCoys. Dances With Wolves and of course, That 70’s Show. The way he saw it, he was an integral part of these films. A guy who went uncredited – but felt he deserved all the success.
“There should be an extras lifetime achievement award,” he offered.
As a young actor, I did some extra work at age 22. At the time, like most young dreamers, I thought I was a small break away from my own series and I treated the other kids in the high school dance scene like castaways and future failures. When I started booking some jobs and enjoying the confines of an air-conditioned trailer with a private bathroom, I swore I’d never go back to the extras holding again. Yet, here I was. A 15-year TV veteran with a decent resume that I was too embarrassed to share with the other inmates. I decided to shut up and do my time and maybe get out of there with a few Clif bars and some coconut water.
Then, there was a call to action.
“Peter, Mike, Donna, Marla, Zach – party scene, now!” An Assistant Director yelled at us, directing us towards the makeup department to get touched up.
I put down my phone and walked over to the area, when Donna, one of the younger extras, mentioned that she often worked on the show. She then proceeded to refer to one of the makeup artists as her “glam squad.”
A short, effeminate man named Ty erupted in her face.
“Don’t call me ‘glam,’ don’t call me ‘glam squad’ or I’ll shove this hairbrush up your ass,” he screamed.
Emily, another makeup artist stopped him before any penetration took place. It was surreal. Never in my life had I seen a fight between an extra and a makeup artist. It was like the Cubs-Pirates bench clearing brawl in the National League Wild Card this season. You couldn’t believe it was happening.
It was a major altercation. Apparently, Ty was sent home and Donna was threatening to sue the show for harassment. It didn’t make sense. In my opinion, being called the “glam squad” wasn’t nearly as bad as being referred to as “background” or “ambience.”
My scene was fairly easy. I had to drink some iced tea and mouth the words “peas and carrots” to another extra. The entire time I was placed in the corner of the party and they shot about 9 angles and we let the main actress do six takes before she was happy. As the director stood merely three feet from me, I tried to convince him that a line would be appropriate for my character. I pitched him ““D’on T’ap Piii.”
He didn’t respond. Apparently he didn’t speak Kiowa.
Kiowa. A lost language.Lunch was at 1:00 and the extras were told to not touch or come near any food until the entire cast and crew had eaten. I was actually quite full from snacking – so I didn’t need to rush, but a lot of the extras bitched and moaned about the lack of respect. I turned to a fellow extra named Tony, who was about my age.
“Why can’t everyone just relax?” I asked him.
“Welcome to the Screen Extras Guild,” he responded.
An hour later, following one of those naps when you fall asleep with your chin in your hand, there was a small rumbling about a potential bump up for one of the extras. Apparently, a producer had seen one of us and wanted to add a line. The bit was that the lucky person would confront the female star of the show – who was wearing a fur jacket – with an uncomfortable long hug and then said, “you feel like a plushie.” All the extras began rehearsing their lines as if this was an audition for the next Coen Brothers film and we all got excited. I even took a walk around the tent and worked on my delivery.
Eventually, the female star and the director came to the extras tent and started looking around at all of us as if we were cattle being sold at a livestock auction. The female actress passed the first few folks, skipped the youngsters and then whispered to her director, “I need a middle-aged schlub.”
I am certainly creeping up on middle age, but I don’t feel like I look that way. I’m in great shape and still have hair and my skin has been hiding from the sun throughout the years as I write my life away. However, I was chosen as one of the three finalists to play “middle-aged schlub.”
We all went and had a private audition with the actress and director. I immediately messed up my hair, raised my jeans to mom-jean height and did my best to look like a total Midwestern chump who would give a hot girl a “long hug” and make her uncomfortable.
The author – doing his best to appear like a middle aged schlub.“Mmm, you feel like a fluff – wait, what’s the line?” The first guy said, immediately messing up his chances.
“You feel like a plushie,” said the next guy who was 40 pounds heavier and 100% balder than me.
When my turn came, I looked deeply into the actress’ eyes. She stared back at me for about five seconds. I knew this was my job to lose… so I did my best to “eye-bang” her and get the job on the spot. Instead, before I could get my line out, she interrupted me.
“You look like that guy from that Tru TV show,” she said.
“I am that guy!”
“What are you doing in the extras tent?” She replied.
“Trying to get my health insurance,” I said, hoping she would feel my pain and give me the bump up on the spot. I dug deeper into my plea, mentioning that my family had been sick a lot the past year and I was a huge fan of the show.
“You might be too recognizable,” she blurted. “Second guy, you got the job.”
And with that, the fat, bald guy went off to his own folding chair, better food and a holding area behind the video village where the producers and directors hung out.
I returned to my spot in the tent. All the other extras wanted to know what had happened and I told them I relayed the story as best I could. When I mentioned that the female star had said I was “too recognizable” the tent wanted to know why. After all, not one of these folks had any idea who I was. I told them. Nobody had even heard of my show.
“I get recognized all the time,” said Sonny. “People stop me when I walk down the street.”
The rest of the day I watched my phone dwindle down towards the 3% range and eventually die. In a way, I felt like that iphone charge… A year back I was flying high at 100%. Now, I was hanging onto 3.
Actor Kevin Costner as a beer-swilling extra in the film “Night Shift” (1982) A legend to extras everywhere.Before I left, I managed to fill my bag with enough high fructose corn syrup snacks to kill a small village and I hopped into the first awaiting white van that would shuttle us back to the parking lot. Luckily, I ended up in the same row as the female lead actress from earlier.
“Hey,” she said. “I’m sorry about that moment back there… I just recognized you from that other show – I didn’t mean to make you feel bad.”
“Amazingly, you’re the first person to know me from that like, ever,” I said.
She smiled.
“I’ll tell you what. Give me your manager’s name and I’ll make sure we get you in for a small role this season,” she offered.
I couldn’t believe it. Here she was telling me that she would go out of her way to get me a speaking part on her show. I got her personal email and said I’d be sending my demo reel and headshot over immediately. We exchanged good-byes and I returned my mom jeans to the costume department and signed out for the day.
As I walked to my car, the lead actress shook my hand and said I would be hearing from the production office very soon.
Zachariah’s new song explores the corporate logo marketing travesty that all of us 90’s kids endure every time we see a Nirvana or Ramones shirt for sale in Target or Wal-Mart. Back in 1992 I had to go to the concert to buy a $30 shirt. Now the logo is on onesies.
A Musician’s Dream Dies at Amoeba Records * By Zach Selwyn
By now music snobbery should have gone by the wayside. After all, the state of music has been disgustingly bleak since MP3s dethroned the industry in the 2000’s. Jobs have been eliminated, rock ‘n roll clubs have closed and bands with true talent and drive have settled for Spotify streams as a means to an .08 cent residual check twice a year. It wasn’t always this way.
In the glorious 90’s, I had friends with million dollar expense accounts, closets full of CD’s and other useless swag – like the Dave Matthews Band rain poncho I still have in a garage somewhere – and pockets full of drugs. But to say you are a “music executive”… or an A & R guy these days – sort of signifies that you are hanging onto a dream that died long ago. I have a good friend still in the business whose job it is to re-package Greatest Hits compilations to Wal-Marts across America. He’s the last executive I know – and I doubt that putting together a 10 song CD called Best of Soul Asylum is what he dreamt of when he was a younger man. In a way, today’s aging execs sort of resemble the 55-year-old hair metal musicians still hanging around the Rainbow hoping their demo CD lands them a review in Hit Parader Magazine.
Sure, nowadays vinyl is popular, but not everybody can plunk down $28.00 for a new Jack White album, no matter how many awesome backward grooves and upside down hidden songs exist when you play the thing on a 1976 Fisher-Price stereo. Besides, nice record players today can run upwards of 500 bucks. Isn’t it just so much easier to have a digital device or streaming service with everything you’ve ever wanted on it? Most of the world thinks so… But apparently, the gargantuan structure known as Amoeba Records in Hollywood does not.
Amoeba Records is the last place in the world where a used “out of print compact disc” can fetch roughly $17.00. It is the last place in the world where snobby record store employees still exist- and consider themselves way superior than the people shopping in their store. It is the last place in the world where music entitlement continues to thrive, as tattooed polliwogs insult your used DVD or CD collection while snickering behind the counter about the fact that you are wearing a Black Crowes shirt.
“Another R.E.M. CD?” One super tool employee whinnied as I tried to sell back a stack of CD’s from my collection. “Sorry, wrong decade.”
There are two things the Amoeba employee despises: Your band and your CD/DVD collection.
In 2003 my band released the first of our now five country-rock albums, ”Ghost Signs.” At the time, the death cart hadn’t quite been dragged through the streets for the physical CD, and independent manufacturers like Discmakers were still convincing artists like myself that things like shrink-wrap and jewel cases were ever so important. I fell for it, not only because it was my first time putting out my own album, but because I had always been one of those kids with 10,000 CD’s neatly arranged in jewel case displays across my dorm room. In short, I wanted my own title to exist with those titles. And there it was, finally in April of 2003: My album Ghost Signs by Zachariah.
The minute I received my shipment of 1000 CDs in the mail, I did what any bright-eyed troubadour who harbored dreams of becoming the next Springsteen would do – and I sent them out to a hundred magazines, music festivals and bigger record labels, hoping for a bite, a lead or a review. I also packed a box of 50 and went down to Amoeba Records, hoping to get a top display in front of the store. I lugged the huge box to the consignment counter and met a skinny employee with a Descendents t-shirt on who rolled his eyes when he saw me drop my hard-fought album on his counter. In those songs were my heart, soul and dreams. I was under the impression that he would take 50 of them and then ask for 50 more. After all, this wasn’t some crappy demo tape, this was an actual well-produced bad-ass album.
The employee barely shrugged at my hard work. He giggled and yawned. He wasn’t impressed. Instead, he offered up the following.
“We take two copies.”
“Two?” I said, incredulously.
“Yep.”
“But I have, like 1000 of these,” I said.
“So does everyone else. Here’s our deal. If these sell, you get 3 bucks. If they don’t sell in 30 days they go in the dollar bin.”
I couldn’t believe it. Here I was, expecting to unload 50 CDs and have hundreds of new fans clamoring for me to perform live at the Greek Theatre by the end of the summer. Instead, a skinny asshole with skin so pale you could count his remaining good vein had shattered my dreams in under three minutes.
As of last week, both copies of that album are still floating around the dollar bin at Amoeba Records.
11 years later, I experienced roughly the same exact thing when I dropped my band’s new album off at the store, hoping that they had opened their minds to independent artists actually trying to distribute their own music. I was greeted by a chubby woman with Betty Page bangs – who had a dozen bangles hanging from her wrist. She had strange vampire kitty tattoos and was ironically wearing an Usher tour t-shirt. I hated her smugness immediately.
“Consignment?” She asked.
“Yeah,” I said. “I’ve actually placed some of my music in the store before.”
“What an achievement,” she puked.
I laid my new album on the counter. 11 songs. Pristine and awesome. A personal accomplishment. It was called Skywriting and was my fifth album of original material. I had foregone the jewel case this time around for the plastic sleeve and single panel artwork. It was cheaper, less clunky and much easier to store. My friends had been doing it this way for years, so I took their lead and saved some money on manufacturing costs. The girl looked at me as her lip curled upwards.
“What kind of packaging is this?” She asked.
“Well, I didn’t print my new album in jewel cases because – really – who uses jewel cases anymore, right?”
She shot daggers. It was as if I told her that the world was ending in a few minutes. I wasn’t sure why. The CD game had suffered so immensely in the time since I put out my first record, I figured the days were numbered that anyone would be caught dead with a jewel case. Or a CD for that matter. After all, new computers don’t even have DISC DRIVES anymore.
“You’re kidding, right?” She vomited. “Of course we use jewel cases.”
“Oh, I just figured they were becoming obsolete and everything.”
“I have 25,000 CD’s at my house. You call that obsolete?” She said.
I wasn’t sure what to call it. I have 25,000 CD’s as well, but mine were all stored in Case Logic books and on shelves in closets. The days when my alphabetized CD collection was the envy of every Pi Phi who waltzed into my fraternity house asking to borrow The Chronic were OVER.
“You don’t use the big CD books?” I asked.
“CD books are bullshit… You can never find anything, the artwork gets folded which means you can’t re-sell it and the discs get scratched in the storage… Whoever started using those things in the first place was an idiot.”
“Youre music sucks, bro…” – Every record store guy.
I couldn’t believe it. I was having an argument with a record store employee about how to store compact discs. It was like arguing that the news in tomorrow’s print newspaper would be more relevant than the news just posted on the internet.
She took my CD’s and re-packaged them in some abandoned clear jewel case she had in the back of the counter and filled out a consignment sheet for me. This time, I only brought two copies of my new album, wishing not to embarrass myself by leaving down the elevator with 50 copies like I did a decade prior. I signed a sheet saying that they could sell the album for $7.99 and that I’d retain three bucks of each sale.
Then I suggested we put the CD in the country section, to which she replied, “Nobody wants to be in the country section… especially with a name like Zachariah. You think anyone is looking in the ‘Z’ section of country?”
“Maybe they’ll find it while looking for Dwight Yoakam?” I suggested.
She rolled her eyes again and hit me with even more conceit and arrogance.
“No offense, but if anybody is looking for Dwight Yoakam, they probably aren’t looking for you.”
I hated this bitch.
“Fine,” I said. “Put me next to Warren Zevon and ZZ Top in the ‘Z’ section of rock n roll.”
“Good choice,” she said. “Not that anybody is looking for them either.”
I thanked her for being so awesome and told her that she’d be surprised at how fast my CD’s would sell. She eeked out a fake smile and waved me off before moving onto the next customer who was selling a large amount of unopened House of Cards DVD’s.
Three days later, I sent my brother into Amoeba to buy both of my CD’s. I didn’t care if I was losing a few bucks by doing it. The point was to prove to these assholes that I could sell something at their store. I slipped him $20.00 and he went in and came out with both copies of my new album.
A day later, a different manager called me and informed me that I had “miraculously” sold out of my CD’s and that if I wanted to bring a few more by, he’d be happy to consign them and pay me the $6.00 I was
owed.
“How many copies should I bring down?” I asked him sarcastically. “About 50?”
“Why don’t we start with one,” he said.
I told him I’d be in that afternoon. But that I wasn’t providing a jewel case…
Email Zach DIRECTLY at z@zachariahmusic.com
Zach Selwyn 